6.5/10
322
2 user 7 critic

Indigène d'Eurasie (2010)

A drug smuggler is betrayed by his partner and is then forced to seek help from Russian mobsters.

Director:

Sharunas Bartas
Reviews
3 wins & 1 nomination. See more awards »

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Cast

Credited cast:
Sharunas Bartas ... Gena
Klavdiya Korshunova Klavdiya Korshunova ... Sasha
Erwan Ribard Erwan Ribard ... Philippe
Elisa Sednaoui ... Gabrielle
Aurélien Vernhes-Lermusiaux Aurélien Vernhes-Lermusiaux ... Aurélien
Edit

Storyline

When drug smuggler Genia is betrayed by his partner, he has no choice but to get help from a Russian mobster. His main goal is to retreat from the crime world and retire. He travels to Moscow, where he arrives at his ex-girlfriend Sasha, a hooker with a heart. Everything goes wrong from there and Genia is forced to flee with Sasha through Lithuania and Belarus where he will finally end up in France. Written by mahajanssen

Plot Summary | Add Synopsis

Genres:

Drama

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Details

Official Sites:

Official site [France]

Country:

France | Lithuania | Russia

Language:

French | Lithuanian | Russian | Polish

Release Date:

8 December 2010 (France) See more »

Also Known As:

Eastern Drift See more »

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »

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User Reviews

 
Nihilism
20 July 2014 | by Hugh SullivanSee all my reviews

I enjoyed the film, but it also annoyed me. That's not necessarily bad.

Just to clear some things up, the main character is not a young man. He does not look like a young man. He did not act like a young man. He acted like a wise predator.

He's not giving anything away in his demeanor, which helps in his line of business, but it also acts as a bit of a prison. He treats his women badly, and they seem like little more than toys for him to play with. He wants to be a mystery. He has lost the ability to connect.

It was as if he just wanted to maintain his emotionless facade all the time. When he does show emotion it doesn't necessarily make you empathize with him. This results in a kind of nihilism which can also make it difficult to connect with the film.

With really great actors, they can find ways to show a bit of vulnerability which you can latch on to. I don't think that's what the director/actor was interested in. In that respect I think he was successful, but maybe the nihilism isn't my thing.


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