Tim and his friend Can go to bars and lie to girls about one of them being terminally ill so they can gain sympathy and be guaranteed a "hook up" for the night. Tim meets Marie hooks up ... See full summary »
Lila, a girl who returns to Berlin after being abroad for a year, meets Chris. She falls in love with him, but what she doesn't know is that Chris is a famous rock star with many fans chasing him around, including her little sister.
In 1942, Friedrich Weimer's boxing skills get him an appointment to a National Political Academy (NaPolA) - high schools that produce Nazi elite. Over his father's objections, Friedrich ... See full summary »
The vampire Djuna resists the advances of Paolo, but soon gives in to their passion. When her trouble-making sister unexpectedly comes to visit, Djuna's love is threatened, and the whole vampire community becomes endangered.
Joséphine de La Baume,
Juliane's happiness seems perfect. She is head over heals in love and has just begun a new life with August. One morning, however, she wakes up to find that she has been unexplainable ... See full summary »
Horror following a group of medical students who come across the body of the world's most notorious vampire, Dracula (Stephen Billington). When a mysterious stranger appears and offers the ... See full summary »
Jason Scott Lee,
The vampires Louise, Charlotte and Nora arrive in Berlin after attacking the passengers and crew of an airplane in a flight to Paris. The leader Louise has been looking for centuries for her missed love and Charlotte misses her daughter that she saw in 1923 for the last time. Meanwhile, the smalltime pickpocket Lena steals a Russian mobster and is chased by Detective Tom. When Lena goes to a nightclub, the lesbian Louise believes that Lena is the love of her life and transforms her into a vampire. Lena initially feels lost with the transformation, but sooner she joins the trio of vampires in their nightlife. When the pack of vampires attacks a group of criminals, the police department investigates the case and hunts the women without knowing the risks that they are taking. Meanwhile the lonely Tom and the Lena fall in love with each other; but the unrequited love of Louise for Lena jeopardizes the couple.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Nina Hoss was always the first and only choice as Louise when Dennis Gansel wrote the script in 1999. She wanted the part from the get go. Karoline Herfurth had also been attached since the 90s but was too young to play Lena, the part Gansel wanted to give her. Instead he promised her the part of Nora. Due to the delay in production, however, Herfurth was old enough to play Lena when the film was finally green-lit. See more »
The safety cars the girls drive after the police raid have completely tinted windows for obvious reasons. However, cars with tinted front windows as shown in the film are strictly forbidden in Germany, as such are highly suspicious, and would be stopped by the police immediately - making them useless as getaway cars. See more »
And you want to try to arrest me again?
No, I'm afraid of you.
See more »
Opening and closing credits are white initially, but just before fading out out, they turn blood-red. See more »
As a film, it's a nice one. As a genre - a modern vampire - flick, it might easily deserve a full tenner. It's one of the most intelligent, mature (no pun intended on the ladies, who have had about 300 years to ripe), technically apt movies about the life of a vampire in the modern world. The story might be only so-so, but the solid actors, the production values, the direction and the overall classy look of the outcome more than compensates for the (very slight) shortcomings of the structure. Basically a lesbian love (or lust) story, it never gets sappy or lame, whether dealing with girl-on-girl or straight passion. It's quite different from American vamp flicks (True Blood bares similarities in the overall mood), especially those vamp flicks, which pretend to be European. Wie sind die Nacht is a solid piece of good entertainment without most of the clichés of a traditional 'I suck your blood' romp. It's a vampire film, which never once mentions the word 'vampire'. My only negative complaint would be the appearance of Charlotte (the utterly gorgeous Jennifer Ulrich): why do we always assume, that a vampire sort of gets stuck to the fashion of the era he/she was actually young in? Look at Tom Cruise in The Vampire Chronicles: the guy has been around for - what? 250 years? And he NEVER gets tired of ruffs, laces and buckled shoes? Never once ventures to try out jeans, fishnet shirts, disco boots, zoot suits --- no?! I mean come on! - a vampire, if anyone, should be willing to always change its appearance, for the sake of sheer boredom! Yet, Charlotte, who was made a vampire in 1923, never outgrows the Charleston dress, even though she is a remarkably pretty dish. Hard to believe. But hey, the ladies have killed off all the male vampires in the world, so they may very well wear what ever they desire. Enjoyable!
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