The Numbers Station (2013)
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- R
- 1h 29min
- Action, Thriller
- 26 Apr 2013 (USA)
- Movie
A disgraced black ops agent is dispatched to a remote CIA broadcast station to protect a code operator. Soon, they find themselves in a life-or-death struggle to stop a deadly plot before...
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Director:
Writer:
Award:
- 1 nomination.
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Photos and Videos
Cast
| John Cusack | ... |
Emerson Kent
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| Malin Akerman | ... |
Katherine
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| Liam Cunningham | ... |
Grey
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| Richard Brake | ... |
Max
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| Bryan Dick | ... |
David
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Finbar Lynch | ... |
Michaels
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| Lucy Griffiths | ... |
Meredith
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| Joey Ansah | ... |
Derne
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| Victor Gardener | ... |
Fischer
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| Joe Montana | ... |
Jeremy Fletcher
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| Brian Nickels | ... |
Bouncer
(as Brian Sonny Nickels)
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Randy Merchant | ... |
Bouncer
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| Hannah Murray | ... |
Rachel Davis
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| Gary Lawrence | ... |
Hospital Orderly
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| Max Bennett | ... |
Intern at Hospital
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| Jonathan Jaynes | ... |
Nathaniel Davis
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Gabrielle Reidy | ... |
Monroe
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| Rest of cast listed alphabetically: | |||
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David Wenden | ... |
Porter
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Directed by
| Kasper Barfoed | ||
Written by
| F. Scott Frazier | ... | (screenplay by) |
Produced by
| Peter Bevan | ... | executive producer |
| Jeremy Burdek | ... | executive producer: uFilm |
| Jamie Carmichael | ... | executive producer |
| Chris Cowles | ... | executive producer |
| Chris Fenton | ... | executive producer |
| Christopher Figg | ... | executive producer |
| Bryan Furst | ... | producer |
| Sean Furst | ... | producer |
| Robert How | ... | line producer (as Rob How) |
| Nadia Khamlichi | ... | executive producer: uFilm |
| Erick Kwak | ... | executive producer |
| Stéphane Lhoest | ... | line producer: Belgium, uFilm |
| Doug Mankoff | ... | executive producer |
| Adrian Politowski | ... | executive producer: uFilm |
| Karl Richards | ... | executive producer |
| Steven Silver | ... | executive producer |
| Andrew Spaulding | ... | executive producer |
| Neil Tabatznik | ... | executive producer |
| Nigel Thomas | ... | producer |
| Charlotte Walls | ... | executive producer |
| Gilles Waterkeyn | ... | executive producer: uFilm |
| Robert Whitehouse | ... | executive producer |
| James Gibb | ... | executive producer (uncredited) |
Music by
| Paul Leonard-Morgan | ||
Cinematography by
| Óttar Guðnason | ... | director of photography (as Ottar Gudnason) |
Film Editing by
| Chris Gill | ||
| Per Sandholt | ||
Editorial Department
| Gilles Bissot | ... | digital intermediate film technician |
| Giles Burgess | ... | first assistant editor |
| Catherine Donner | ... | film lab technician (as Cahterine Donner) |
| Yves Dujardin | ... | digital intermediate coordinator / film lab coordinator |
| Christian Dutillieu | ... | film lab technician |
