As a war between humankind and monstrous sea creatures wages on, a former pilot and a trainee are paired up to drive a seemingly obsolete special weapon in a desperate effort to save the world from the apocalypse.
As Steve Rogers struggles to embrace his role in the modern world, he teams up with a fellow Avenger and S.H.I.E.L.D agent, Black Widow, to battle a new threat from history: an assassin known as the Winter Soldier.
Samuel L. Jackson,
Clark Kent, one of the last of an extinguished race disguised as an unremarkable human, is forced to reveal his identity when Earth is invaded by an army of survivors who threaten to bring the planet to the brink of destruction.
Three decades after the Empire's defeat, a new threat arises in the militant First Order. Stormtrooper defector Finn and the scavenger Rey are caught up in the Resistance's search for the missing Luke Skywalker.
When monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes - a washed up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi) - who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse.Written by
The sound for the Kaiju's roars were comprised of layer upon layer of animal roars and growls, which were filtered, sped up, and slowed down to create the roar of alien behemoths. Then, to add emotion and a sense of intelligence, supervising sound editor Scott Martin Gershin and director Guillermo del Toro added samples of their own voices. See more »
When one of the Jaeger is shown to go supersonic, one can see the plume when it goes supersonic. However, the boom isn't a single event. It should keep manifesting itself all along the path of that Jaeger. See more »
When I was a kid, whenever I'd feel small or lonely, I'd look up at the stars. Wondered if there was life up there. Turns out I was looking in the wrong direction. When alien life entered our world, it was from deep beneath the Pacific Ocean. A fissure between two tectonic plates. A portal between dimensions. The Breach. I was fifteen when the first Kaiju made land in San Francisco.
By the time tanks, jets and missiles took it down, six days and 35 miles later, ...
[...] See more »
There is a scene in the closing credits: Hannibal Chau cuts his way out of a Kaiju corpse. See more »
Entertainment is not just a story. It is not just drama or social commentary. It is not something that can be measured by terms like "latest and greatest" or "cutting edge". This movie is not Man of Steel or Star Trek into Darkness where there is a child-like obsession with being "taken seriously" by adding grotesque violence or depressing overtones. This is not Transformers 3 or the Hobbit where special effects and action scenes are a cluttered mess of ADD rave parties that try to up the excitement with jumpy editing. THIS IS A SINCERE MOVIE.
Sure it has lack luster actors, but they are mixed with some fine ones as well. Yes this has giant robots and that is the main reason to see the film, but they are not just jingling keys in front of us. These action scenes have atmosphere. The fights are exciting because of anticipation and build up. This movie (while very flawed) should be a model example of popcorn entertainment. I came in, saw some good fights, and got a happy ending without bullshit. This was the kind of fun I remember as a kid.
This is a movie (strangely enough like John Carter) that should just be enjoy. They may not have had the best plots or most original stories, but they had substance that can honestly be felt. Genuine love for what they are doing in the film and real effort in making us as the audience part of that fun. They can be dumb or dull, but it feels more like a circumstance of a rushed schedule or odd-ball casting. It feels like Hollywood at its best since they just want us to have a good time.
I not only hope for a sequel, I hope for loving imitators who don't aspire to pretentious greatness (Rise of the Guardians), don't have something to immaturely prove (Man of Steel), and actually have their own story to tell even if its derivative (Star Trek into Darkness is not only a Rip-off of Wrath of con, but it is practically a sequel that is DEPENDANT on it).
This is not the degradation of film, this is the much needed laxative in a world of fast edited adaptations, sequels, and reboots with emo endings.
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