When the creator of a virtual reality called the OASIS dies, he makes a posthumous challenge to all OASIS users to find his Easter Egg, which will give the finder his fortune and control of ... Read allWhen the creator of a virtual reality called the OASIS dies, he makes a posthumous challenge to all OASIS users to find his Easter Egg, which will give the finder his fortune and control of his world.When the creator of a virtual reality called the OASIS dies, he makes a posthumous challenge to all OASIS users to find his Easter Egg, which will give the finder his fortune and control of his world.
- Director
- Writers
- Zak Penn(screenplay by)
- Ernest Cline(screenplay by)
- Stars
Top credits
- Director
- Writers
- Zak Penn(screenplay by)
- Ernest Cline(screenplay by)
- Stars
- Nominated for 1 Oscar
- 11 wins & 56 nominations total
Videos35
- Director
- Writers
- Zak Penn(screenplay by)
- Ernest Cline(screenplay by) (based on the novel by)
- All cast & crew
- See more cast details at IMDbPro
What Is 'Ready Player One' Star Olivia Cooke Watching?
What Is 'Ready Player One' Star Olivia Cooke Watching?
Olivia Cooke shares her Watchlist and runs through a gauntlet of questions about the Steven Spielberg blockbuster Ready Player One.
Storyline
In the year 2045, the real world is a harsh place. The only time Wade Watts (Tye Sheridan) truly feels alive is when he escapes to the OASIS, an immersive virtual universe where most of humanity spends their days. In the OASIS, you can go anywhere, do anything, be anyone-the only limits are your own imagination. The OASIS was created by the brilliant and eccentric James Halliday (Mark Rylance), who left his immense fortune and total control of the Oasis to the winner of a three-part contest he designed to find a worthy heir. When Wade conquers the first challenge of the reality-bending treasure hunt, he and his friends-aka the High Five-are hurled into a fantastical universe of discovery and danger to save the OASIS. —Warner Bros.
- Taglines
- A better reality awaits.
- Genres
- Motion Picture Rating (MPAA)
- Rated PG-13 for sequences of sci-fi action violence, bloody images, some suggestive material, partial nudity and language
- Parents guide
Did you know
- TriviaSpielberg worked with Industrial Light & Magic (ILM) to oversee the film's visual effects, meeting with ILM for 3 hours three times a week. A significant part of the film takes place in a virtual space based on the Overlook Hotel in the film The Shining (1980). This was mostly a digital recreation of the film using high-quality telecine of the original film, giving them some freedom of new camera angles and shots that could be generated from this recreation. The final film includes a combination of the original footage from The Shining and ILM's additional work. Only a few scenes in this sequence which involved real actors, such as the appearance of the Grady twins, required them to construct a faithful reproduction of The Shining's set for the actors to interact with. Finally, the sequence was post-processed to introduce film grain and other aging effects to make the new footage indistinguishable from the original film. ILM also had to faithfully produce digital recreations of several of the cultural references that appear throughout the film, including the DeLorean time machine, the Iron Giant, Chucky, and King Kong that was modeled after the 1933 version of the character. The Tyrannosaurus Rex from Jurassic Park was also recreated using the same base model that ILM had previously created during the original film production.
- GoofsParzival doesn't count to 3 before throwing the Holy Hand Grenade.
- Crazy creditsThe title doesn't appear till about 10 minutes into the movie
- ConnectionsFeatured in Outside Xbox: 5 New Videogame Movies Coming in 2018 (2018)
- SoundtracksJump
Written by David Lee Roth, Edward Van Halen and Alex Van Halen
Performed by Van Halen
Courtesy of Warner Bros. Records Inc.
By arrangement with Warner Music Group Film & TV Licensing
Top review
Welcome back Spielberg
Spielberg remains to this day one of the most misunderstood film-makers of his generation. He has been labeled both a peddler of popcorn and a saccharine manipulator (Those who say the latter have clearly forgotten Alex Kitner erupting in a geyser of blood in Jaws, exploding Nazi heads, the horrors of the Holocaust in Schindler and the river of corpses in War of the Worlds).
There are two Spielbergs. There's the man who makes somber, academy award winning dramas (Empire of the Sun, Saving Private Ryan, Munich, War Horse, Lincoln etc). Then's there's the 10 year old playing in the sand box (The Indy films, Hook, Jurassic Park, Tintin etc). What I enjoy most about the 'Berg, is how he can zigzag between disparate genres. But after a stretch of SF films (A.I, Minority Report and War of the Worlds), I was looking forward to a return to the free wheeling fun with Crystal Skull. It turned out to be an uncharacteristic dud that despite the boffo box office, proved to be deeply unpopular with fans of the series.
This made me cautious about Ready Player One. Had Spielberg lost his touch? I was wrong. This may be one of the most visually amazing and effortlessly fun films I've seen in a long time. I have not read Ernest Cline's novel, so fans of the popular novel may have issues, but I rarely read the books before seeing the film.
The cast are great. Tye Sheridan are Olivia Cooke are the standouts. Mark Rylance and Simon Pegg are fun in supporting roles. Alan Silvestri's robust score is one of his most memorable. I miss John Williams, but it's still a great score. Longtime 'Berg collaborator Janusz Kaminski's cinematography is beautiful. And it's the only film where you'll see a DeLorean chasing a T-Rex on the big screen. That image alone is worth the ticket price. He never went away, but it's nice to see him back playing in the sand box.
There are two Spielbergs. There's the man who makes somber, academy award winning dramas (Empire of the Sun, Saving Private Ryan, Munich, War Horse, Lincoln etc). Then's there's the 10 year old playing in the sand box (The Indy films, Hook, Jurassic Park, Tintin etc). What I enjoy most about the 'Berg, is how he can zigzag between disparate genres. But after a stretch of SF films (A.I, Minority Report and War of the Worlds), I was looking forward to a return to the free wheeling fun with Crystal Skull. It turned out to be an uncharacteristic dud that despite the boffo box office, proved to be deeply unpopular with fans of the series.
This made me cautious about Ready Player One. Had Spielberg lost his touch? I was wrong. This may be one of the most visually amazing and effortlessly fun films I've seen in a long time. I have not read Ernest Cline's novel, so fans of the popular novel may have issues, but I rarely read the books before seeing the film.
The cast are great. Tye Sheridan are Olivia Cooke are the standouts. Mark Rylance and Simon Pegg are fun in supporting roles. Alan Silvestri's robust score is one of his most memorable. I miss John Williams, but it's still a great score. Longtime 'Berg collaborator Janusz Kaminski's cinematography is beautiful. And it's the only film where you'll see a DeLorean chasing a T-Rex on the big screen. That image alone is worth the ticket price. He never went away, but it's nice to see him back playing in the sand box.
helpful•385280
- DanielRobertRoss
- Mar 21, 2018
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Đấu Trường Ảo
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $175,000,000 (estimated)
- Gross US & Canada
- $137,690,172
- Opening weekend US & Canada
- $41,764,050
- Apr 1, 2018
- Gross worldwide
- $582,893,671
- Runtime
- 2h 20min
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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