The Deep Blue Sea (2011)
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- R
- 1h 38min
- Drama, Romance
- 25 Nov 2011 (UK)
- Movie
The wife of a British Judge is caught in a self-destructive love affair with a Royal Air Force pilot.
Director:
Writers:
Stars:
Awards:
- 4 wins & 13 nominations.
- See more »
Reviews:
Photos and Videos
Complete, Cast awaiting verification
| Ann Mitchell | ... |
Mrs Elton
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| Jolyon Coy | ... |
Philip Welch
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| Karl Johnson | ... |
Mr Miller
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| Rachel Weisz | ... |
Hester Collyer
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| Simon Russell Beale | ... |
Sir William Collyer
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| Tom Hiddleston | ... |
Freddie Page
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| Harry Hadden-Paton | ... |
Jackie Jackson
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| Sarah Kants | ... |
Liz Jackson
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| Oliver Ford Davies | ... |
Hester's Father
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| Barbara Jefford | ... |
Collyer's Mother
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| Mark Tandy | ... |
Ede and Ravenscroft Assistant
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| Stuart McLoughlin | ... |
Singing Man in Tube
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| Nicholas Amer | ... |
Mr Elton
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| Rest of cast listed alphabetically: | |||
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Jorge Ojeda-Dávila | ... |
Man in Bunker Bed (uncredited)
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| Owen Thomas | ... |
Caretaker (uncredited)
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Directed by
| Terence Davies | ||
Written by
| Terence Rattigan | ... | (play) |
| Terence Davies | ... | (adaptation) |
Produced by
| Katherine Butler | ... | executive producer |
| Peter Hampden | ... | executive producer |
| Grace Hartley | ... | executive producer |
| Eliza Mellor | ... | line producer |
| Norman Merry | ... | executive producer |
| Sean O'Connor | ... | producer |
| Kate Ogborn | ... | producer |
| Lisa Marie Russo | ... | executive producer |
Music by
| Samuel Barber | ||
Cinematography by
| Florian Hoffmeister | ... | director of photography |
Film Editing by
| David Charap | ||
Editorial Department
| Rob Ackerman | ... | technical support |
| Miles Anderson | ... | colorist: dailies |
| Chris Bentley | ... | d-lab operator |
| Linden Brownbill | ... | post-production engineer |
| James Clarke | ... | digital intermediate supervisor |
| Melaney Doran | ... | post-production assistant |
| Ritchie Ferguson | ... | technical support |
| Stuart Fyvie | ... | colorist |
| Scott Goulding | ... | on-line editor |
| Scott Macbeth | ... | technical support |
| Aileen McIntosh | ... | post-production producer: Lip Sync Post |
| Gez Morris | ... | assistant editor / first assistant editor |
| Daniel Tomlinson | ... | senior d-lab operator |
| Diana Vasquez | ... | d-lab operator |
| Rick White | ... | technical support |
Casting By
| Jane Arnell | ||
Production Design by
| James Merifield | ||
Art Direction by
| David Hindle | ... | supervising art director |
| Sarah Pasquali | ||
Set Decoration by
| Debbie Wilson | ... | (as Deborah Wilson) |
Costume Design by
| Ruth Myers | ||
Makeup Department
| Sally Rose Davidson | ... | hair stylist trainee / makeup artist trainee |
