In 19th-century France, Jean Valjean, who for decades has been hunted by the ruthless policeman Javert after breaking parole, agrees to care for a factory worker's daughter. The decision changes their lives forever.


Tom Hooper


William Nicholson (screenplay by), Alain Boublil (screenplay by) | 5 more credits »
648 ( 32)
Won 3 Oscars. Another 82 wins & 177 nominations. See more awards »





Cast overview, first billed only:
Hugh Jackman ... Jean Valjean
Russell Crowe ... Javert
Anne Hathaway ... Fantine
Amanda Seyfried ... Cosette
Sacha Baron Cohen ... Thénardier
Helena Bonham Carter ... Madame Thénardier
Eddie Redmayne ... Marius
Aaron Tveit ... Enjolras
Samantha Barks ... Éponine
Daniel Huttlestone ... Gavroche
Cavin Cornwall ... Convict 1
Josef Altin ... Convict 2
Dave Hawley Dave Hawley ... Convict 3 (as David Hawley)
Adam Jones Adam Jones ... Convict 4
John Barr John Barr ... Convict 5


Jean Valjean, known as Prisoner 24601, is released from prison and breaks parole to create a new life for himself while evading the grip of the persistent Inspector Javert. Set in post-revolutionary France, the story reaches resolution against the background of the June Rebellion. Written by Anonymous

Plot Summary | Plot Synopsis


The Dream Lives This Christmas See more »

Motion Picture Rating (MPAA)

Rated PG-13 for suggestive and sexual material, violence and thematic elements | See all certifications »

Parents Guide:

View content advisory »

Did You Know?


Anne Hathaway actually allowed her hair to be cut very short for the scene where Fantine's hair is cut. Her male hairdresser was put in a dress to double as the haircutting woman, actually cutting Hathaway's hair on set. See more »


At the beginning of "ABC Cafe," when Enjolras sings the line, "We need a sign," the part in his hair is suddenly on the other side. See more »


[first lines]
Jean Valjean: Look down, look down, don't look them in the eye.
Chain Gang: Look down, look down, you're here until you die.
See more »

Crazy Credits

"Special thanks to all the casts and creative teams that have kept LES MISERABLES so thrillingly alive on stage since 1985 and everyone at Cameron Mackintosh for their unstinting devotion to our darling Cosette." See more »


Referenced in The Simpsons: Treehouse of Horror XXIX (2018) See more »


Written by Herbert Kretzmer, Claude-Michel Schönberg, and Alain Boublil
Performed by Russell Crowe.
See more »

User Reviews

Starts strong but doesn't stay as good
24 May 2014 | by bob the mooSee all my reviews

It should be said that while I do enjoy the occasional musical, I'm not really one to seek them out as they tend not to be naturally my thing; indeed my favorite musical is the South Park film, mainly because it manages to have its genre cake and mock it at the same time. So it took me a few minutes to get into the big chorus, singing dialogue thing here but early on I did. To speak of the first hour I had characters I engaged with, songs that mostly are memorable (although the singing is variable) and generally plenty of spectacle and flair in the delivery. The first hour of the film is by far the strongest and it contains a lot of the most emotionally moving aspects.

Much has been said about Hathaway and, sort of as a result I wasn't sure how much of it was hype for awards and how much of it was real, but she really is very good throughout her section. The highlight is of course I Dream a Dream, but her whole performance is emotionally charged but yet fragile at the same time. Problem is that with this and other strengths in the first hour, the rest of the film has a lot to live up to and, mostly, it doesn't really manage it. It runs to almost 3 hours and it really does feel long but weirdly at the same time it also feels rushed. It is hard to describe but the amount of story to be told seems too much to really fit in and do it well. As a result it never grabbed me quite as much as it had in that first hour; I still enjoyed it for its flair and spectacle but it felt like that is what I was watching, rather than characters or a story.

Beyond Hathaway the cast are not quite as strong. Jackman does well but not amazing; Seyfried is okay while Redmanye, Barks, Tveit and others are solid. Baron Cohen and Bonham Carter both overplay it but are amusing. The only real weak link is Crowe and it is a shame because he actually fits his character very well, it is just the fact that his singing voice is strained that poses a problem – but it is a big problem when you're making a musical. The production values are tremendously high, with great sets, great costumes and around these Hooper gives us some great set-pieces – with the downside of this being that it all seems so surface that it highlights the increasingly lack of much else going on elsewhere.

The film still is worth a look for this, but it is a shame that it peaks so early and only seems to slip away from there. It manages to feel overlong while also feeling rushed and needing more time; perhaps me not naturally being drawn to musicals was part of the issue, but it is a flawed but expensive film.

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Release Date:

25 December 2012 (USA) See more »

Also Known As:

Les Miz See more »


Box Office


$61,000,000 (estimated)

Opening Weekend USA:

$27,281,735, 30 December 2012

Gross USA:


Cumulative Worldwide Gross:

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Company Credits

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Technical Specs




Aspect Ratio:

1.85 : 1
See full technical specs »

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