Rose Hathaway is a Dhampir, half human-half vampire, a guardian of the Moroi, peaceful, mortal vampires living discreetly within our world. Her calling is to protect the Moroi from bloodthirsty, immortal Vampires, the Strigoi.
When her mother disappears, Clary Fray learns that she descends from a line of warriors who protect our world from demons. She joins forces with others like her and heads into a dangerous alternate New York called the Shadow World.
Jamie Campbell Bower,
A young girl finds herself in a reform school after therapy since she was blamed for the death of a young boy. At the school she finds herself drawn to a fellow student, unaware that he is an angel, and has loved her for thousands of years.
When an unseen enemy threatens mankind by taking over their bodies and erasing their memories, Melanie will risk everything to protect the people she cares most about, proving that love can conquer all in a dangerous new world.
Gwendolyn Shepherd is actually a very normal 16-year-old teen. What's annoying is that her family definitely has a tad too many secrets. They all have to do with the time-travel gene that ... See full summary »
February 12 is just another day in Sam's charmed life, until it turns out to be her last. Stuck reliving her last day over and over, Sam untangles the mystery around her death and discovers everything she's losing.
Rose Hathaway is a dhampir, half-vampire and half-human, who is training to be a guardian at St Vladimir's Academy along with many others like her. There are good and bad vampires in their world: Moroi, who co-exist peacefully among the humans and only take blood from donors, and also possess the ability to control one of the four elements - water, earth, fire or air; and Strigoi, blood-sucking, evil vampires who drink to kill. Rose and other dhampir guardians are trained to protect Moroi and kill Strigoi throughout their education. Along with her best friend, Princess Vasilisa Dragomir, a Moroi and the last of her line, with whom she has a nigh unbreakable bond, Rose must run away from St Vladimir's, in order to protect Lissa from those who wish to harm the princess and use her for their own means.Written by
The Weinstein Company, the North American distributors for the film, held a competition for fans where the winner would be able to visit the set in London and meet the cast as part of the promotion for the film. See more »
In the film while fighting Natalie, Rose breaks her arm, and can't even get up to defend herself. When Dimitri comes down to save her she is able to pick herself off the floor and restrain Natalie to the prison door with leather. And in the next scene she is wearing a cast. She would not have been able to maneuver her arm the way she did in the previous scenes if it was injured. See more »
[about a song on the radio]
Oh, Father, turn it up.
Please, Mr. Dragomir, I love this song.
This song is sick... the traditional "vomit" definition of the word.
Shut up, Andre. Me and Rose want to hear it.
"Rose and I," Lissa, "Rose and I."
I think the tune is rather catchy.
[reaches for the radio just as an oncoming car crosses the center line]
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I'm sitting here writing this a mere four hours after seeing the film, and I don't really know what I expected - if I expected nearly two hours of tired tropes and poor writing, coupled with all around poor performances, I would be happy. If the film was well written, well acted, and a slight bit campy, it would be fine, but it just wasn't. The concept isn't original, the cast was all around shocking, excluding Victor, although there seemed to be a complete lack of evil-ferret-stroking; his character arc was rather predictable. Every single line was just exposition after exposition, with the occasional burst of teenage sass from Rose, which was extremely frustrating after a while. Quipping one liners is not necessary, especially after an hour and a half.
Every relationship felt forced, I didn't feel any connection to the characters, and I honestly couldn't care less what happened to them; they were not believable in the slightest. A good script would have helped, but the performances also assisted in bogging it down I actually enjoyed the concept, as someone who hasn't read the books. I liked the vibe I got from the film to begin with, but it felt extremely tacky. Everything felt like plastic, everyone's face was constantly caked with makeup, felt extremely superficial and tacky, and every backdrop was injected with a tonne of poor CGI. All of the special effects through the film were just poor, and were not nice to look at. The fire effects looked like the fire effects from Adobe After Effects.
I liked what they were trying, but they honestly needed to up their game all across the board; budget-wise, script-wise, casting-wise, and the dozens of other issues with this picture. I almost got a 'it's so bad it's good' feeling, but it's heavy handed and poorly made throughout.
I do not recommend.
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