| Paul Francois Fontigny | ... | digital intermediate film technician |
| Maurice Henrion | ... | film lab technician |
| Adam Inglis | ... | digital colorist |
| Joanna Jimenez | ... | second assistant editor (as Joanna Garland) |
| Dominique Marcel | ... | digital cinema mastering |
| Romain Matuszak | ... | digital cinema mastering |
| Aldo Mulone | ... | assistant digital grader |
| Omar Sakkou | ... | film lab technician |
| Laurent Verscheure | ... | film lab technician |
| Mat Brooks | ... | digital lab technician (uncredited) |
| Charlotte Collings | ... | digital intermediate producer (uncredited) |
| Steve Harrow | ... | post-production consultant (uncredited) |
Casting By
| Daniel Hubbard | ... | (as Dan Hubbard) |
| John Papsidera | ... | casting director: US |
Production Design by
| Ged Clarke | ||
Art Direction by
| Danny Rogers | ... | supervising art director |
Set Decoration by
| Liz Griffiths | ||
Costume Design by
| Sian Jenkins | ||
Makeup Department
| Kate Benton | ... | makeup artist |
| Graham Johnston | ... | makeup designer |
| Lorna McGowan | ... | makeup artist |
| Kristyan Mallett | ... | prosthetics designer (uncredited) |
| Simon Taylor | ... | prosthetic technician (uncredited) |
Production Management
| Steve Harrow | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Scott Bunce | ... | second assistant director |
| Joe Geary | ... | first assistant director |
| Ian Hughes | ... | third assistant director |
Art Department
| Callum Andrew | ... | construction manager (as Callum Andrews) |
| Emma Denby | ... | art department assistant |
| Mark Fruin | ... | stand-by props |
| Antonia Gibbs | ... | production buyer |
| Tone Gibbs | ... | prop storeman (as Tony Gibbs) |
| Neil Griffiths | ... | dressing props |
| Paul Mitchell | ... | dressing props |
| Nigel Pollock | ... | stand-by art director |
| Craig Price | ... | property master |
| Emma Rogers | ... | graphic designer |
| Corrine Silver | ... | art department assistant |
| Mark Sindall | ... | stand-by propman |
| Marcus Spivey | ... | stand-by painter |
| James Waddingham | ... | h.o.d. carpenter / stand-by carpenter |
Sound Department
| Hugo Adams | ... | foley editor |
| Niv Adiri | ... | sound re-recording mixer: effects premix, Sound 24 |
| Chris Ashworth | ... | production sound mixer |
| Ben Barker | ... | sound designer |
| Luke Brown | ... | assistant foley mixer |
| Peter Burgis | ... | foley artist (as Pete Burgis) |
| Etienne Carton | ... | technical sound supervisor |
| Tony Dawe | ... | sound recordist |
| Sebastien Demeyere | ... | sound coordinator (as Sébastien Demeyere) |
| Mike Dowson | ... | senior sound re-recording mixer |
| Catherine Duffy | ... | sound assistant |
| Danny Freemantle | ... | sound effects editor |
| Glenn Freemantle | ... | sound designer |
| Nick Freemantle | ... | assistant sound editor (as Nicholas Freemantle) |
| Jean-Stephane Garbe | ... | re-recording mixer (as Jean Stéphane Garbe) |
| Glen Gathard | ... | foley mixer |
| Emilie O'Connor | ... | adr editor / dialogue editor |
| Francis Perreard | ... | sound consultant: Dolby |
| Paul Schwartz | ... | boom operator |
| Denise Yarde | ... | boom operator |
| Tony Dawe | ... | additional sound mixer (uncredited) |
| Gillian Dodders | ... | dialogue editor (uncredited) |
Special Effects by
| Victoria Bravery | ... | special effects (as Tori Bravery) |
| Graham Cough | ... | special effects |
| Nick P. Phillips | ... | special effects (as Nick Phillips) |
| Graham Povey | ... | special effects supervisor |
| Matthew Roberts | ... | special effects (as Matt Roberts) |
| Dan Doddington | ... | special effects technician (uncredited) |
Visual Effects by
| Joan Azpeitia | ... | VIEW D Compositor |
| Travis Berry | ... | visual effects artist: North by Northwest Productions |
| Amelia Braekke-Dyer | ... | stereo conversion compositor |
| Giles Burgess | ... | visual effects editor |
