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Title: 3096 Tage (2013)
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| Cast overview, first billed only: | |||
| Antonia Campbell-Hughes | ... | Natascha Kampusch | |
| Thure Lindhardt | ... | Wolfgang Priklopil | |
| Amelia Pidgeon | ... | Young Natascha | |
| Trine Dyrholm | ... | Natascha's Mother | |
| Dearbhla Molloy | ... | Wolfgang's Mother | |
| Roeland Wiesnekker | ... | Natascha's Father | |
| Ellen Schwiers | ... | Natascha's Grandmother | |
| Erni Mangold | ... | Wolfgang's Grandmother | |
| Sebastian Weber | ... | Ernst Holzapfel | |
| Tina Grawe | |||
 |
Angelina Noa | ... | Russian Woman |
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Nicholas Reinke | ||
| Thomas Loibl | |||
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Henry Schindler | ||
| Michael A. Grimm | ... | Policeman | |
Based on real life events. 10 years old Austrian girl, Natascha Kampusch was kidnapped on March 03, 1998, on her way to school. She spent 8 and a half years under strict captivity by her kidnapper, and managed to survive one of the cruelest experiences a child should never have. Written by Bulma PunkRocker
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I came to this film without any assumptions, nothing more than the hope to be told (more like summarized) the incredible story of what this lady had to go through.
Characters were well developed by the the writing staff as well as the actors. The actors with English as a second language had some trouble with their characterizations, they looked a bit stiff/expositive at some times.
The real problem with this film was the editing. Lack of expertise was palpable in the way this film was cut. It lacked both cohesion and continuity. It looked like a photo reel at times. The notable exceptions were: the fantastic transition marking 4 years of captivity, and the transition to freedom. They were really well done, very professional. Then how come the rest of the editing is so amateurish?
The first minutes of film were rushed: Lady calls for help. Cut to little girl with her father in a bar. Cut to sleeping girl. Cut to angry mom, cut to walk to school, ... All in a few moments. It absolutely looked as a collection of takes of different girls in different situations.
There are several continuity errors distracting the viewer. The producers, director, and editors should have reviewed the edition with more detail. There were also some pointless decisions in the editing room, such as the first slow-motion scene, which had no purpose in being slow, and the focus on some window while dancing. No context, no purpose.
Although the writing was good, there are situations and lines of dialogue going sideways and getting lost. Vegetarianism, media bias, a drunk father, a joke, an establishing shot of a house with dimming lights which absolutely confuses and/or enrages.
The victim writing a secret list of received abuses, while calling them out, presumably for the viewer to hear, but at the same knowing that her captor is probably listening, is something which should have been written with more thought.
Original music for this film was rather scarce. I think it was well composed but original music should also have been put in important scenes of the film. These scenes were hurt because of that silence.
The rest of reviews for this film address other problems I agree with.
I think a director's cut is in order. After addressing these problems the film would be awesome. Also, this film's staff is in debt to this lady and her family; they should have been more careful with the editing and music, out of respect and sensibility, just as they were careful at writing, acting, producing. By the way, the sets were terrific, claustrophobic, overwhelming.