The story of the country-western singer Hank Williams, who in his brief life created one of the greatest bodies of work in American music. The film chronicles his rise to fame and its tragic effect on his health and personal life.
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Little Steppington is a small suburb that should be calm, cozy and quiet. But it is not lucky with its inhabitants. Instead of quietly killing time knitting, they kill each other. Vegetable... See full summary »
Yes, the film is depressing. Yes, it is very long (or it feels rather longer than it is). But, it is good. After viewing it, I couldn't get it out of my mind. It's utterly haunting. There are many things that were less than great in this film. But I've narrowed it down to 1: The Pacing. If this one flaw were corrected, it would have made an excellent film. But, rather than focusing on the negative, I will write about the positive aspects of this particular movie. First, the cinematography is excellent. Those ultra-saturated colors serve the film and the period which it represents very well. I've covered the editing (in the negative) but I will say that there were some surprisingly beautiful camera movements in the piece, that were noticeable, yet served the mood of the story very well. However, if you ever see this film, I would recommend it for the wonderfully subtle performance of Rachel Weisz, who has grown into one of the best actors of her generation. Everything you need to know about the way her character is feeling is not always in the dialogue, but on her mesmerizing face. Weisz makes you not necessarily relate (it is, almost always un-relatable, because of the period and the character that she is playing), but she does make you care. There is no question that this is not a film for everyone. It is slow, it is internal, but it is also worth giving it a try. I moaned and complained all the way through, but in the end, I was unable to stop thinking about it. And, that alone is a testament to its power. It slowly gets under your skin, and you won't even notice it!
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