The Equalizer 3

I thought this was a very good movie. They build a story early with little action but it finishes strong. I would take this over the Marvel materials from the past 3 years. Denzel's character is similar to the past but more economy of motion. I wish Dakota had more screen time. The scenes in Italy were lovely. I doubt we will see another one of these movies. This was an old school action thriller. The formula is pretty tried and true. I'm not sure how films have gotten away from what works. I hope all fans will turn out to see this film. My large theater was only 1/3 full but the weather was perfect on a Thursday early evening.

Nice Job Anton, Dakota and Denzel.

The Equalizer 3 is a solid concluding chapter to this entertaining trilogy. Even with an entirely new setting and cast, it does a great job of setting everything up and making you care about his new relationships. The movie overall is entertaining and mostly satisfying.

As usual, Denzel is a beast. Charm and charisma are off the charts, this isn't news. Like with part 2, there are few looks he gives that chill me to the bone. It's so impressive the way he portrays being the nicest guy in one scene and the scariest guy in another.

The only thing holding this back from being great is the surprising lack of action. Now I wouldn't call either of the previous movies action-packed. But I would estimate this one has a total of about 7 minutes of action. That's just not enough. And it especially hurts during the not-so-climactic climax.

I still had a good time with this movie. If you like the series, I think you will be pleased. And to Hollywood: more Denzel please! (1 viewing, opening Friday UltraScreen 9/1/2023)

Following the disappointingly lackluster sequel that notably marked the first time Denzel ever agreed to a sequel, "The Equalizer 3" remarkably surpasses expectations - though admittedly, I had set the bar fairly low. But any reservations were dispelled early on, as the movie plunged straight into its visceral, stylish action that sees Denzel masterfully blending the vibes of John Wick, Liam Neeson's unyielding avenger in "Taken", and his own enigmatic survivor from "The Book of Eli".

Age seems like just a number when it comes to Denzel. As he inches closer to 70, there's no slowing down. The film cleverly incorporates his age into his character, offering action sequences that lean more on intelligent combat rather than sheer brute strength and stamina akin to Rocky or John Wick. There's an elegance in how he maneuvers, outthinking and outmaneuvering adversaries in ways that leave you awestruck.

I absolutely loved witnessing the reunion of Denzel and Dakota Fanning, their electric dynamic echoing reminiscently of "Man On Fire". Their chemistry is undeniably magnetic, and adds layers of depth to the already charged narrative.

One of the movie's masterstrokes is its unyielding focus on the sheer prowess of Denzel's character. He remains ever the cool, unshakeable force of nature, perpetually ten steps ahead of everyone, leaving both foes and audience in anticipation of his next move.

While some might dismiss it as yet another action-filled extravaganza, for me, "The Equalizer 3" was the epitome of action cinema artistry. A mixture of raw, over-the-top action, the evergreen charm of Denzel, and a touch of Italian style made it the ultimate cinematic cocktail. It's a whirlwind of entertainment, action, and thrill - and I found myself completely immersed and gratified.

In short, "The Equalizer 3" delivers in spades. For fans of Denzel and the action genre, it's a treat that shouldn't be missed.

The Equalizer 3 rounds out this unexpected trilogy with another satisfying action thriller that continues the journey of a man who understands violence, trying to finally put that behind him, placing him out of his element to show quite literally how far he goes for people. The ending hinders it a little because it feels anticlimactic but it still works.

On a quest to finally find and maintain happiness, Denzel Washington is as flawless as ever. This time around he gets to be happy and show McCall actually enjoying life for once and as this is the final instalment there's obviously some introspection and self reflection as well.

The villains are really weak, it's not a massive distraction as they remain easy to hate and don't take up too much time but as the marketing implied that this would be McCall meeting his equal is kinda laughable considering how little they feel like a genuine threat to him.

The subplot involving Dakota Fanning initially threatens to derail the film but thankfully it ties back into the main narrative effectively and any scene she shares with Washington is great because it's both a Man on Fire reunion and her rapport with Washington is so good.