| Vikki Chapman | ... | stereo production coordinator: prime focus film |
| Jonathan Cheetham | ... | visual effects supervisor: uFX |
| Marc Henry de Frahan | ... | facilities manager: uFX |
| Bert Deruyck | ... | visual effects artist: uFX |
| Suzanne Forward | ... | visual effects coordinator: uFX |
| Dave Goodbourn | ... | technical manager: uFX (as Dave Goodbourne) |
| Clare Heneghan | ... | visual effects producer: uFX (as Clare Cheetham) |
| Miriam Jane | ... | visual effects artist |
| Brooke McGowan | ... | stereo compositor: stereoscopic conversion |
| J.D. McKee | ... | visual effects artist: North by Northwest Productions (as Jason McKee) / visual effects supervisor: North by Northwest Productions (as Jason McKee) |
| Ricardo Musch | ... | stereo compositor (view-d): Prime Focus Film |
| Jason A. Payne | ... | visual effects producer: North by Northwest Productions |
| James Rose | ... | visual effects artist: uFX |
| Francesco Rossi | ... | visual effects artist: uFX |
| Bruno Sommier | ... | visual effects supervisor: uFX, Belgium team |
| Daniele Starnoni | ... | stereoscopic conversion artist |
| Rafael Zierhofer | ... | stereo conversion artist |
| Nora Berecoechea | ... | project assistant: uFX (uncredited) |
| Alexis Haggar | ... | titles: graphics and effects (uncredited) |
Stunts
| Zarene Dallas | ... | stunt performer |
| Sarah Franzl | ... | assistant stunt coordinator |
| James Grogan | ... | fight choreographer / stunt double: John Cussack |
| Greg Powell | ... | stunt coordinator |
| Roy Taylor | ... | stunt performer |
| Zarene Dallas | ... | stunt double: Malin Akerman (uncredited) |
| George Morris | ... | precision driver (uncredited) |
| Roy Taylor | ... | fight assistant (uncredited) |
Camera and Electrical Department
| David Ashby | ... | key grip |
| Barry Bellotti | ... | electrician |
| Jeremy Braben | ... | aerial photographer: Helicopter Film Services Ltd |
| Mat Brooks | ... | data wrangler |
| Paul Brown | ... | electrician |
| Peter Byrne | ... | first assistant camera |
| Abigail Catto | ... | clapper loader |
| Laurence Cendrowicz | ... | additional still photographer: additional on-set stills |
| Dominique Cheung | ... | camera trainee |
| David Churchyard | ... | clapper loader (as Dave Churchyard) |
| Liam Daniel | ... | still photographer |
| Bernard Esterhuysen | ... | high speed camera operator / high speed technician |
| Lee Godfrey | ... | best boy grip |
| Tristan Hey | ... | digital imaging technician |
| Lee Knight | ... | best boy |
| Vince Madden | ... | electrician (as Vinny Madden) |
| Marc-Jason Maier | ... | digital imaging technician |
| Michael McDermott | ... | gaffer |
| Vince McGahon | ... | camera operator |
| Spencer Murray | ... | first assistant camera |
| Emily Payne | ... | camera trainee |
| John Pitt | ... | rigger |
| Oliver Ward | ... | aerial camera technician: Helicopter Film Services Ltd |
| Abigail Catto | ... | second assistant camera (uncredited) |
| Vince McGahon | ... | steadicam operator (uncredited) |
Casting Department
| Jay Benedict | ... | crowd adr: Sync or Swim |
| Phoebe Scholfield | ... | crowd adr: Sync or Swim |
| Gemma Sykes | ... | casting associate: UK |
| Louis Elman | ... | adr voice casting (uncredited) |
Costume and Wardrobe Department
| Corinna Everett-Lyons | ... | costume supervisor |
| Maja Meschede | ... | key costumer |
| Emma Rees | ... | assistant costume designer (as Emma Rose Rees) |
Location Management
| Andrew Ryland | ... | assistant location manager |
| Charlie Thompson | ... | location manager |
Music Department
| Matt Biffa | ... | music supervisor |
| Rupert Coulson | ... | score mixer |
| Caroline Gorman | ... | assistant to composer |
| Gareth Griffiths | ... | music contractor |
| Ross Hamilton | ... | musician: guitars and bass |
| Paul Leonard-Morgan | ... | conductor / music arranger / orchestrator |
