A Polish man rescues a Jewish woman during the chaos of WWII, but they become separated until a chance encounter over thirty years later in New York reunites them.


Anna Justice


Pamela Katz (screenplay) (as Pam Katz), Anna Justice (collaborator on screenplay) | 1 more credit »
1 win. See more awards »





Cast overview, first billed only:
Alice Dwyer ... Hannah Silberstein 1944
Mateusz Damiecki ... Tomasz Limanowski 1944
Dagmar Manzel Dagmar Manzel ... Hannah Levine 1976
Lech Mackiewicz ... Tomasz Limanowski 1976
Susanne Lothar ... Stefania Limanowska
Joanna Kulig ... Magdalena Limonowska
Adrian Topol ... Czeslaw Limanowski
Florian Lukas ... Hans von Eidem
Shantel VanSanten ... Rebecca Levine (as Shantel Van Santen)
David Rasche ... Daniel Levine
Miroslaw Zbrojewicz ... Janusz
Adam Markiewicz ... Henryk
Anja Antonowicz Anja Antonowicz ... Ewa Limanowska (as Anna Antonowicz)
Yanina Lisovskaya ... Mrs. Górska (as Jana Lissovskaia)
Pawel Burczyk ... Mirek


Die Verlorene Zeit (Remembrance) depicts a remarkable love story that blossomed amidst the terror of a German concentration camp in 1944 Poland. This impossible passion fuels the courage of a Polish prisoner who manages to rescue his Jewish girlfriend. Against all odds, they escape the camp and survive a treacherous journey to freedom. But during the chaos of the end of the war, they are forcibly separated and each is convinced that the other has died. More than thirty years later in New York, the happily married 52-year-old woman accidentally finds out that her former Polish lover is still alive. And she has to see him again. Written by Pam Katz / Anna Justice

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Drama | Romance | War


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Did You Know?


In the final scene, when Hannah gets out of the bus, she is standing in shade near the traffic island. In the next long shot, she is still standing near the traffic island but now she is back-lit by the sun. See more »

User Reviews

Brilliant wartime romance
13 September 2016 | by NateWatchesCoolMoviesSee all my reviews

On a chaotic summer day among the poor souls in a horrific Polish concentration camp, 1944, young inmate Tomasz (Mateusz Damiecki) is desperate. German jew Hannah (Alice Dywer) is almost certainly meant for death at the hands of the Nazis running the facility. The two have fallen hopelessly in love, and he knows he must get her out and far, far away before it's too late. In an impossibly courageous effort and a scene that will pummel your nerves, he uses a stolen SS officer's uniform, scoops her up from the workhouse wing and quietly leads her right out the front gate. The two disappear into the neighboring Polish woodland in what is one of the only escapes from a nazi concentration camp ever documented. It's a bold, thrilling, stirring way to start the film, whether or not you know of its origins in actual history. That kind of escape from a place so hellish is a collective sigh of relief from both audience and characters, and it's one nail biter of an emotional ring of fire we all are forced to jump through. But we know this isn't the end, the resolute happiness we so wish for these two, because the film has only just started. In the confusion near the end of the war, the two of them are separated, and move forward in life each believing the other to be dead. This is all interspersed with visions of Hannah's life far in the future of 1976, now married, in her 50's and played by the sensational Dagmar Menzel. In a dry cleaner shop one day she happens to see a talk show on European television, where a man recounts his daring rescue and escape from Auschwitz. The details are eerily similar, and Hannah's mind races. Could this be Tomasz? Could he be alive after all these years and most importantly, should she go to him despite the gulf of time that signifies their prolonged separation? The film tugs at your heartstrings in so many different ways and moments, effectively hanging your tear ducts out to dry. No one can say no to a good wartime romance, because the formula is just too workable. Amidst all that confusion, terror and violence it is essential to find some sort of good with which to combat the dark, and what better way than the strongest force of all, love? Dywer and Damiecki are beyond convincing in their roles, so clearly blessed and burdened with that go for broke, die for one another type passion that we all look for and seldom find. American actor David Rasche plays Hannah's husband in New York, clearly torn up by the tumultuous past rearing it's head in their lives, but willing to empathize with the woman he loves and strive to do what's best in this difficult situation. Menzel is conflicted, hurt, hopeful and utterly, convincingly reactive in a role that's just not an easy one to pull off. Director Anna Justice uses majesterial skill to get the flow of story just right from scene to scene. Narratives which skip backwards and forwards in time can often feel jagged and unfounded in cohesion, but this one ebbs and flows from moment to moment without a single beat skipped or turn of plot out of place. I did some research on the true life tale this is based on, and for the most part they have stuck to fact to bring us as story that's almost unbelievable, and deeply emotional. Remembrance is a keeper.

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German | English | Polish | Russian

Release Date:

24 November 2011 (Germany) See more »

Also Known As:

Remembrance See more »


Box Office


EUR3,100,000 (estimated)

Cumulative Worldwide Gross:

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Technical Specs

Sound Mix:

Dolby Digital


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