| Alannah Georgiou | ... | hair stylist trainee / makeup artist trainee |
| Gary Jordan | ... | makeup artist: dailies |
| Sophia Knight | ... | key hair stylist / key makeup artist |
| Eva Marieges Moore | ... | makeup artist: dailies (as Eva Marieges) |
| Liz Phillips | ... | makeup artist: dailies |
| Kath Rayner | ... | makeup artist: dailies |
| Jutta Russell | ... | makeup artist: dailies |
| Karen Scott | ... | makeup artist: dailies |
| Katharine Scott | ... | trainee makeup artist |
| Nicky South | ... | makeup artist: dailies |
| Laura Strecker | ... | makeup artist: dailies |
| Elizabeth Yianni-Georgiou | ... | hair designer (as Lizzie Yianni Georgiou) / makeup designer (as Lizzie Yianni Georgiou) |
| Loulia Sheppard | ... | hair stylist: dailies (uncredited) |
Production Management
| Shuna Frood | ... | post-production supervisor |
| Chris Johnston | ... | unit manager |
| Tracey Josephs | ... | head of production: Film4 |
| Fiona Morham | ... | head of production: UK Film Council |
| Monique Mussell | ... | production manager |
Second Unit Director or Assistant Director
| Chris Croucher | ... | second assistant director |
| Chris Foggin | ... | third assistant director |
| Alex Grasham | ... | additional third assistant director: dailies |
| Sarah Mooney | ... | additional third assistant director: dailies |
| Anthony Wilcox | ... | first assistant director |
Art Department
| Bruce Barnes | ... | carpenter / studio supervisor |
| Giles Brown | ... | props: dailies |
| Darren Caen | ... | stand-by carpenter |
| Phil Claxton | ... | painter |
| Tim Cook | ... | carpenter |
| Ian Cooper | ... | scenic artist |
| Derek Cowie | ... | scenic artist / supervising painter |
| Dan Crandon | ... | construction manager |
| David Creed | ... | stand-by carpenter (as Dave Creed) |
| Gary Dawson | ... | stand-by props: dailies |
| Kevin Day | ... | stand-by props: dailies |
| Garry Drewett | ... | props: dailies |
| Joe Goulding | ... | art department trainee |
| Peter Hallam | ... | property master |
| Clint Hellyer | ... | carpenter (as Clint Helyer) |
| Jason Htay | ... | carpenter |
| Jason Line | ... | painter |
| Dan Marsden | ... | carpenter |
| Kim Miles | ... | property hand |
| Lara Murray | ... | painter |
| Ruth Parker | ... | stand-by props: dailies |
| Tim Powis | ... | workshop supervisor |
| Paul Rigby | ... | stagehand |
| Mark Sindall | ... | props: dailies |
| Oli van der Vijver | ... | props: dailies |
| Mark Wallis | ... | carpenter |
| Kellie Waugh | ... | graphic designer |
| Dave Wells | ... | carpenter |
| Rebecca White | ... | art department assistant |
| Debbie Wilson | ... | production buyer (as Deborah Wilson) |
| Peter Wood | ... | props: dailies |
Sound Department
| Tim Barker | ... | sound designer / sound mixer |
| Phillip Barrett | ... | foley mixer |
| Chinna Boapeah | ... | sound maintenance (as Chinna Udenze) |
| Robert Farr | ... | re-recording mixer |
| Gernot Fuhrmann | ... | sound effects editor |
| Paul Hanks | ... | foley artist |
| Andrew Stirk | ... | dialogue editor |
| Simon Trundle | ... | foley mixer |
| Ian Waggott | ... | foley artist (as Ian Waggot) |
| Yanti Windrich | ... | sound assistant |
| Peter Gleaves | ... | adr mixer (uncredited) |
Special Effects by
| Colin Gorry | ... | special effects supervisor |
| Ed Smith | ... | special effects senior technician |
| Jonathan Wilson | ... | special effects technician |
| Andy Adam | ... | special effects technician (uncredited) |
Visual Effects by
| Emma Braney | ... | visual effects artist |
| Alberto Buron | ... | digital restoration technician: Lip Sync Post |