| Jeremy Murphy | ... | pro tools assistant: Angel Studios |
| Sam Petts-Davies | ... | score pro tools assistant |
| Steve Price | ... | music recordist: Angel Studios |
| Dianne Stevenson | ... | second assistant to composer |
Transportation Department
| James Adkin | ... | assistant action vehicle coordinator |
| Rob Hempenstall | ... | unit driver |
| Graeme Main | ... | camera car driver |
| Danny Mitchell | ... | swing co-ordinator |
| George Morris | ... | action vehicle coordinator |
| Mark Morris | ... | action vehicles |
| Tony Wadsworth | ... | driver: Mr. Cusack |
| Piotr Walczak | ... | transport facilities manager |
| Martin Walsh | ... | driver |
Other crew
| Bianca Arvin | ... | assistant: Mr. Cusack |
| Alison Balch | ... | head of international operations: Content Media Corporation |
| Judith Baugin | ... | head of international marketing: Content Media Corporation |
| Hannah Boschi | ... | assistant production coordinator |
| Kyle Brosius | ... | trailer titles |
| Lara Brown | ... | assistant: Steven Silver and Neil Tabatznik, Blue Lake Media Fund |
| Maéva Buisse | ... | production coordinator: uFilm (as Maeva Buisse) |
| Evan Cohen | ... | assistant: Doug Mankoff and Andrew Spaulding, Echo Lake Entertainment |
| Christine Corner | ... | auditor: Grant Thornton UK LLP |
| Alana Crow | ... | business and legal affairs |
| Melloney Cunnell | ... | production assistant: Matador Pictures |
| Libby D'Arcy | ... | vice president of business affairs: Content Media Corporation |
| Andy Darbon | ... | caterer: Set Breaks |
| Chet Devaskar | ... | legal services |
| Ilda Diffley | ... | director of development: Echo Lake Entertainment |
| Meredith L. Ditlow | ... | assistant to producers (as Meredith Ditlow) / production executive: Furst Films (as Meredith Ditlow) |
| Rebecca Dix | ... | unit publicist: Public Eye |
| Brian Gibbs | ... | production accountant |
| Louise Green | ... | assistant post-production accountant |
| Nell Green | ... | production assistant: Matador Pictures |
| Paul Hay | ... | bowser operator: Helicopter Film Services Ltd |
| Pierre Philippe Hendrickx | ... | lawyer: uFilm (as Pierre-Philippe Hendrickx) |
| Sion Iorwerth | ... | senior administrator: Matador Pictures |
| Polly Jefferies | ... | production coordinator |
| Chesney Jefferson | ... | production runner: dailies |
| Michael Jupp | ... | helicopter pilot: aerial photography, Helicopter Film Services Ltd |
| Mark Kingston | ... | health and safety officer |
| Erick Kwak | ... | executive vice president: worldwide business and legal affairs, Content Media Corporation |
| John LaViolette | ... | counsel: Furst Films |
| Lucia Lopez | ... | head of development: Matador Pictures |
| Alex Matcham | ... | production controller |
| Martin Metz | ... | production executive: uFilm |
| Saira Mian | ... | head of legal and business affairs: Matador Pictures |
| Christos Michaels | ... | legal services |
| Laura Miles | ... | script supervisor |
| Sheila Fraser Milne | ... | production executive |
| Alex Molden | ... | accommodation coordinator |
| Melanie Mooney | ... | assistant: Steven Silver and Neil Tabatznik, Blue Lake Media Fund |
| Richard Morrison | ... | title designer |
| Richard Moxon | ... | production counsel: Davenport Lyons |
| Maggie Newton | ... | assistant to executive producers: Piccadilly Pictures |
| Kerry Porter | ... | unit publicist: Public Eye |
| Ben Rothwell | ... | armourer |
| David Ruddock | ... | assistant accountant |
| Steve Sango | ... | security |
| Lara Sargent | ... | post-production accountant |
| John Schmidt | ... | chief executive officer: Content Media Corporation |
| Kate Selby | ... | floor runner |
| Iwona Sellers | ... | production executive: uFilm |
| Bastien Sirodot | ... | production executive: uFilm |
| Greg Slewett | ... | counsel: Furst Films |
