Dr. Alex Cross is on his last police duty to track down an assassin called Picasso, who's been torturing and killing rich businessmen in Detroit. Soon when the mission gets personal, Cross is pushed to the edge of his moral and psychological limits to end this once and for all.Written by
In the Alex Cross novels, Cross and his family are life long residents of Washington D.C. However, for this movie, Cross and his family live in Detroit. See more »
Towards the end of the film, when two cars collide, Alex Cross' airbag inflates. He then cuts the airbag away in order to leave his car. Airbags immediately deflates after initial inflation, so there would be no need to cut it away. See more »
[Toward two long-haired and bearded computer techs examining an external hard drive]
What do you guys got back there?
Computer Tech #1:
The IDE was routed to the BIOS in a weird way, and the cylinder/sector was stored in the CMOS.
Yo, yo, yo. Geico Cavemen, what do you say we break that down in English.
Computer Tech #2:
We spelunked her email account.
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Did I Just Hear a Line from Madea?? Sounded like it.
This movie was worse than I expected. A lot worse. The blame goes all around. The script is extraordinarily weak. Too much pulling on the heart strings, not enough compelling action. The acting was completely flat, no chemistry. I swear I could hear Tyler channeling Madea at least twice. Feels like Perry and Burns dialed it in. Direction was apathetic. Hand-held camera was noticeably bad, randomly jerking and swinging wildly usually during action scenes. It felt like some weak ass 1980's/90's TV cop show. I somehow felt bad for everyone involved: Perry wanting to be an action hero; Fox trying to make a name for himself by losing 40lbs, etc. Then I thought of a line from Entourage: "It ain't easy making a movie." I heard a sequel is already being planned. Can't be any worse but don't expect me to pay to see it.
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