Genius (2016)

A chronicle of Max Perkins's time as the book editor at Scribner, where he oversaw works by Thomas Wolfe, Ernest Hemingway, F. Scott Fitzgerald and others.

Director:

Michael Grandage

Writers:

John Logan (screenplay by), A. Scott Berg (based on the book 'Max Perkins: Editor of Genius' by)

Stars:

Colin Firth, Jude Law, Nicole Kidman

1 win & 5 nominations.

Cast

Cast overview, first billed only:
Colin Firth	...	Max Perkins
Jude Law	...	Thomas Wolfe
Nicole Kidman	...	Aline Bernstein
Laura Linney	...	Louise Perkins
Guy Pearce	...	F. Scott Fitzgerald
Dominic West	...	Ernest Hemingway
Vanessa Kirby	...	Zelda Fitzgerald
Gillian Hanna	...	Julia Wolfe
Angela Ashton	...	Bertha Perkins
Eve Bracken	...	Zippy Perkins
Katya Watson	...	Jane Perkins
Lorna Doherty	...	Peggy Perkins
Makenna McBrierty	...	Nancy Perkins
Miquel Brown	...	Eleanor, Perkins' Maid
Corey Johnson	...	John Wheelock

Storyline

When, one day in 1929, writer Thomas Wolfe decided to keep the appointment made by Max Perkins, editor at Scribner's, he had no illusions: his manuscript would be turned down as had invariably been the case. But, to his happy amazement, his novel, which was to become "Look Homeward, Angel," was accepted for publication. The only trouble was that it was overlong (by 300 pages) and had to be reduced. Although reluctant to see his poetic prose trimmed, Wolfe agreed and was helped by Perkins, who had become a true friend, with the result that it instantly became a favorite with the critics and a best seller. Success was even greater in 1935 when "Of Time and the River" appeared, but the fight for reducing Wolfe's logorrheic written expression had been even harder, with the novel originally at 5,000 pages. Perkins managed to cut 90,000 words from the book, and with bitterness ultimately taking its toll, the relationships between the two men gradually deteriorated. Wolfe did not feel ...

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Plot Keywords:

book | editor | book editor | writer | novel writing | 

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Taglines:

Max Perkins discovered Ernest Hemingway and F. Scott Fitzgerald. But he never met anyone like Thomas Wolfe.

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Genres:

Biography | Drama

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Motion Picture Rating (MPAA)

Rated PG-13 for some thematic elements and suggestive content

Details

Official Sites:

Official Facebook Official site [Japan]

Country:

UK USA

Language:

English

Release Date:

10 June 2016 (USA)

Also Known As:

Pasión por las letras

Filming Locations:

King Street, Manchester, England, UK

Box Office

Opening Weekend USA:

$98,274, 12 June 2016, Limited Release

Gross USA:

$1,358,018, 12 August 2016

Cumulative Worldwide Gross:

$1,346,531, 4 August 2016

Company Credits

Production Co:

Desert Wolf Productions, Michael Grandage Company, Riverstone Pictures

Technical Specs

Runtime:

104 min

Sound Mix:

Dolby Digital

Color:

Color Black and White (opening sequence)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Colin Firth wears a hat in every one of his scenes, even at the dinner table. The only time he uncovers his head is when he reads the letter from Thomas Wolfe Jude Law at the end of the film.

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Goofs

The story is set in New York with numerous flags shown flying but all railroad shots are of British locomotives and carriages (coaches) where the film was made.

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Quotes

[first lines]
John Wheelock: [throwing down a manuscript onto his desk] Might want to read this one.
Maxwell Evarts Perkins: Please tell me it's double-spaced.
John Wheelock: No such luck.
Maxwell Evarts Perkins: Where'd you get it?
John Wheelock: A woman named Aline Bernstein. The stage designer? The author's her protege. Every other publisher in town has already tuned it down.
Maxwell Evarts Perkins: Is it any good?
John Wheelock: Good? No. But it's unique.
Maxwell Evarts Perkins: A quick look.
John Wheelock: Thanks, Max. I'm in your debt.

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Connections

Referenced in The Tonight Show Starring Jimmy Fallon: Jude Law/Keri Russell/Fall Out Boy (2015)

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Soundtracks

Flow Gently Sweet Afton
(Sottish traditional)
Composed by Jonathan E. Spillman
(1873)

User Reviews

two geniuses

"Genius" is the story of the great editor Maxwell Perkins and his relationship with Thomas Wolfe, author of Look Homeward Angel, You Can't Go Home Again, and other novels and stories.

One thing before I start - the IMDb message board has to be the only place where people ADMIT they've never heard of Thomas Wolfe, much less read anything he wrote. I'm not sure I would be so forthcoming with that info.

The cast is fantastic: Colin Firth as Perkins, Jude Law as Wolfe, Laura Linney as Mrs. Perkins, and Nicole Kidman as Aline Bernstein, who brings Wolfe's novel to Perkins in real life.

Perkins is shown as a hard-working man, working with people like Fitzgerald and Hemingway and trying to balance his work with family, which consists of a wife and five daughters. He reads Wolfe's 300,000+ word novel and realizes the man is great genius - he also writes too many words. When he talks to Wolfe, he realizes why - he talks too many words, too. He's unmarried and having an affair with stage designer Aline Bernstein. It's a turbulent relationship that lasts around five years.

His relationship with Perkins is turbulent too. At first Wolfe accepts Perkins' drastic cuts in his world; later on, he fights them. Nevertheless, Wolfe becomes a son to Perkins and Wolfe considers him his only friend.

Jude Law and Nicole Kidman are unrecognizable in makeup, hair, and accent, and they both do terrific jobs. Law is a bombastic, exuberant, undisciplined Wolfe; Firth, who actually looks more like Thomas Wolfe than Law, is always excellent. Here he plays a restrained man who allows room for the temperaments of his various writers and attempts to be the voice of reason.

Guy Pearce has a small role as F. Scott Fitzgerald. Something I read said he stole the movie. I love Guy Pearce, I would see him in anything (and have) but to me he wasn't Fitzgerald. Fitzgerald was a sweet-looking man, also a weak and drunken one, and Pearce did not portray that. Probably he did what the script and director dictated.

I found this movie a good story that was not well-paced and on the talky side. I know today we're not used to movies with a lot of dialogue, but there's always room for sharp, witty dialogue as in "All About Eve," for instance. This didn't have enough of that kind of writing and became tedious and sagged in spots.

The end of the film is very touching. I recommend seeing this for the performances.