Thirty years ago, Andrei Simoniovich Filipov, the renowned conductor of the Bolshoi orchestra, was fired for hiring Jewish musicians. Now a mere cleaning man at the Bolshoi, he learns by ... See full summary »
An Iranian family survives the shah and the ayatollah and moves to France. This story follows the family through it all. Despite the politics, revolution, prison, beatings, assassinations and suicides this is a comedy.
Alsemberg, 1975, Sarah an 8-year-old-girl is living in a Catholic foster family. One day, her biological father whom she has never seen before, comes to take her for a weekend in Paris. But... See full summary »
Who has never been ashamed of Mom's new hairdo, Dad's bad jokes, that velvet couch in the living room, a childhood friend who obviously doesn't get it? Lila and Ely live just the other side... See full summary »
In a remote and primitive patriarchal village between the North of Africa and the Middle East, the land has dried and the women traditionally bring water from a distant fountain to their houses while the idle husbands drink tea in the bar. The educated Leïla, who is the wife of the local teacher Sami, begins a sex strike movement among the women, supported by the elder Vieux Fusil (meaning old flintlock), to force the men to bring water to the village. They must face the strong reaction of the brutal men.Written by
Claudio Carvalho, Rio de Janeiro, Brazil
The basic premise of the plot, the withholding of sexual relations by women to force their menfolk to do something, is first noted in the play, 'Lysistrata' by Aristophanes. Several versions of "Lysistrata" have been filmed for cinemas and television, with the most recent being Chi-Raq (2015) by Spike Lee. See more »
Performed by Mohamed Laaroussi See more »
The sing-song politics of North Africa was beautifully used to express the position of the rebel women. They dressed up in their traditional outfits, danced and sang to let their men "have it" about not getting it. I loved this soulful picture, with no cars, no electricity and completely ethnic village surroundings. It was hilarious when, half-way through, the senior character was seen riding her mule (with a foal in the basket) and talking on a mobile phone in the middle of the desert. There was also a mobile phone in the yard of Leila's house, but it only worked in one place, and hung on a line with nobody allowed to move it. Top marks to this team for their writing, directing and acting, combining to make a powerful and yet charming film. I hope I get to see his next work.
5 of 5 people found this review helpful.
Was this review helpful to you?
| Report this