About the daring adventure of exploring rain forest canopy with a novel flying device-the Jungle Airship. Airship engineer Dr. Graham Dorrington embarks on a trip to the giant Kaieteur ... See full summary »
German-American Dieter Dengler discusses his service as a U.S. naval pilot in the Viet Nam War. Dengler also revisits the sites of his capture and eventual escape from the hands of the Viet Cong, recreating many events for the camera.
This film shows the disaster of the Kuwaitian oil fields in flames, with few interviews and no explanatory narration. Hell itself is presented in such beautiful sights and music that one has to be fascinated by it.
In the center of the story is the life of the indigenous people of the village Bakhtia at the river Yenisei in the Siberian Taiga. The camera follows the protagonists in the village over a period of a year. The natives, whose daily routines have barely changed over the last centuries, keep living their lives according to their own cultural traditions. The expressive pictures are accompanied by original sound bites quoting the villagers.Written by
Eike Wolf / Head of Corporate Communications, Studio Babelsberg
Himself - Narrator:
This is the village of Bakhtia In Siberia. Although it looks like winter to us, it's already spring here. The village is located In the heart of Siberia, and we should keep in mind that this colossal landmass is one and a half times the size of the United States. The endless wilderness that surrounds this place is known as the taiga. No roads or train lines traverse it. There are only two ways to reach this outpost - one is by helicopter, the other by boat. The expanse in the ...
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Solid and straightforward illumination of the ways in which a few fur-trappers live and work year-round in the Siberian Taiga.
Starting in Spring, we follow the stoic men on their seasonal routines in the village of Bakhtia on the Yenisei river. The utterly unique sight and sound of that big old river thawing and moving and creaking under the warm sun is totally sublime. With the onset of summer, the villagers participate in a fishing frenzy while fending off massive swarms of mosquitoes by rubbing tar all over themselves, their kids and their dogs. As autumn brings torrential rains, the water level rises and the trappers anxiously begin boating their heavy supplies into the vast forest. They begin repairing their traditional traps scattered throughout the expanse while re-constructing their personal wooden huts, which they will use as shelters along their treks through the deep snow.
Other than one hilarious moment showing an alternatively modern fishing method, most all preparations for the long and lonely winter of work in the wilderness are performed according to very old cultural traditions. The simple and skilled construction of skis, traps, canoes, and huts from natural materials is shown with a patient fascination that draws us into a culture uniquely connected to the earth.
Herzog's narration adds insight and a quirky humor to this otherwise forthright film. His patent deadpan humor -- largely deriving in his over-enunciated German accent -- and his honest admiration of these self-reliant men living off the land in total freedom from materialism and bureaucracy is refreshing, even if a bit romanticized.
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