| Luke Butler | ... | digital effects supervisor: Lip Sync Post |
| Sam Cox | ... | cg supervisor: Lipsync Post |
| Paul Daiko | ... | digital compositor: Lip Sync Post |
| Stefan Drury | ... | head of visual effects: Lip Sync Post |
| James Elster | ... | digital compositor: Lip Sync Post |
| Sean Farrow | ... | executive visual effects supervisor: Lip Sync Post (as Sean H. Farrow) |
| David Lloyd | ... | senior system administrator: Lip Sync Post |
| Abigail McKenzie | ... | digital lab operator |
| Daniel Spain | ... | system administrator: Lip Sync Post |
| Lucy Tanner | ... | visual effects coordinator: LipSync Post |
| Sheila Wickens | ... | digital compositor |
| Naomi Butler | ... | digital compositor (uncredited) |
| Katie Roehrick | ... | visual effects coordinator (uncredited) |
Camera and Electrical Department
| Mark Anderson | ... | grip: dailies |
| Jamie Bruce | ... | electrician |
| John Cooling | ... | rigger (as John 'Buzz' Cooling) |
| Liam Daniel | ... | still photographer |
| Tim Dean | ... | libra operator |
| Warwick Drucker | ... | key grip |
| Craig Feather | ... | crane camera operator |
| Rupert Hornstein | ... | focus puller |
| Jeremy David Hunt | ... | video assist trainee (as Jeremy Hunt) |
| Paul Kemp | ... | electrician: dailies |
| Henry Landgrebe | ... | a camera clapper loader |
| Steve Leverington | ... | electrician: dailies |
| Daniel Rake | ... | key grip (as Dan Rake) |
| Christian Swain | ... | camera trainee |
| Gary Varney | ... | gaffer |
| Tim Wiley | ... | rigging gaffer |
| Lee Wilson | ... | electrician / generator operator |
Casting Department
| Darren Baba | ... | extras casting assistant |
| Vanessa Baker | ... | voice casting |
Costume and Wardrobe Department
| Laura Ergis | ... | wardrobe assistant: dailies |
| Eleanor Landgrebe | ... | stand-by costume assistant |
| William McPhail | ... | assistant costume designer |
| Lynsey Moore | ... | wardrobe trainee |
| Amy Tapper | ... | wardrobe trainee |
| Pat Williamson | ... | wardrobe assistant: dailies |
Location Management
| Rebecca Davis | ... | assistant location manager |
| Pat Karam | ... | location manager |
Music Department
| Samuel Barber | ... | composer: Concerto for Violin and Orchestra, Op. 14 |
| Hilary Hahn | ... | musician: violin, Concerto for Violin and Orchestra, Op. 14 |
| Ian Neil | ... | music supervisor |
| The Saint Paul Chamber Orchestra | ... | musicians: orchestra, Concerto for Violin and Orchestra, Op. 14 |
| Hugh Wolff | ... | conductor: Concerto for Violin and Orchestra, Op. 14 |
Script and Continuity Department
| Susanna Lenton | ... | script supervisor |
Transportation Department
| Jamie Bruce | ... | driver: lighting truck |
| Kestas Bukauskas | ... | driver: facilities |
| Kevin Collyer | ... | facilities manager |
| Patrick Deacy | ... | driver: camera car (as Pat Deacy) |
| Michael Geary | ... | action vehicles: Motorhouse Hire / picture car coordinator |
| Darren Glazer | ... | operational manager: lu |
| Derek McPhail | ... | unit driver |
| Lee Pellett | ... | unit driver |
| Thomas Pook | ... | driver |
| Bohdan Stoklasa | ... | facilities captain |
| Lyn Sullivan | ... | driver: facilities |
| Micky Watts | ... | driver: minibus |
| Simon Burgess | ... | facility driver: unit base stand-by (uncredited) |
Additional Crew
| Jim Anderson | ... | archive researcher |
| Oana Anghel | ... | graphics coordinator: titles, Lip Sync Post |
| Geraldine Atlee | ... | senior business affairs executive: UK Film Council |
| Jeremy Baxter | ... | head of acquisitions: Protagonist Pictures |
| Sue Bruce-Smith | ... | head of commercial development: Film4 |
