It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl witnesses tragedy as her ayah (nanny) is caught between the love of two men and the rising tide of political and religious violence.
Says Noemi Weis, President of Filmblanc: "Deepa Mehta is a master of the exposé. As a documentary director, she has elevated the issue of domestic violence in such a way that we can no ... See full summary »
A story of love and enchantment set in the coldest of winters, it explores the issues, dilemmas and barriers facing the lucky and unlucky in love in the 21st Century, based on the novel of ... See full summary »
23-year-old Nikhil comes to Canada from India to find his fortune and is convinced by his uncle to work as a companion and care-giver to Sam, an elderly Jewish man. An unlikely friendship ensues, which gives both men new insight into life.
Saleem goes to Karachi, Pakistan after leaving Aunt Emerald's house. After coming out of the railway station, the taxi that takes him home is an Ambassador car manufactured by HM "Hindustan Motors", available only in India. See more »
Written by Nitin Sawhney and Saroj Sawhney
Performed by Samidha Joglekar See more »
A Satisfactory (not great) Adaptation of a Literary Masterpiece!
A satisfactory (not great) adaptation of a Literary Masterpiece! This might be Deepa Mehta's most ambitious film till date, but not her best one.
The sets, the cinematography and the acting are superb; these are the main plus points for the movie. The author (Salman Rushdie) himself does the narration, which gives an intimate feel. The movie's splendid cast is truly fine; with so many experienced actors being a part of it. Shahana Goswami, Seema Biswas and Darsheel Safary truly stand out.
The movie could have been much better if a few things could have been avoided. First and the primary one being, she broke the first rule of novel adaptations - never let the original author adapt his own book. This causes the screenplay to be flabby, and sometimes overstretched. He struggles to incorporate most of his teeming subplots; the result is that it becomes too difficult to find a narrative focus.The editing and the background score could have been better. The characters seem a little underdeveloped and fail to make an emotional connection. And the screenplay fails to soulfully blend the supernatural realism with the historic political sweep of the story.
The Book might be 'Booker of Bookers', but the movie fails to reach that height. It's still a satisfactory watch for all the book's fans and lovers of unusual cinema.
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