Antione Fuqua's direction impresses yet again, the violence has never been faster or more brutal and the stark colour palette allows this one to stand out in contrast to its predecessors. The music by Marcelo Zarvos is better than it's ever been, so distinct and noticeably industrial.

The Equalizer 3 is the last chapter of the Equalizer franchise, and is directed by Antoine Foqua, and stars, of course, Denzel Washington as Robert McCall, and Dakota Fanning as a CIA officer.

As an action movie fan, I really enjoyed the Equalizer movies, still being aware that we are not talking about masterpieces. They are fun and enjoyable vigilante movies where Denzel Washington is freaking cool and badass as he takes down, alone, large and structured criminal organizations. Without the value he brings into these movies, I don't know if they would be even worth watching. The Equalizer 3 fits perfectly into this path, with some slight changes.

The first thing to say is that this movie is very very gory and brutal, much more compared to the first two movies. Clearly it was decided to go one level up, so one needs to be prepared. The movie looks very dark, the Italian Mafia gives sort of modernized Godfather vibes, and most importantly, is beautifully shot. All of that can be appreciated since the very beginning of the movie, where fantastic camera work is done as the viewer follows a man entering a building full of dead people, brutally murdered. This very intense initial scene really sets the tone of the movie, to which the music score also fits really well.

The movie is located in a tiny Italian village, whose people are constantly threatened by the mafia, where "business" brought McCall (Denzel), too. This is the third big action movie to be shot in Italy (after Indy 5 and Mission Impossible Dead Reckoning) to come out in theaters in 2023, at least that I know of. Whether or not this decision is based on financial benefits of some sort, it provided The Equalizer 3 with beautiful and picturesque scenery.

As an Italian and fan of Denzel Washington, it was really entertaining to watch Denzel Washington sitting at the cafe, talking broken Italian, making friends, getting familiar with the people and the quiet atmosphere of the town. I found the representation of the town and of the people authentic, very well done, and not too stereotypical. The Italian language is real Italian spoken by Italian actors, the accents are real, the film is shot in different Italian towns on the Amalfi coast, and so on. One can see the great attention to detail and care that was put into the making of this movie, which I mentioned above about the directing. I did have a "what?!" moment, though, that I could not wrap my head around: Aminah (Gaia Scodellaro) takes McCall on a tour of the village, by telling him that she'll help him discover the authentic food specialties of the town. As they go on a stroll and talk, they pass by some food stands, and Aminah shows McCall different authentic Italian dishes. Then, however, she invites him to grab a Kebab (great, but not Italian at all!), which he does! Seriously, what happened there? There was all that nice fish and stuff, too-why a Kebab??

I have read a lot of criticism about the action in this movie, especially about it being too little. The problem that I see with the action is with the fact that McCall is never really challenged by any of his enemies rather than with the length of the action scenes. In other words, none of the villains or his men are even close to Robert McCall's level, so it seems quite easy for him to take them down in creatively brutal ways. This applies, unfortunately, also to the ending of the movie, which is, anyway, very very powerful. Also, the non-action parts build the tension between McCall and the villain, and they are not boring at all.

Another weak point of the movie, from my point of view, has to do with some of the supporting characters and their relationship to the hero (McCall). Dakota Fanning's character (CIA) could have been a very good helper in the fight against the mafia, but instead she ends up not doing so much at all... Along with that, one aspect of McCall being in this town is the attachments that the townspeople form with him, but we actually don't have much evidence of this beyond him eating in a cafe once in a while. We do see McCall having an emotional response when they are threatened, we do see him getting comfortable in the town, but while a deeper layer to that is mentioned, the viewer doesn't directly witness this: for example, when McCall says that the people of the town brought him peace, or that he understood that this is the place where he belongs. All these sentiments sound a bit out of place and don't match the level of interactions that we as viewers have witnessed. We expect some deeper character development to happen in the "kebab"/walks scene, but the dialogue between McCall and Aminah doesn't actually build to anything relevant.

Overall, a very good and extremely brutal vigilante movie, with some weaknesses, very well shot, with a fantastic Denzel Washington doing very badass things. Worthwhile final chapter, 7 stars!