Two survivors, who appear unwilling to answer questions, are the only links authorities have to a spate of attacks that have hit rural South Africa.Two survivors, who appear unwilling to answer questions, are the only links authorities have to a spate of attacks that have hit rural South Africa.Two survivors, who appear unwilling to answer questions, are the only links authorities have to a spate of attacks that have hit rural South Africa.
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Two survivors of a brutal attack by a masked man are interrogated by a police detective, the survivors both tell their account of grisly events more shocking than anyone could've imagined.
Unlike with other films that I'll just simply buy I decided to rent THE UNFORGIVING before buying it, this being a South African production shot on a shoe string budget I had to find out first whether or not this film was a professional job or did it look like it was shot with a cell phone camera.
When it got started I was pleasantly surprised by how well the film actually looked, the storyline itself immediately established the mood, set up the tone and maintained a steady pace throughout, it even at times came off as a SAW rip off but at a certain stage it started turning the whole concept on its head and went towards a more intriguing and exciting direction and at latter stages it seemed to merely reference SAW but it never at any time felt like a rip off.
The acting was very good considering this is practically a first time cast, the actors all did a very good job for them to be considered for future projects.
Also unlike both SAW and HOSTEL its not an all out gore fest, its actually pretty tame in the gore department, its more content with the plot than with gore but I can honestly say the climax is pretty intense.
Overall, THE UNFORGIVING can stand tall alongside SAW and HOSTEL as one of the best known films of its genre.
Unlike with other films that I'll just simply buy I decided to rent THE UNFORGIVING before buying it, this being a South African production shot on a shoe string budget I had to find out first whether or not this film was a professional job or did it look like it was shot with a cell phone camera.
When it got started I was pleasantly surprised by how well the film actually looked, the storyline itself immediately established the mood, set up the tone and maintained a steady pace throughout, it even at times came off as a SAW rip off but at a certain stage it started turning the whole concept on its head and went towards a more intriguing and exciting direction and at latter stages it seemed to merely reference SAW but it never at any time felt like a rip off.
The acting was very good considering this is practically a first time cast, the actors all did a very good job for them to be considered for future projects.
Also unlike both SAW and HOSTEL its not an all out gore fest, its actually pretty tame in the gore department, its more content with the plot than with gore but I can honestly say the climax is pretty intense.
Overall, THE UNFORGIVING can stand tall alongside SAW and HOSTEL as one of the best known films of its genre.
Given the current genre of Horror movies out there i watched this movie with out any lofty expectations and almost purely based on the reviews of the many others who seemed to have a favorable opinion of it. Add the fact that the budget used to make this film was minuscule and i truly felt that i was about to be hoodwinked. Not at all. I was locked in from beginning to end and was very pleasantly surprised. Definitely one of the more suspenseful horror movies i have seen in a while. Now having said that, this is the kind of movie that requires your full attention and while the movie provides enough interest to captivate most viewers, I admit i had to watch it again after seeing the ending. I did so without hesitation though because it was an enjoyable enough of a movie to do so. I don't know anything about making films but i would think something has to be said about a director and a cast that can make such a decent film with so little. Easily worth watching!
I have no what the budget of this film was but I'm guessing it's pretty darn low. A pity this was completely ignored on its theatrical run out here considering it's an okay-ish little suspenser. It's not really a horror film - at no point is the film ever truly disturbing and this, essentially, is my main problem with it.
I think it was marketed as a balls out gore to the wall horror film and it just isn't. You can't compare something done on this budgetary level to something like a "saw" or a HOSTEL. The characters are very underwritten, the dialogue pretty dodgy containing way too many clichés for my taste, some of the performances are a bit flat and there just isn't any real gore.
If you're out to make a gore film you have to show the gore - you can't just splash blood in someone's face, grade the $hit out of your picture (overdone in my humble opinion) and use way too many closeups to the point of the viewer saying - okay so where the %uck are we? If you have a needle - show it going in - don't imply it. You're marketing the film as an all out bloodbath but then all you're doing is teasing the audience.
