Adapted by Ian McEwan from his bestselling novel, the drama centers on a young couple of drastically different backgrounds in the summer of 1962. Following the pair through their idyllic courtship, this movie explores sex and the societal pressure that can accompany physical intimacy, leading to an awkward and fateful wedding night. This movie features Saoirse Ronan, Billy Howle, Anne-Marie Duff, Adrian Scarborough, Emily Watson, and Samuel West.
Executive Producer, Author, and Screenwriter Ian McEwan stated to an audience back in 2014 that he wanted Saoirse Ronan to play Florence Ponting. See more »
In the tennis match between Edward and Florence's father (Geoffrey), they're either counting the games wrong or not alternating service properly. Edward begins serving at the start of the third set, so he should be serving when the game score is even. We immediately jump forward to a later game in which Geoffrey is serving. Geoffrey loses the game (for a change), and Edward announces the score as 1-4 before serving, which means he is now serving when the game score is odd.
It's also slightly off that Geoffrey starts serving the first set, and then Geoffrey begins serving the third set after 12 games. This, however, could simply be the result of Geoffrey letting Edward begin serving the third set, out-of-order and out of strict compliance with the rules, as a sop after beating him 6-0, 6-0 in the first two sets. See more »
[about his mother]
When he used this horrible phrase, everything changed. Brain-damaged. Suddenly I saw her the way other people did.
That must have been awful. You're always very kind to her. My mother just pretends to be brain-damaged.
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This movie was a particular disappointment as Saoirse put in another wonderful performance and the co-star Billy Howle was also good. It is a coming-of-age movie with the awkwardness of the two parties being central. But unfortunately the scenes of their awkwardness go on forever and the quite nice music in the background, rather than making it more important, just seems to be pushing it. This movie needed a lot more substance or a lot sharper editing ... or maybe a different director. Maybe the moral is that the author (here Ian McEwan, whose work I like a lot) shouldn't be allowed to write the screenplay.
Not an unpleasant way to spend a couple of hours, but I really hope that Saoirse takes on meatier roles.
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