A couple off for a romantic weekend in the mountains are accosted by a biker gang. Alone in the mountains, Brea and John must defend themselves against the gang, who will stop at nothing to protect their secrets.
As Carl Black gets the opportunity to move his family out of Chicago in hope of a better life, their arrival in Beverly Hills is timed with that city's annual purge, where all crime is legal for twelve hours.
T'Challa, the King of Wakanda, rises to the throne in the isolated, technologically advanced African nation, but his claim is challenged by a vengeful outsider who was a childhood victim of T'Challa's father's mistake.
Michael B. Jordan,
Eddie Griffin is Miles Waise, a fast rising nightclub comedian. His life is made difficult by his manager, who wants him to sell out for big bucks, and his brother Fifty Dollah, a scheming ... See full summary »
Terry is an up and coming comedian, but believes politics will get him the big breaks and more time at the popular Dukie's Comedy Club. Just so happens that Terry is 'sleeping' with Ruby ... See full summary »
In the year 2045, the real world is a harsh place. The only time Wade Watts (Tye Sheridan) truly feels alive is when he escapes to the OASIS, an immersive virtual universe where most of humanity spends their days. In the OASIS, you can go anywhere, do anything, be anyone-the only limits are your own imagination. The OASIS was created by the brilliant and eccentric James Halliday (Mark Rylance), who left his immense fortune and total control of the Oasis to the winner of a three-part contest he designed to find a worthy heir. When Wade conquers the first challenge of the reality-bending treasure hunt, he and his friends-aka the High Five-are hurled into a fantastical universe of discovery and danger to save the OASIS.Written by
Near the end of the movie, a policeman gets back into the left hand drive Columbus Ohio police vehicle on the right hand passenger side, incorrectly its black steering wheel is seen, indicating that the police vehicle is not left hand drive. See more »
[Discussing Parzival's upcoming date with Art3mis]
Z, you gotta be more careful about who you meet out on the OASIS.
Aech, Art3mis gets me. She'll get my outfit, there's just this connection. I mean, sometimes, we even...
Finish each other's sentences.
We have that, me and you.
Yeah, I know. But that's because we're best friends, dude.
[Puts hand up for a high-five]
She could be a dude too, dude.
Nah, come on.
I'm serious. She could actually be a 300 pound dude who lives in his momma's ...
[...] See more »
There are NO mid or end credit scenes or sequences. See more »
Spielberg remains to this day one of the most misunderstood film-makers of his generation. He has been labeled both a peddler of popcorn and a saccharine manipulator (Those who say the latter have clearly forgotten Alex Kitner erupting in a geyser of blood in Jaws, exploding Nazi heads, the horrors of the Holocaust in Schindler and the river of corpses in War of the Worlds).
There are two Spielbergs.
There's the man who makes somber, academy award winning dramas (Empire of the Sun, Saving Private Ryan, Munich, War Horse, Lincoln etc). Then's there's the 10 year old playing in the sand box (The Indy films, Hook, Jurassic Park, Tintin etc). What I enjoy most about the 'Berg, is how he can zigzag between disparate genres.
But after a stretch of SF films (A.I, Minority Report and War of the Worlds), I was looking forward to a return to the free wheeling fun with Crystal Skull. It turned out to be an uncharacteristic dud that despite the boffo box office, proved to be deeply unpopular with fans of the series.
This made me cautious about Ready Player One. Had Spielberg lost his touch?
I was wrong. This may be one of the most visually amazing and effortlessly fun films I've seen in a long time. I have not read Ernest Cline's novel, so fans of the popular novel may have issues, but I rarely read the books before seeing the film.
The cast are great. Tye Sheridan are Olivia Cooke are the standouts. Mark Rylance and Simon Pegg are fun in supporting roles. Alan Silvestri's robust score is one of his most memorable. I miss John Williams, but it's still a great score. Longtime 'Berg collaborator Janusz Kaminski's cinematography is beautiful. And it's the only film where you'll see a DeLorean chasing a T-Rex on the big screen. That image alone is worth the ticket price.
He never went away, but it's nice to see him back playing in the sand box.
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