Los Angeles based organic chemist Andrew Brewster has just sunk his life savings into developing and now marketing an environmentally friendly, effective and human safe home cleaning product. Despite these attributes, he is having problems making any sales to distributors and retailers. He has planned a cross country business trip via automobile to make sales pitches to various companies along the way, starting in New York City and ending in Las Vegas. While in New York, Andy plans to stay with his overbearing mother, New Jersey residing Joyce Brewster, with who he has a love/hate relationship and who he does not see very often anymore. He doesn't want to tell her of his sales failures thus far as he knows she will only add more than her two-cents into the matter, which he doesn't want. Joyce's focus of attention is on Andy's single status and what looks to be his stalled romantic life, out of which again he wants her to stay. Widowed when Andy was eight, Joyce has never remarried or ...Written by
Close to the end of the film, when they leave after meeting with Andy Margolis, to the right you can see The Halliwell Manor, the house from Charmed (1998). See more »
When Andy and Joyce first ring the doorbell on the house in San Francisco, the shot is of them from outside the house and their voices and the bell sound accordingly. When they ring the bell the second time, the shot is from inside, and their voices thus sound like they are on the other side of the door, correctly. However, the bell still sounds as though the microphone were still outside. See more »
Maybe you need therapy. Yeah. It helps me.
I don't need therapy. And since when do you go to therapy?
Anita and I meet once a week for coffee.
Well, unless you two are meeting a therapist for coffee, then you're not going to therapy. 'Cause Anita's a librarian.
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During the credits, more is shown of Andy and his mother dealing with each other during the long drive, that is, several of Rogen and Streisand's comic improvisations. The 'mini-screen' moves a few times to make room for the credits. See more »
Streisand and Rogen Bring Considerable Comedy Chops to a Lightweight Road Trip Movie
Aside from her near-cameo appearances in two ensemble comedies, Barbra Streisand has not starred in a movie in sixteen long years, not since 1996's "The Mirror Has Two Faces" which she also directed. Her output as an actress has been meager since around 1980 when she started directing films, building houses and returning to the concert stage periodically, so it was with both great anticipation and some trepidation that I saw this light- hearted 2012 comedy. What a relief to find she hasn't missed a beat in her sharp comedy timing. I think she's terrific as Joyce Brewster, the energetically overbearing mother of Andy, an organic chemical engineer who long ago moved to California and has recently invented a cleaning solution he is pitching to various store chains headquartered across the country. He plans a weekend visit with Joyce in New Jersey, but upon an intriguing discovery about her past, he invites her on an eight-day cross-country road trip with him.
As directed by Anne Fletcher ("The Proposal") and written by Dan Fogelman (the underrated "Crazy Stupid Love") who based his script on his own late mother, the film is about how their two mismatched personalities unsurprisingly clash at every stop as their relationship twists and turns with each new humiliation for Andy and each new revelation for the both of them, a few of them quite poignant. The film is at its comedic best when she and co-star Seth Rogen as Andy volley back and forth with her well-meaning thoughts and antics at odds with his spiky annoyance at anything she says or does. Rogen plays against type as the coiled-up Andy since his stoner-dude personality has been the basis of much of his previous comedy. Here he needs to show some dramatic gravity (as he did earlier this year in "Take This Waltz") and again does surprisingly well when necessary. There is a confrontation scene between the two characters that I wish could have gone on a bit longer and deeper than it did, but he manages to bring a real edge to the film in ways I didn't quite expect from him.
Of course there are predictable comedy pieces that also work like a steak-eating contest in Texas where Joyce has to down a fifty-ounce piece of beef in an hour to avoid a $100 tab. There's also quite a supporting cast here, but like Streisand movies of yore, the familiar actors contribute moments that amount to nearly bit parts. Kathy Najimy and Miriam Margolyes are among Joyce's Weight Watchers friends in a quick dinner scene early in the story, while Adam Scott and Ari Graynor show up at the very end of the road trip in San Francisco. In between are appearances by Brett Cullen as a cowboy who becomes smitten with Joyce during the eating contest and Nora Dunn as an officious HSN TV hostess. But that's fine since Rogen really lets Streisand dominate the movie all the way from pushing off potential suitors at a mature singles mixer to getting into the wrong car at a mini-mart pit-stop to getting drunk in a motel bar to sharing her innocently ignorant perceptions of stereotypes. This is only her 19th film since her extraordinary debut in "Funny Girl" 44 years ago, reason enough to enjoy the warm, accomplished performance she gives here.
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