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Die verlorene Zeit (2011)

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A Polish man rescues a Jewish woman during the chaos of WWII, but they become separated until a chance encounter over thirty years later in New York reunites them.

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(screenplay) (as Pam Katz), (collaborator on screenplay) | 1 more credit »
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Cast

Cast overview, first billed only:
...
Hannah Silberstein 1944
...
Tomasz Limanowski 1944
Dagmar Manzel ...
Hannah Levine 1976
Lech Mackiewicz ...
Tomasz Limanowski 1976
...
Stefania Limanowska
...
Magdalena Limonowska
...
Czeslaw Limanowski
...
Hans von Eidem
...
Rebecca Levine (as Shantel Van Santen)
...
Daniel Levine
...
Janusz
Adam Markiewicz ...
Henryk
Anja Antonowicz ...
Ewa Limanowska
Petra Hartung ...
SS Frau
Yanina Lisovskaya ...
Mrs. Górska (as Jana Lissovskaia)
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Storyline

Die Verlorene Zeit (Remembrance) depicts a remarkable love story that blossomed amidst the terror of a German concentration camp in 1944 Poland. This impossible passion fuels the courage of a Polish prisoner who manages to rescue his Jewish girlfriend. Against all odds, they escape the camp and survive a treacherous journey to freedom. But during the chaos of the end of the war, they are forcibly separated and each is convinced that the other has died. More than thirty years later in New York, the happily married 52-year-old woman accidentally finds out that her former Polish lover is still alive. And she has to see him again. Written by Pam Katz / Anna Justice

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Genres:

Drama | Romance | War

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Release Date:

24 November 2011 (Germany)  »

Also Known As:

Ano Hi Ano Toki Ai No Kioku  »

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Box Office

Budget:

€3,100,000 (estimated)
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Goofs

In the final scene, when Hannah gets out of the bus, she is standing in shade near the traffic island. In the next long shot, she is still standing near the traffic island but now she is back-lit by the sun. See more »

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User Reviews

 
Melodramatism often lacking authenticity
12 December 2013 | by See all my reviews

Average artistic, directing and storytelling, not bad, but certainly also not good, given the Auswitz and the Holocaust context. The basic story had all ingredients for a very good resulting plot and accurate artistic translation.

Unfortunately is the director's approach filled with post-Shoa clichés that gives induce artificial, quality diminishing elements into the dramaturgy and authenticity of the resulting work.

Can be recommended to high school students from families that experienced the Holocaust and like to talk about. For those attracted by real historic accounts, be they even sentimental, it won't rise up to expectations. For all others: read better a good book


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