In 1905, revolutionist Sun Yat-Sen visits Hong Kong to discuss plans with Tongmenghui members to overthrow the Qing dynasty. But when they find out that assassins have been sent to kill him, they assemble a group of protectors to prevent any attacks.
A martial arts instructor from the police force gets imprisoned after killing a man by accident. But when a vicious killer starts targeting martial arts masters, the instructor offers to help the police in return for his freedom.
The story of legendary Guan Yu crossing five passes & slaying six generals. He played a major role in the civil war that led to the collapse of Han Dynasty & the establishment of Shu Han of the 3 Kingdoms, making Liu Bei its first emperor.
Seven years after the apparent death of Chen Zhen, who was shot after discovering who was responsible for his teacher's death (Huo Yuanjia) in Japanese-occupied Shanghai. A mysterious ... See full summary »
A near retired inspector and his unit are willing to put down a crime boss at all costs while dealing with his replacement, who is getting in their way. Meanwhile, the crime boss sends his top henchmen to put an end to their dirty schemes.
Set in China in the 1860's during the Taiping Rebellion, the story is based on the assassination of Ma Xinyi in 1870. Loyalist General Qingyun is the only survivor of a battle with ... See full summary »
Donnie Yen and Peter Chan presided over the lighting of a billboard for Dragon (2011) that broke the Guinness Book of World Records for its size, 3591 square metres, previously held by a poster for a Michael Jackson album See more »
"A Chinese version of A HISTORY OF VIOLENCE (2005)!", which is my immediate response off the top of my head during the viewing at a local cinema, ordainedly a deja vu even banal narrative does undermine the film itself. Also Wu Xia's ostensible propaganda is so-called "microcosmic Kung Fu", which in my opinion, fabricates a promising prologue, particularly leavens the appeal of the detective segments, Takeshi's character is noteworthy for infusing panache into his persistent waywardness, which sounds more intriguing than the hero- hidden-in-a-remote-village plot, unfortunately the mission is unjustly unfulfilled.
Frankly speaking, the overall quality of the film is above average, as Peter Chen's prestige laurels still waver on a high level. The technical job is amazingly done, the acupuncture specifications, the reconstruction of a minority people's village and some canny inventions such as the alarm clock, the ancient condom and the print apparatus are fun to watch, not to mention the ending, which aroused a burst of laughters in the cinema, I must say it is an unexpected and creative one, otherwise, the finale would be more blushing.
Donnie Yen (from the IP MAN franchise), is unquestionably the leading martial superstar in China at present, whilst Jackie Chan is aging and Jet Li put his priority on his charity career. At an abashed age of 48, being the red-hot Kung Fu star, I pessimistically assume that Donnie's heyday will not be protracted too long. This is Takeshi's the third time starring in Peter Chan's films after THE WARLORDS (2007) and PERHAPS LOVE (2005), this time, his thunder cannot be stolen. I am also surprised to see Tang Wei (the budding starlet in LUST, CAUTION 2007) took such a marginalized role in the film, an almost downplayed innocent wife, although solid, her only shining moment is curbed within one cry-scene, to me, it is an inexcusable misemployment. Other two weathered Kung Fu masters are Kara Hui and Yu Wang, as the main villains, both give admirable but a shade monochrome performances.
All in all, the film is a niche under my expectation, but after so many recent disappointments, to name a few, THE LOST BLADESMAN (2011), FIST OF FURY: THE LEGEND OF CHEN ZHEN (2010) (both under the belt of Donnie Yen), Wu Xia show how desperate we need some new blood to inject into the now overheated Chinese Kung Fu genre, which I do appreciate for its effort.
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