Their Finest (2016)

A former secretary, newly appointed as a scriptwriter for propaganda films, joins the cast and crew of a major production while the Blitz rages around them.

Director:

Lone Scherfig

Writers:

Lissa Evans (based on the novel "Their Finest Hour and a Half" by), Gaby Chiappe (screenplay by)

Stars:

Gemma Arterton, Sam Claflin, Bill Nighy

1 win & 6 nominations.

Cast

Cast overview, first billed only:
Sam Claflin	...	Tom Buckley
Gemma Arterton	...	Catrin Cole
Nicholas Murchie	...	Bus Conductor
Richard E. Grant	...	Roger Swain
Henry Goodman	...	Gabriel Baker
Rachael Stirling	...	Phyl Moore
Jack Huston	...	Ellis Cole
Bill Nighy	...	Ambrose Hilliard / Uncle Frank
Amanda Root	...	Cecy / Mrs Brown (Careless Talk Film)
Patrick Gibson	...	Rex, the Clapper Loader
Darren Clarke	...	The Gaffer
Ed Birch	...	Walter, the Director (Careless Talk Film)
Lissa Evans	...	Make-Up Woman (Careless Talk Film)
Richard Bevan	...	Mr. Richards (Dubbing Editor)
Gaby Chiappe	...	Dolly (Carrot Film)

Storyline

During the London Blitz of World War II, Catrin Cole is recruited by the British Ministry of Information to write scripts for propaganda films that the public will actually watch without scoffing. In the line of her new duties, Cole investigates the story of two young women who supposedly piloted a boat in the Dunkirk Evacuation. Although it proved a complete misapprehension, the story becomes the basis for a fictional film with some possible appeal. As Cole labors to write the script with her new colleagues such as Tom Buckley, veteran actor Ambrose Hilliard must accept that his days as a leading man are over as he joins the project. Together, this disparate trio must struggle against such complications such as sexism against Cole, jealous relatives, and political interference in their artistic decisions even as London endures the bombs of the enemy. In the face of those challenges, they share a hope to contribute something meaningful in this time of war and in their own lives.

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Plot Keywords:

propaganda film | actor | london blitz | screenwriter | sexism | 

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Taglines:

Smart, witty... a top-notch British comedy!

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Genres:

Comedy | Drama | Romance | War

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Motion Picture Rating (MPAA)

Rated R for some language and a scene of sexuality

Details

Official Sites:

Official Facebook Official site [Germany]

Country:

UK Sweden

Language:

English Hungarian Polish French

Release Date:

7 April 2017 (USA)

Also Known As:

Their Finest Hour

Filming Locations:

Freshwater West, Pembrokeshire, Wales, UK

Box Office

Budget:

€10,000,000 (estimated)

Opening Weekend USA:

$76,197, 7 April 2017, Limited Release

Gross USA:

$3,595,841, 16 June 2017

Cumulative Worldwide Gross:

$12,313,591, 7 June 2018

Company Credits

Production Co:

BBC Films, Welsh Government, Pinewood Pictures

Technical Specs

Runtime:

117 min

Color:

Color Black and White

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Sam Claflin and Gordon Brown previously worked with director Lone Scherfig on The Riot Club (2014).

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Goofs

At the start, Arterton's character is told: "A page of script equates to a minute of screen time, or roughly 80 yards of celluloid."

35mm cinema film is composed of 16 frames per foot, and runs at 24 frames per second, so a minute on screen is exactly 90 feet or 30 yards. Eighty yards would be 240 feet, or 2 minutes 40 seconds.

For a film about film-making, this is ridiculous mistake to make.

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Quotes

Catrin Cole: Anything else?
Tom Buckley: Since you're so keen to flex your femininity, you can tidy up!

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Connections

References The 39 Steps (1935)

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Soundtracks

Gulf of Naples
Written by Alessandro Alessandroni

User Reviews

Keep calm and keep writing

In a well-mined category, "Their Finest" is a World War 2 comedy/drama telling a tale I haven't seen told before: the story behind the British Ministry of Information and their drive to produce propaganda films that support morale and promote positive messages in a time of national crisis. For it is 1940 and London is under nightly attack by the Luftwaffe during the time known as "The Blitz". Unfortunately the Ministry is run by a bunch of toffs, and their output is laughably misaligned with the working class population, and especially the female population:  with their husbands fighting overseas, these two groups are fast becoming one and the same. For women are finding and enjoying new empowerment and freedom in being socially unshackled from the kitchen sink. 