| James A. Smith | ... | assistant: Doug Mankoff and Andrew Spaulding, Echo Lake Entertainment (as James Smith) |
| Jessica Stamen | ... | vice president of development: Echo Lake Entertainment |
| Christina Steils | ... | operations manager: aerial photography, Helicopter Film Services Ltd |
| Saskia Thomas | ... | production coordinator: Piccadilly Pictures |
| Claire Walker | ... | production runner |
| Dean Wares | ... | title designer |
| Geoff Webb | ... | chief financial officer: Content Media Corporation |
| Russell Webber | ... | production assistant: Matador Pictures |
| Harry White | ... | head of international sales: Content Media Corporation |
| Kristie White | ... | assistant post-production accountant |
| Luke Windsor | ... | unit publicist: Public Eye |
| Kriss TheDish Brown | ... | Satellite Internet, Wifi Engineer & IT Support (uncredited) |
| Bob Corff | ... | voice coach (uncredited) |
| Donna Graham | ... | nurse (uncredited) |
| David Sheldon-Hicks | ... | screen graphics (uncredited) |
| Matt Spooner | ... | unit medic (uncredited) |
Thanks
| Peter Bevan | ... | the producers would like to thank |
| Sarah Brown | ... | the producers would like to thank |
| Alastair Burlingham | ... | the producers would like to thank |
| Ibon Cormenzana | ... | the producers would like to thank: Arcadia Capital |
| Ignasi Estapé | ... | the producers would like to thank: Arcadia Capital (as Ignasi Estape) |
| Sara Giles | ... | the producers would like to thank |
| Karl Richards | ... | the producers would like to thank |
| Mary Thomas | ... | the producers would like to thank |
Production Companies
- ContentFilm International (presents)
- Echo Lake Entertainment (presents)
- Piccadilly Pictures (in association with)
- Atlantic Swiss Productions (in association with)
- Blue Lake Media Fund (in association with)
- Furst Films
- Matador Pictures
- International Pictures One (in association with)
- Le Tax Shelter du Gouvernement Fédéral de Belgique (supported by)
- uFilm (with the support of)
- Umedia
Distributors
- Content Media (2013) (United Kingdom)
- Captive Cinema Distribution (2013) (Philippines) (theatrical)
- Image Entertainment (2013) (United States) (theatrical)
- Nikkatsu (2013) (Japan) (theatrical)
- Spentzos Films (2013) (Greece) (theatrical)
- Synergy (2013) (Japan) (theatrical) (in association with)
- 4Digital Media (2013) (United Kingdom)
- ADS Service (2013) (Hungary)
- Aventi (2013) (France) (video)
- Eagle Entertainment (2013) (Australia) (DVD)
- Entertainment One (2013) (Canada) (DVD)
- Entertainment One (2013) (Canada) (Blu-ray) (DVD)
- Film1 (2013) (Netherlands) (tv) (limited)
- IPA Asia Pacific (2013) (United States)
- IPA Asia Pacific (2013) (United States)
- La Aventura Audiovisual (2013) (Spain)
- Marco Polo Production (2013) (France) (video)
- Netflix (Netherlands) (video) (VOD)
- Universum Film (UFA) (2014) (Germany) (DVD)
- Universum Film (UFA) (2014) (Germany) (Blu-ray) (DVD)
- Vicol Entertainment (2013) (Hong Kong) (DVD)
- Vicol Entertainment (2013) (Hong Kong) (Blu-ray) (DVD)
- Zon Audiovisuais (2013) (Portugal)
Special Effects
- uFX (visual effects)
- North by Northwest Productions (additional visual effects)
- Lexhag VFX (main titles and graphics)
- Lexhag (title graphics)
- Prime Focus (3D Grade)
Other Companies
- Sargent-Disc (payroll services)
- Helicopter Film Services (aerial photography)
- Set Breaks Catering (catering)
- Beofilm Post Production (editing facilities)
- De Lane Lea (editing facilities)
- Pivotal Post (editing facilities)
- Studio l'Équipe (picture and sound post-production services)
- Sound 24 (sound design and post-production)
- Shepperton Studios (foley recording)
- Studio l'Équipe (re-recording sound stages)
- Goldcrest Post Production London (adr recording)
- Halo Post Production (adr recording)
- Windmill Lane Recording Studios (adr recording)
- Wildfire Studios (adr recording)
