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Carnage (2011)

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Two pairs of parents hold a cordial meeting after their sons are involved in a fight, though as their time together progresses, increasingly childish behavior throws the discussion into chaos.

Director:

Roman Polanski

Writers:

Yasmina Reza (play), Yasmina Reza (screenplay) | 2 more credits »
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3,591 ( 119)
Nominated for 2 Golden Globes. Another 7 wins & 18 nominations. See more awards »

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Cast

Cast overview:
Jodie Foster ... Penelope Longstreet
Kate Winslet ... Nancy Cowan
Christoph Waltz ... Alan Cowan
John C. Reilly ... Michael Longstreet
Elvis Polanski Elvis Polanski ... Zachary Cowan
Eliot Berger Eliot Berger ... Ethan Longstreet
Joseph Rezwin Joseph Rezwin ... Walter (voice) (as Joe Rezwin)
Nathan Rippy ... Dennis (voice)
Tanya Lopert Tanya Lopert ... Michael's Mother (Telephone Voice) (voice)
Julie Adams ... Secretary (voice)
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Storyline

In New York's Brooklyn Bridge park, eleven year old Zachary strikes his eleven year old classmate Ethan. The boy's parents learn of the fight and meet to deal with the incident. Although the meeting starts civilized, it quickly degenerates after an unfortunate incident, and soon, their meeting is not only about their boys' fight, but also the couple's fitness as parents, Written by Huggo

Plot Summary | Plot Synopsis

Taglines:

A new comedy of no manners.

Genres:

Comedy | Drama

Motion Picture Rating (MPAA)

Rated R for language | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

France | Germany | Poland | Spain | USA

Language:

English

Release Date:

18 November 2011 (Spain) See more »

Also Known As:

God of Carnage See more »

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Box Office

Budget:

$25,000,000 (estimated)

Opening Weekend USA:

$79,795, 18 December 2011

Gross USA:

$2,547,047

Cumulative Worldwide Gross:

$27,603,069
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

SDDS | Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The London production of the play starred Ralph Fiennes. Fiennes also appeared in Red Dragon (2002), the prequel to The Silence of the Lambs (1991), which starred Jodie Foster. See more »

Goofs

At the beginning of the film, just before Alan and Nancy try to leave for the second time, there is a camera visible in the mirror. See more »

Quotes

Alan Cowan: Mrs. Longstreet, our son is a maniac!
See more »

Connections

Featured in The 69th Annual Golden Globe Awards (2012) See more »

Soundtracks

A Bushel and a Peck
Written by Frank Loesser
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Frequently Asked Questions

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User Reviews

Virginia Woolf Lite
11 January 2012 | by jdesandoSee all my reviews

Working on a "sense of community," the two couples in Carnage engage in slowly evolving urban warfare, precipitated by violence in the playground between their two sons. This adaptation from the Broadway play, God of Carnage, is a soberer (by a little) version of Edward Albee's Who's Afraid of Virginia Woolf?

Penelope (Jody Foster) and Michael (John C. Reilly) host Nancy (Kate Winslet) and Alan (Christof Waltz) in their Brooklyn apartment to iron out difficulties coming from their sons' fight, which resulted in Penelope and Michael's son's mangled mouth. What begins civilly escalates to a raw verbal mêlée with all players laying bare their prejudices and weaknesses while the issue of the repentance of Nancy and Alan's child becomes a vehicle for class and culture clash. As in director Roman Polanski's Rosemary's Baby, the action is almost exclusively in the small, one bedroom apartment, resulting in an uncomfortable crowding of bodies and egos. And it doesn't take long for the individual differences to surface as one is conciliatory, another confrontational, another detached, and another bewildered.

Nor does it take long (only an 80 minute production anyway) for alliances to build (and not necessarily in the same couple) with the refrain "Why are we still here?" becoming the battle cry. Yes, it doesn't turn out well, nor would most confrontations except that the civil veneer usually stays intact for most of us.

But when writers Yasmina Reza and Polanski allow the characters to speak their minds, albeit helped by Scotch, the drama gets good and the words become socially lethal. What I like best is the language, not elevated but sassy, smart, and colloquial: "Should we wrap this up?" Yes, it is a film to be wrapped, but there is no real end to the social jousting that goes on in our minds if not our mouths, which are sometimes beaten badly as careless children might do in their play.


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