| James Bunn | ... | insurance broker: Media Insurance Brokers |
| Alice Clough | ... | head of business affairs: Fulcrum Media Finance |
| Rebecca Coppin | ... | legal services: Lip Sync Productions, Lee & Thompson (as Rebecca Pick) |
| Jon Croker | ... | story editor: UK Film Council |
| Emma Davie | ... | unit publicist |
| Cynthia De Souza | ... | UK Film Council |
| Louisa Dent | ... | managing director: Artificial Eye |
| Peter Dickinson | ... | title designer: Lip Sync Post |
| Harry Dixon | ... | head of business affairs: Film4 |
| Tallulah Fairfax | ... | floor runner |
| Sarah Feeley | ... | assistant: Ms. Weisz |
| Ailsa Ferrier | ... | acquisitions executive: Artificial Eye |
| Daryl Francis | ... | medic |
| Lizzie Francke | ... | senior production and development executive: UK Film Council |
| Jeremy Gawade | ... | legal services: Lee & Thompson |
| Robin Guise | ... | production executive: Lip Sync Productions |
| Julia Hall | ... | title designer: Lip Sync Post |
| Clare Hardwick | ... | completion guarantor: Film Finances |
| Hugh Harford | ... | production runner |
| Amy Harrison | ... | work experience |
| Ruth Hodgson | ... | completion guarantor: Film Finances |
| Vince Holden | ... | head of production finance: UK Film Council (as Vincent Holden) |
| Steve Joberns | ... | auditor: Shipleys (as Stephen Joberns) |
| David Korda | ... | completion guarantor: Film Finances |
| Catherine Kunzig | ... | head chef: Spats |
| Tracey Larcombe | ... | epk |
| Lisa Marsden | ... | insurance broker: Media Insurance Brokers |
| Sharon Menzies | ... | managing director: Fulcrum Media Finance |
| Christos Michaels | ... | legal services: Lip Sync Productions, Lee & Thompson |
| Justin Miller | ... | assistant production accountant |
| Mick Mills | ... | medic |
| Monika Nowacka | ... | catering assistant: Spats |
| Cora Ogborn James | ... | work experience |
| Simon Osborn | ... | head of legal and business affairs: Protagonist Pictures |
| Nicki Parfitt | ... | legal services: Lee & Thompson |
| Bridget Pedgrift | ... | head of marketing: Protagonist Pictures |
| Jonathon Perchal | ... | head of legal and business affairs: Artificial Eye (as Jonathaon Perchal) |
| Scott Perry | ... | medic |
| Natasha Pilbrow | ... | legal services: Lee & Thompson |
| Thomas Pook | ... | runner |
| David Quli | ... | legal services: Fulcrum Media Finance, Wiggin Llp |
| Peter Raven | ... | production executive: Lip Sync Productions |
| Lila Rawlings | ... | development executive |
| Sophie Richardson | ... | accounts assistant (as Sophie Olivier) |
| Ben Roberts | ... | ceo: Protagonist Pictures |
| Tanya Seghatchian | ... | head of film fund: UK Film Council |
| Sanjay Sharma | ... | assistant production coordinator |
| Jason Shaw | ... | insurance broker: Media Insurance Brokers |
| David J Smith | ... | floor runner: dailies |
| Maxine Stanley | ... | production accountant |
| Charlotte Van Weede | ... | head of sales: Protagonist Pictures |
| Howard Watkins | ... | creative director: titles, Lip Sync Post / head of title design |
| Dan Whybrew | ... | legal services: Fulcrum Media Finance, Wiggin Llp (as Daniel Whybrew) |
| Grzegorz Zalewski | ... | chef: Spats |
Thanks
| Don Boyd | ... | thanks |
Production Companies
- Camberwell / Fly Films
- Film4
- UK Film Council
- Protagonist Pictures (in association with)
- Lipsync Productions (in association with)
- Artificial Eye (in association with)
- Fulcrum Media Finance (in association with)
Distributors
- ABC Distribution (2012) (Belgium) (theatrical)
- Atlantic Film (2012) (Finland) (theatrical)
- Diaphana Films (2012) (France) (theatrical)
