While exploring uncharted wilderness in 1823, legendary frontiersman Hugh Glass sustains injuries from a brutal bear attack. When his hunting team leaves him for dead, Glass must utilize his survival skills to find a way back home while avoiding natives on their own hunt. Grief-stricken and fueled by vengeance, Glass treks through the wintry terrain to track down John Fitzgerald, the former confidant who betrayed and abandoned him.Written by
This film is the third time Tom Hardy has portrayed a real-life person. The first time Hardy portrays a real-life person is Michael Peterson/Charles Bronson in Bronson (2008). The second time, he portrays twins Reggie and Ronnie Kray in Legend (2015). In this film, he portrays John Fitzgerald. And the fourth time, he portrays Al Capone in Capone (2020). See more »
When Hikuc speaks to Glass about also losing his family, his vocals do not match his lip movement, and appears to be dubbed. See more »
It's okay son... I know you want this to be over. I'm right here. I will be right here... But you don't give up. You hear me? As long as you can still grab a breath, you fight. You breathe... keep breathing.
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At the end of the end credits: "The making and authorized distribution of this film supported over 15,000 jobs and involved hundreds of thousands of work hours." See more »
Stunning cinematographic feat. How on earth did they film that?
If this wasn't such a fantastic piece of storytelling, I would be interrupting every three minutes to ask "how the hell did they make that shot?" Even if you know a lot about special effects, this film will have you scratching your head all the time.
There are shots that start as close ups, go super wide, half way up a mountain and then close to something else miles away. There are interactions with animals like the bear, shot in a way that defies any cinematographic, animal training, prop, or other trick you can think of.
I can't wait to see some sort of "making of" that will allow me to sleep at night when I understand how they did it all. Instead of that jerky, overdone, getting us all motion sick, hand-held camera, there is a wide angle system which sucks you into the action in a way we haven't see before.
It doesn't matter if you don't like DiCaprio or dislike "that type" of movies. This is an awesome piece of work, worth watching regardless simply for the technical artistry.
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