Enter Catrin Cole (Gemma Arterton, "The Girl with all the Gifts") who is one such woman arriving to a dangerous London from South Wales to live with struggling disabled artist Ellis (Jack Huston, grandson of John Huston). Catrin, stretching the truth a little, brings a stirring 'true' tale of derring-do about the Dunkirk evacuation to the Ministry's attention. She is then employed to "write the slop" (the woman's dialogue) in the writing team headed by spiky Tom Buckley (Sam Claflin, "Me Before You").

One of the stars of the film within the film is 'Uncle Frank' played by the aging but charismatic actor Ambrose Hilliard (Bill Nighy, "Dad's Army", "Love Actually"). Catrin proves her worth by pouring oil on troubled waters as the army insist on the introduction of an American airman (Jake Lacy, "Carol") to the stressful mix. An attraction builds between Catrin and Tom, but how will the love triangle resolve itself?

As you might expect if you've seen the trailer the film is, in the main, warm and funny with Gemma Arterton just gorgeously huggable as the determined young lady trying to make it in a misogynistic 40's world of work. Arterton is just the perfect "girl next door". But mixed in with the humour and the romantic storyline is a harsh sprinkling of the trials of war and not a little heartbreak occurs.  This is at least a 5 tissue movie. 

Claflin, who is having a strong year with appearances in a wide range of films, is also eminently watchable. One of his best scenes is a speech with Arterton about "why people love the movies", a theory that the film merrily and memorably drives a stake through the heart of!  

Elsewhere Lacy is hilarious as the hapless airman with zero acting ability; Helen McCrory ("Harry Potter") as Sophie Smith vamps it up wonderfully as the potential Polish love interest for Hilliard; Richard E Grant ("Logan") and Jeremy Irons ("The Lion King", "Die Hard: with a Vengeance") pop up in useful cameos and Eddie Marsan ("Sherlock Holmes") is also touching as Hilliard's long-suffering agent. 

But it is Bill Nighy's Hilliard who carries most of the wit and humour of the film with his pompous thespian persona, basking in the dwindling glory of a much loved series of "Inspector Lynley" films. With his pomposity progressively warming under the thawing effect of Sophie and Catrin, you have to love him!  Bill Nighy is, well, Bill Nighy. Hugh Grant gets it (unfairly) in the neck for "being Hugh Grant" in every film, but this pales in comparison with Nighy's performances!  But who cares: his kooky delivery is just delightful and he is a national treasure!

Slightly less convincing for me was Rachael Stirling's role as a butch ministry busybody with more than a hint of the lesbian about her.  Stirling's performance in the role is fine, but would this really have been so blatant in 1940's Britain?  This didn't really ring true for me. 

While the film gamely tries to pull off London in the Blitz the film's limited budget (around £25m) makes everything feel a little underpowered and 'empty':  a few hundred more extras in the Underground/Blitz scenes for example would have helped no end.

However, the special effects crew do their best and the cinematography by Sebastian Blenkov ("The Riot Club") suitably conveys the mood:  a scene where Catrin gets caught in a bomb blast outside a clothes shop is particularly moving.

As with all comedy dramas, sometimes the bedfellows lie uncomfortably with each other, and a couple of plot twists: one highly predictable; one shockingly unpredictable make this a non-linear watch. This roller-coaster of a script by Gaby Chiappe, in an excellent feature film debut (she actually also has a cameo in the propaganda "carrot film"!), undeniably adds interest and makes the film more memorable. However (I know from personal experience) that the twist did not please everyone in the audience! 

Despite its occasionally uneven tone, this is a really enjoyable watch (particularly for more mature audiences) and Danish director Lone Scherfig finally has a vehicle that matches the quality of her much praised Carey Mulligan vehicle "An Education".

(For the graphical version of this review, please visit bob-the-movie- man.com. Thanks.)