A grown man caught in the crossfire of his parents' 15-year divorce discovers he was unknowingly part of a study on divorced children and is enlisted in a follow-up years later, which wreaks new havoc on his family.
Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Follows the lives of five interconnected couples as they experience the thrills and surprises of having a baby and realize that no matter what you plan for, life does not always deliver what is expected.
J. Todd Smith
In the throes of a quarter-life crisis, Megan panics when her boyfriend proposes, then, taking an opportunity to escape for a week, hides out in the home of her new friend, 16-year-old Annika, who lives with her world-weary single dad.
Chloë Grace Moretz,
Julie and Jason have been best friends for years with no romantic interest in each other. He sleeps with someone new every few days, and she's looking for Mr. Right. Now in their thirties, they notice that their friends seem to lose all their good qualities when they have children - child rearing and the spark of Eros don't seem to co-exist. So, they decide to have a child together, share in child rearing, but pursue their own romantic lives. Things go well until he meets Mary Jane and she meets Kurt. Both seem like perfect mates. What could go wrong?Written by
The dialogue between Chris O'Dowd and Maya Rudolph about their age difference was a rewrite by Jennifer Westfeldt. After casting Chris O'Dowd, the issue of the couple's age difference had to be addressed in the film. See more »
When Jason describes his girlfriend Mary Jane to Julie and insists that she should meet her, while leaving the house Julie's white scarf is tied in one scene and untied in the next scene. See more »
Greetings again from the darkness. Evidently this is a movie for thirty-somethings who need more ammunition to defend their decisions to avoid marriage and parenthood. At least that's the best case I can come up with ... otherwise it's just a bitter, caustic view of those two topics. It's pretty obvious from the opening scene where the relationship story is headed, but it's not an easy road for us viewers.
This movie belongs to Jennifer Westfeldt. She wrote the script, directed the movie and stars as the woman who decides to have a baby with her platonic friend (Adam Scott). These two are part of a group of six close knit friends in Manhattan who start out doing everything together and telling each other everything. One of the couples (Maya Rudolph and Chris O'Dowd) announce "We're pregnant" and promptly move to Brooklyn. The other married couple (Jon Hamm, Krisen Wiig) start out by attempting to break all Guiness records for sex, and end up evolving into something a bit less exciting.
The two platonic friends decide to "beat the system" by sharing parenting responsibilities while pursuing separate dating lives until they find "the right person". Westfeldt has a Lisa Kudrow quality about her that doesn't play well with me. She was the star and writer of Kissing Jessica Stein, and here she comes across as insecure and awkward, and not nearly as smart as she would like to believe. Adam Scott (brilliant on "Parks and Recreation") is quite the ladies man and also views himself as smarter than the masses. Westfeldt finds a "perfect" guy in Edward Burns, and Scott finds happiness with Megan Fox. Of course, you know where this is headed.
What struck me throughout the film was how every scene and every character was just a bit off. Nothing really worked. Jon Hamm has one really nice scene where he is intoxicated and really stirs the pot at a group dinner. Kristen Wiig has very few lines and spends the movie sulking. Maya Rudolph and Chris O'Dowd have a couple of decent scenes, but mostly the film has little insight to offer and no characters with whom you would like to connect.
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