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Eisenstein in Guanajuato (2015)

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The venerated filmmaker Eisenstein is comparable in talent, insight and wisdom, with the likes of Shakespeare or Beethoven; there are few - if any - directors who can be elevated to such ... See full summary »

Director:

Peter Greenaway

Writer:

Peter Greenaway
2 wins & 8 nominations. See more awards »

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Cast

Cast overview, first billed only:
Elmer Bäck ... Sergei Eisenstein
Luis Alberti Luis Alberti ... Palomino Cañedo
José Montini José Montini ... Diego Rivera
Cristina Velasco Lozano Cristina Velasco Lozano ... Frida Kahlo
Rasmus Slätis Rasmus Slätis ... Grisha Alexandrov
Jakob Öhrman Jakob Öhrman ... Eduard Tisse
Sara Juárez ... Mercedes
Alaín Vargas Alaín Vargas ... Gideon
Maya Zapata ... Concepción Cañedo
Gustavo Galván Gustavo Galván ... Rolando
Emiliano Morales Emiliano Morales ... Pascal
Anna Knaifel Anna Knaifel ... Pera
Alenka Rios Alenka Rios ... Alba (as Alenka Rios Hart)
Lisa Owen ... Mary Craig Sinclair
Stelio Savante ... Hunter S. Kimbrough
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Storyline

The venerated filmmaker Eisenstein is comparable in talent, insight and wisdom, with the likes of Shakespeare or Beethoven; there are few - if any - directors who can be elevated to such heights. On the back of his revolutionary film Battleship Potemkin, he was celebrated around the world, and invited to the US. Ultimately rejected by Hollywood and maliciously maligned by conservative Americans, Eisenstein traveled to Mexico in 1931 to consider a film privately funded by American pro-Communist sympathizers, headed by the American writer Upton Sinclair. Eisenstein's sensual Mexican experience appears to have been pivotal in his life and film career - a significant hinge between the early successes of Strike, Battleship Potemkin, and October, which made him a world-renowned figure, and his hesitant later career with Alexander Nevsky, Ivan the Terrible and The Boyar's Plot. Written by Peter Greenaway

Plot Summary | Add Synopsis


Certificate:

Unrated | See all certifications »
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Details

Official Sites:

Official Facebook | Official Twitter | See more »

Language:

English | Spanish

Release Date:

18 June 2015 (Netherlands) See more »

Also Known As:

Eisenstein en Guanajuato See more »

Filming Locations:

Guanajuato, Mexico See more »

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Box Office

Budget:

EUR2,472,000 (estimated)

Opening Weekend USA:

$9,823, 7 February 2016

Gross USA:

$34,282

Cumulative Worldwide Gross:

$95,860
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

In Spain was only released in 7 theaters. Was released in dubbed version (1 theater) / subtitled version (6 theaters). See more »

Goofs

Eisenstein tells his Mexican audience at the beginning of the film that he looks forward to Mexican food, including burritos and chimichangas. Burritos and chimichangas, though featured in U. S. Mexican restaurants, are not known in Mexico nor considered Mexican food by Mexicans in the country. See more »

Connections

Followed by Eisenstein in Hollywood See more »

Soundtracks

Montagues Et Capulets (Dance of the Knights)
from the ballet "Romeo and Juliet"
Written by Sergei Prokofiev
See more »

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User Reviews

 
at crossroads in Mexico
1 October 2015 | by dromascaSee all my reviews

Peter Greenaway's career is beyond any ambitions of commercial success - his most successful (audience-wise) movies were made in the 80s. Even then the combination of colors and music, architecture (he is an architect by formation) and composition, his obsessions for sex and death and his bluntness in approaching them were much out of the beaten track. For the last two decades his projects became more and more exploratory, with the moving images being only one of the tools in combinations of multi-disciplinary explorations and experiments that brought together almost every artistic discipline that was invented. Eisenstein in Guanajuato can be seen almost as a return to the more conventional tools of film making. It has a story, and it has a hero and it has a theme, one of these themes film makers love to bring to screen, maybe the ultimate film theme - film making!

If you listen to what Peter Greenaway has to tell about his film (and he speaks a lot as he promotes the film in the international festival tour) Eisentein in Guanajuato is before all a homage to one of the greatest directors in the history of cinema who was Sergei Eisenstein. It also is a social and political commentary, as it deals with what was probably the most exuberant, liberal and care-free period in the life of the screen director of the Soviet Revolution, and also with the sexual orientation of Eisenstein which was kind of a well known secret in his biography, tolerated by the Soviet authorities but maybe also a tool of blackmail by the KGB. The period spent by Eisenstein in Mexico while shooting material never gathered and edited for a film about the country and its revolutions may have been the happiest time in the life of the director already famous for Potemkin and October. It allowed him not only a unique encounter with a culture that was so different from some aspects yet so close from other compared with the Russian culture he knew from home, but also an encounter with himself, with his own demons, his self-denied homosexuality, his tendency to the luxury and the decadence of the bourgeois life, so different from the austerity he left in the Soviet Russia and to which he was condemned to return.

There is almost nothing in this film about Eisenstein's film making. At no point does he shout 'Camera!' or 'Action!' - at some moment he even refuses to do so. Peter Greenaway does not try to expose any secrets of the film making art of Eisenstein, but rather deals with the surrounding context that made his films possible. Finnish actor Elmer Bäck brings on screen an Eisenstein who hides his doubts behind exuberance, and his fears behinds carelessness, who is sure of his artistic genius but unaware about his personal charisma. Mexican actor Luis Alberti builds a fine counterpoint to Eisenstein's character and a credible gay love interest. The camera work does not try to replicate anything that Eisenstein has done on screen, but rather quotes and incorporates fragments of Eisentein's movies with the visual commentaries of Greenaway. I read some critical opinions about viewers 'getting tired' by the too intense camera work - I do not agree with them. When what you see on screen is expressive and interesting you cannot get tired, as one does not get tired of seeing more masterpieces in an art museum, or of listening to fine opera or classical music. Sets are as exuberant and as complex as an architect mind like Greenaway's can conceive. Overall Eisenstein in Guanajuato was for me a very satisfying and surprisingly entertaining experience.


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