Although his son Bran is lying in bed unconscious from his fall, Ned Stark must return with King Robert to King's Landing. His wife Catelyn stays behind in Winterfell, though there appears to be little hope of Bran's recovery. The King has agreed that his son Joffrey and Ned's daughter Sansa should marry, uniting their families forever. Problems arise when Joffrey challenges the butcher's boy who is out playing with Sansa's younger sister Arya. Joffrey is injured when Arya's pet wolf attacks him. The King's justice is swift but fair even if his wife Cersei doesn't agree. Meanwhile, Ned illegitimate son heads north to join the Night Watch. Across the Narrow Sea, Daenerys is having some difficulty accommodating herself to married life. She turns to one of her servants, a slave whose job it once was to pleasure men, to learn how she could make her husband happy.Written by
Tyrion and Jon say that Tywin was the Mad King's Hand till Jaime killed him. According to the novels, Tywin resigned from his office as the King's Hand long before Aerys' death, and four men officiated in that office after Tywin: Owen Merryweather, Jon Connington, Qarlton Chelsted and Rossart. See more »
When Joffrey has Arya pinned to the ground with his sword and Nymeria bites his arm, the camera cuts to Sansa shouting "Arya!" twice in quick succession. It's the exact same clip used both times. See more »
The cities and places featured in the opening credits change as the series progresses. For example, in the first episode, Pentos is shown whereas in later episodes, because it is not pertinent to the episode's narrative, it is not. See more »
Dead or alive ? The question shameful viewers like me, because we haven't read the novel yet, had in their mind for a week after the pilot tragic events. It was answered right after the fantastic title sequence that smooths the immersion process dramatically. At the start your mind is still thinking about your day but once the episode begins it has entered a medieval realm one can only be reluctant to leave.
Indeed all parallel stories have potential and despite their slow pace even an impatient wouldn't leave its seat for a second. Indeed on the Stark and Lannister side the boy's accident has unveiled the true nature of some characters like Cersei (Lena Headey), a Queen gnawed by anger, and Jaime (Nikolaj Coaster-Walday), the white knight a damsel in distress would regret to be rescued by. To tell the truth in Winter is Coming I had no idea they were related because I just couldn't keep up with all the names and locations. But when watching becomes nearly as demanding as reading then you know the adaptation was respectful of its source material. Still even if all these webby connections between players, because chess is a great metaphora of life, are exciting I hope their profiles are not as Manichaean as they seem. Hopefully we should know why some love while others hate. Otherwise I have no doubt about Arya Stark, the little girl vigorously played by Maisie Williams, and her mother Catelyn. Michelle Fairley revealed a palette of extreme emotions that forged her scenes like blades of steel. As for her daughter you really have to see her play with the gift one of her brothers offered her. If it had been Chucky it would have either fall in love with her or worry about its life because when Arya is angry, well she seems as dangerous as an innocent clown piranha about to have its midnight breakfast.
Juggling is both an entertaining and interesting medieval craft but now the mysterious and worried Daenerys Targaryen has convinced me to throw dragon eggs in the mix. Emilia Clarke gave a seductive performance and I like the way her whiteness contrasts with her tribal husband. Harry Lloyd's appearances as her wicked brother Viserys are rare but percussive. Will he get his crown back ? Will she free herself from him ? In fact does she even want to ? There's almost something mystical about their story and I wonder if she has other resources to survive than her exquisite shapes. But between two shy glimpses at her royal hips I also strongly recommend the audience to pay attention to the dialogs because this time they were heavy on mythology. Where do the dragons come from ? What do the fields represent for the Dothraki people ? Similar questions could also be raised considering the Stark side as some friendly battle between the bastard and the dwarf occurred in the woods. It should even make you question what happened at the very beginning of the pilot even if I have no doubt about it
Other gems include the Dothraki language, specially developed for the show – very Tolkienian, an almost sapphic kamasutra lesson – can't wait the next, and an ongoing investigation about the boy's fall. But this short list, compared to the installment diversity and greatness, would be even more incomplete if one word wasn't added : Wolf. Indeed the story was wild every which way. What a thrilling way to use these majestuous and savage hunters ! They actually reminded me of White Fang (Jack London) and I wonder how they see things from their point of view. Wouldn't it be dazzling to actually film a scene from there ? So let's hope the other directors and minds behind the show will surprise us with their creativity. All in all it was an other awards magnet and if the end doesn't electrify you well I don't know what will !
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