Johnny Graham, raised by the Torino crime family after the death of his parents, is repeatedly torn between loyalty to his adoptive family and his conscience. When Anthony Torino, the ... See full summary »
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Samuel Peters once an ordinary man, dabbles within the laws of voodoo to bring his wife back from the grave, he soon encounters the God of malevolence 'Kalfu', where he makes a pact with ... See full summary »
Seven strangers find themselves trapped inside an abandoned hospital after an unexplainable apocalyptic event. In addition to being haunted by what they've lost, the strangers must also ... See full summary »
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Twisted, apocalyptic satire, THIS IS NOT A MOVIE envisions the end of the world through the bi-polar mind of a strung-out pop-culture addict. Starring Edward Furlong and Peter Coyote, with a jagged, atmospheric score from Slash.
Spanning over two decades, "For the Love of Money" follows the true account of an Israeli immigrant who searches for his piece of the American dream. The story begins in Tel Aviv in 1973, where a young Izek is raised in a seedy, gangster filled illegal casino that operates behind his family's bar. The casino is a haven for unsavory characters who seek to corrupt him to their way of life. When the violence and crime finds its way to him and his family, Izek (Yuda Levi) and his family relocate to Los Angeles. Hoping to start anew, he pursues his ambitions to become a young entrepreneur by developing small businesses, purchasing real estate, and running an auto repair shop. Success seems to find him at every turn and after falling in love with the beautiful Aline (Delphine Chaneac), luck seems to be on his side. However, it isn't long before the world of crime that Izek tried to escape so long ago continues to doggedly follow him every step of the way. Threatened by a dangerously ...Written by
The production design was good. Excessive use of old songs though. Old music is welcomed even in a dentist's chair but they should feel natural. The actual people who's story this film tells may have struggled but it doesn't come out here. A few brothers and cousins go to another country, and a few good and a few bad things happen...Could be anybody's story. James Caan saved it. However, it tried to be The Godfather and that is something no film should attempt to do. Some parts cater to the nostalgia very well but for some reason the film feels like Styrofoam, you watch it and you don't know what to take home from it. Or may be it's just me. This is my first review I hope I haven't written anything that qualifies as spoiling.
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