- Chicago Recording Company (adr recording)
- Sync or Swim (crowd adr)
- Angel Studios (music recording)
- Chamber Orchestra Of London (music performers)
- Strongroom Recording Studios (score mixing)
- Cutting Edge Group (music services)
- Pivotal Post (editing equipment)
- Salon (editing equipment)
- Beofilm Post Production (editing equipment)
- Sapex Scripts (post-production script services)
- Public Eye Communications (unit publicity)
- Close-Up Productions (I) (electronic press kit)
- Grant Thornton (auditors)
- Davenport Lyons (production counsel)
- Media Insurance Brokers (insurance)
- European Film Bonds (completion guarantee)
- Deutsche Filmversicherungsgemeinschaft (completion guarantee)
- Reed Smith (legal services)
- Freeway CAM B.V. (world revenues collection and distribution)
- Alexavision (cameras and lenses)
- Take 2 Films (cameras and lenses)
- Take 2 Films (lighting equipment)
- Translux International (facilities)
- Shutterstock Images (film footage courtesy of: credit sequence)
- Pond5 (stock footage)
- ContentFilm International (international sales)
- Arcadia Capital (the producers would like to thank: Ignasi Estape and Ibon Cormenzana)
- Bridgeworks Capital (the producers would like to thank)
- Aegis Film Fund (the producers would like to thank)
- Miso Film (the producers would like to thank)
- Bentwaters Airfield (the producers would like to thank)
- Dolby Laboratories (sound mix: Dolby Digital)
- Motion Picture Association of America (MPAA) (approval certificate: no. 47915)
- Said and Done (author of this motion picture for the purposes of copyright and other laws)
- Boomtactix (author of this motion picture for the purposes of copyright and other laws)
- Belatro (author of this motion picture for the purposes of copyright and other laws)
- DJG (author of this motion picture for the purposes of copyright and other laws)
- 4K London (digital imaging services)
- Audiolink Radio Communications (cell phone rentals)
- Audiolink Radio Communications (walkie talkies)
- Compuhire (computer playback)
- Cutting Edge Group (music services)
- European Film Bonds (completion bond company)
- MovieScore Media (soundtrack)
- Piccadilly Pictures (funding)
- Pivotal Post (Avid HD editing equipment)
- Prime Focus (camera equipment)
- Prime Focus (digital deliverables)
- Prodigy Public Relations (publicity)
- Production Copier Company (production equipment and services)
- Sky Media Travel (travel agent)
- Territory (graphic displays)
- Wildfire Studios (ADR Recording Facility)
- uFund (funding)
Storyline
| Plot Summary |
When the moral values of a longtime wetwork black ops agent is tested during his last operation, he receives an unfavorable psych evaluation. Now he is given a break and a seemingly uncomplicated assignment of simply protecting the security of a young female code announcer, code resources and remote station they are assigned to. After an ambush and one phone call later, it becomes a complicated fight for their survival. Written by AZSigInt |
| Plot Keywords | |
| Taglines | The code has never been compromised. Until now. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
Additional Details
| Also Known As |
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Did You Know?
| Trivia | When they are reviewing the profiles one that comes up is Sean Furst, who is one of the movie's producers. See more » |
| Goofs | When Katherine is in the hospital, you can plainly see her neck veins pulsing, but the heart rate monitor is beeping away at a completely different rate. See more » |
| Movie Connections | Featured in The Making of the Numbers Station (2013). See more » |
| Crazy Credits | Opening credits starts with some numbers spoken and reversed match with the names that are shown. See more » |
| Quotes |
Grey:
I'll get you a prescription for Ativan, it'll stop your conscience bothering ya. See more » |