The editing is tricksy and needn't be so. The script is tired and somewhat cliché ridden - we've seen it all before with more money and done better, but, and this is a big BUT, for a South African film this is leaps and bounds ahead of most of the crap that litters our screens.
At least these kids tried to make a halfway decent movie. At least they've produced something very flawed but also watchable at the same time and they deserve a tip of the hat for that. Well done for taking the time and at least trying to make a good movie guys...and for that they deserve a solid six out of ten at least.
Long live South African genre films may there be many more to come! Long live the new flesh!
I think it was marketed as a balls out gore to the wall horror film and it just isn't. You can't compare something done on this budgetary level to something like a "saw" or a HOSTEL. The characters are very underwritten, the dialogue pretty dodgy containing way too many clichés for my taste, some of the performances are a bit flat and there just isn't any real gore.
If you're out to make a gore film you have to show the gore - you can't just splash blood in someone's face, grade the $hit out of your picture (overdone in my humble opinion) and use way too many closeups to the point of the viewer saying - okay so where the %uck are we? If you have a needle - show it going in - don't imply it. You're marketing the film as an all out bloodbath but then all you're doing is teasing the audience.
The editing is tricksy and needn't be so. The script is tired and somewhat cliché ridden - we've seen it all before with more money and done better, but, and this is a big BUT, for a South African film this is leaps and bounds ahead of most of the crap that litters our screens.
At least these kids tried to make a halfway decent movie. At least they've produced something very flawed but also watchable at the same time and they deserve a tip of the hat for that. Well done for taking the time and at least trying to make a good movie guys...and for that they deserve a solid six out of ten at least.
Long live South African genre films may there be many more to come! Long live the new flesh!
Being a South African, i was excited to support this movie so i rented it from my local store. I know of budget constraints and all other challenges facing a local production, but i do feel the dialogue could have been done better, as well as the acting, it felt too South African soap opera-ish (ala Sevende Laan), the actors were not convincing at all especially the cop and the villain. As there were only 4 actors in this movie, that should tell you something. There were too may plot holes, escape for the victims could have been easily achieved. The worst line in the movie for me was "...the clock face may tell you what time it is, but i think its time for you to start telling me the truth". Some improbabilities, being able to limp off after having your knee cap drilled through, having your head smashed (really hard) into tar numerous times (consecutively) and still surviving (no brain damage) and still be able to run around as if nothing happened, being stabbed twice and not dying after hours of bleeding(not to mention bleeding form other orifices as well). The worst part for me though was the music and its timing (or lack off), there was no build up, everything was all loud all of the time, no silence before the big "ta-da", just continuous synths and strings and big bass, sometimes even drowning out the dialogue, you have to use music as if its a character in the movie. And lastly the HD camera work (doccie style) was a lil too erratic, with heavy music and a vibrating pic, things got a bit nauseous. The twist in the movie had a bit of redeeming quality, but because of the above mentioned personal issues with the movie, i was zoned out before it even happened. Can't wait for your next effort though, with constructive feedback (nudge, nudge...) i am sure it gonna be off the chain.
If you can find this movie you have to watch it. I was lucky enough to watch it on the cinema and I can tell you I was really impressed.
This is a great example of no budget filmmaking. I would love to see these guys working on bigger films - I think they would really kick some ass!
This movie was made for no money, but the filmmakers use this to their advantage. Using cleverly created scenes where you see everything in Close-up- Alastair Orr creates a sense of confusion and disorientation, with a narrative that tosses between different points of views and times. You never really know what is going on until the end, where it all comes together very nicely. This is a gem of a little film - even if the gem is painted black.
This is a great example of no budget filmmaking. I would love to see these guys working on bigger films - I think they would really kick some ass!
This movie was made for no money, but the filmmakers use this to their advantage. Using cleverly created scenes where you see everything in Close-up- Alastair Orr creates a sense of confusion and disorientation, with a narrative that tosses between different points of views and times. You never really know what is going on until the end, where it all comes together very nicely. This is a gem of a little film - even if the gem is painted black.
Did you know
- TriviaAll the actors did their own fight scenes.
Details
Box office
- Budget
- $5,000 (estimated)
- Gross worldwide
- $16,743
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