- Kinostar Filmverleih (2012) (Germany) (theatrical)
- Mongrel Media (2012) (Canada) (theatrical)
- Music Box Films (2012) (United States) (theatrical)
- Seven Films (2012) (Greece) (theatrical)
- Wild Bunch Benelux (2012) (Netherlands) (theatrical)
- A-Film Home Entertainment (2012) (Netherlands) (DVD)
- A-Film Home Entertainment (2012) (Netherlands) (Blu-ray) (DVD)
- Audio Visual Entertainment (2012) (Greece) (DVD)
- Canvas (2017) (Belgium) (tv)
- Cinemax (2012) (Hungary) (tv)
- Earth Star Entertainment (2013) (Japan) (DVD)
- Edel Media & Entertainment (2015) (Germany) (Blu-ray) (DVD) (Starmovie)
- Edel Media & Entertainment (2015) (Germany) (DVD) (Starmovie)
- Festival Films S.L. (2011) (Spain)
- Film1 (2013) (Netherlands) (tv) (limited)
- Front Row Filmed Entertainment (2011) (United Arab Emirates) (Middle East)
- Great Movies (2013) (Germany) (DVD)
- Great Movies (2013) (Germany) (Blu-ray) (DVD)
- PFA Films (2013) (Italy)
- Rai Movie (2014) (Italy) (tv)
- Zon Audiovisuais (2013) (Portugal)
Special Effects
- Lipsync Post I (visual effects)
- Colin Gorry Effects (special effects)
Other Companies
- Action Stationers (stationers)
- Andy Dixon Facilities (transport facilities provided by)
- Angels the Costumiers (additional costumes provided by)
- Apex Cars (vehicle hire)
- Archimboldo (editing equipment)
- Audiolink Radio Communications (walkie talkies)
- Barclays (banking services)
- Bonded Services (film storage)
- CW Plant Hire (cherry picker)
- Dermalogica (makeup)
- Dolby Laboratories (sound mix)
- Film Finances (completion guarantor)
- Film Finances (film completion guarantor)
- Hedgehog Construction (construction company)
- Hyperactive Broadcast (editing equipment)
- Kodak (originated on)
- Lee & Thompson (legal services)
- Lee & Thompson (legal services: Lip Sync Productions)
- Lewis Day (courier services)
- Lipsync Post I (post-production services)
- Lipsync Post I (sound)
- Lipsync Post I (titles)
- Mac (makeup)
- Media Insurance Brokers (insurance arranged by)
- Motorhouse Hire (action vehicles)
- Panalux (lighting equipment supplied by)
- Production Copier Company (production equipment and services)
- Sapex Scripts (post-production script services)
- Shipleys (auditors)
- Spats Catering Co. (catering: Location)
- Studio Solutions Group (Film Rights Acquisition)
- Tigi (makeup)
- Toronto International Film Festival (festival)
- Universal Sound (foley recorded by)
- Wiggin I (legal services: Fulcrum Media Finance)
Storyline
| Plot Summary | |
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| Parents Guide | View content advisory » |
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Additional Details
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Did You Know?
| Trivia | Terence Davies wanted Rachel Weisz for the part of Hester Collyer after he noticed her "incredible talent" in Swept from the Sea (1997), even though he hadn't heard of her before seeing that film. He called his agent and asked, "Have you ever heard of this girl Rachel Weisz?" His agent laughed and said, "She's an Oscar winner!" Weisz was amused by this and said, "I don't think Terence [Davies] knows very well anyone who's not in a black and white film." See more » |
| Movie Connections | Featured in The Watch (2012). See more » |
| Soundtracks | Concerto for Violin and Ochestra, Op. 14 See more » |
| Quotes |
Freddie Page:
Let me give you a case: Jack loves Jill, Jill loves Jack. But Jack doesn't love Jill in the same way. Jack never asked to be loved. Hester Collyer: And what about Jill? Freddie Page: That's Jill's hard luck! I can't be bloody Romeo all the time! See more » |