Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another...or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
Life changes in an instant for young Mia Hall after a car accident puts her in a coma. During an out-of-body experience, she must decide whether to wake up and live a life far different than she had imagined. The choice is hers if she can go on.
When her brother decides to ditch for a couple weeks, Viola heads over to his elite boarding school, disguised as him, and proceeds to fall for one of his soccer teammates, and soon learns she's not the only one with romantic troubles.
Bianca is a content high school senior whose world is shattered when she learns the student body knows her as 'The DUFF' (Designated Ugly Fat Friend) to her prettier, more popular friends. Now, despite the words of caution from her favorite teacher, she puts aside the potential distraction of her crush, Toby, and enlists Wesley, a slick but charming jock, to help reinvent herself. To save her senior year from turning into a total disaster, Bianca must find the confidence to overthrow the school's ruthless label maker Madison and remind everyone that no matter what people look or act like, we are all someone's DUFF.Written by
All of the school administrators are named after US presidents (Mr. Arthur, Principal Buchanan, Coach Grant, etc.), and Principal Buchanan has a photograph of President James Buchanan behind his desk, and Mr. Arthur has one of Chester A. Arthur behind his. See more »
When Madison is giving out her party invitations, Caitlyn is supposedly recording the interaction for Madison's YouTube channel, however for the majority of the scene she is holding her phone incorrectly and her hand is covering the camera. See more »
At the start of the closing credits there is a gag reel in between introducing each actor/actress. See more »
The UK theatrical version cuts a "strong sexual reference" to achieve a lower age rating.
BBFC says: "During post-production, the distributor sought and was given advice by the BBFC on how to secure the desired classification in the UK. It was likely to receive a 15 classification but their preferred 12A could be achieved by removing a scene involving strong sex references. When the film was submitted for formal classification, this sequence had been removed and the film was classified 12A." See more »
The object is to establish once and for all whether films like Heathers, Easy A, and Mean Girls (among others) were actually quality productions -- or whether there is just something so magically interesting about High School romcoms that ANYBODY with a camera and a script they recently crayoned on the back of a menu can make a successful film...?
Well, the results are in.
Turns out you actually need a good story, a good script, a good director and charismatic actors to pull off a decent film in this genre.
Which pretty much eliminates this entry from the competition as it seems to have none of the above.
(Although Whitman and Amell both show potential, and one suspects with better material they COULD shine)
I have reviewed a lot of films but I cannot easily recall one where every opportunity for entertainment was either sabotaged or missed completely.
The film actually panders to its audience, throwing around internet tradenames as if, by their sheer volume, they can elevate the viewing experience.
At the 30 minute mark, the audience is asked to believe that two teens engaged in picking outfits in local department store could possibly "miss" the fact that they are being video'd by a third teen half-hidden behind a rack of dresses....? In Film School they explain that these are the sorts of "subliminal" turnoffs which make the viewer uncomfortable on a subconscious level, even if the conscious mind misses it.
Have no fear -- in this film the script repeats the same trope at the 1:00 mark where the same third party secretly videos the same couple, only this time in the woods.
Does the term "creatively bankrupt" strike a chord?
The ending tries, and that is the most I can say about it.
If anything it tries too hard, and in other reviews I have talked about the filmic dangers of putting too much "message" in your movie.
However in the case of this film, by the time you get to the end -- assuming you can -- the film-makers have made so many other mistakes that "too much message" is the least of their worries.
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