Julie and Jason have been best friends for years with no romantic interest in each other. He sleeps with someone new every few days, and she's looking for Mr. Right. Now in their thirties, they notice that their friends seem to lose all their good qualities when they have children - child rearing and the spark of Eros don't seem to co-exist. So, they decide to have a child together, share in child rearing, but pursue their own romantic lives. Things go well until he meets Mary Jane and she meets Kurt. Both seem like perfect mates. What could go wrong?Written by
When the scene showing Julie Keller's (Jennifer Westfeldt) birthday was shot, it was done so on Jennifer Westfeldt's actual birthday. See more »
When Jason describes his girlfriend Mary Jane to Julie and insists that she should meet her, while leaving the house Julie's white scarf is tied in one scene and untied in the next scene. See more »
Y'know, some people just aren't meant to be parents.
Look, none of us really ever thinks that we're doing a perfect job. But it's just par for the course, that's the gig. But then you have those moments, you come home from work, you open the door, you're kid run in and gives you a big hug, and it's kind of game over, right? And that the kind of whole thing right there, you know.
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Written by Duke Ellington
Performed by Brian Newman, Alex Smith, Paul Francis and Steve Whipple See more »
Hitting the nail on the head - for me anyway
As with any film, we bring to it as much as we take away, so I'm guessing this is why I thought Friends with Kids was a beautifully written and executed tale of modern love, friendship and family, whereas many people (it seems), thought otherwise. To set the scene of my particular disposition, I'm in my late 30's, female, I don't want children, have many friends with them and see only stress and unhappiness when I'm around them. So the opening 45 minutes was pretty must grist to my particular mill. And then, three lovely moments were subtly conveyed in the remainder of the film, there were no fanfares, or big shiny signposts, which made it all the better. I'm not going to say what they are, dare you to find them for yourselves. All I can say is, for me, the film got love just right and actually made me slightly (very very slightly) broody. This is the kind of film which I think is rarely done well, and whilst there's always room for Sci-fi, thriller and horror (in my world at least), a well observed, funny and moving commentary on the human state that you can relate to is what I think filmmakers should be most proud to do. It makes you think, it makes you feel part of something more.
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