The Numbers Station (2013)
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- R
- 1h 29min
- Action, Thriller
- 26 Apr 2013 (USA)
- Movie
A disgraced black ops agent is dispatched to a remote CIA broadcast station to protect a code operator. Soon, they find themselves in a life-or-death struggle to stop a deadly plot before it's too late.
Director:
Writer:
Award:
- 1 nomination.
- See more »
Photos and Videos
Cast
| John Cusack | ... |
Emerson Kent
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| Malin Akerman | ... |
Katherine
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| Liam Cunningham | ... |
Grey
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| Richard Brake | ... |
Max
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| Bryan Dick | ... |
David
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| Finbar Lynch | ... |
Michaels
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| Lucy Griffiths | ... |
Meredith
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| Joey Ansah | ... |
Derne
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| Victor Gardener | ... |
Fischer
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| Joe Montana | ... |
Jeremy Fletcher
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| Brian Nickels | ... |
Bouncer
(as Brian Sonny Nickels)
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Randy Merchant | ... |
Bouncer
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| Hannah Murray | ... |
Rachel Davis
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| Gary Lawrence | ... |
Hospital Orderly
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| Max Bennett | ... |
Intern at Hospital
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Jonathan Jaynes | ... |
Nathaniel Davis
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Gabrielle Reidy | ... |
Monroe
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| Rest of cast listed alphabetically: | |||
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David Wenden | ... |
Porter
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| Nikky Smedley | ... |
Mrs. Hollins (uncredited)
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Directed by
| Kasper Barfoed | ||
Written by
| F. Scott Frazier | ... | (screenplay by) |
Produced by
| Peter Bevan | ... | executive producer |
| Jeremy Burdek | ... | executive producer: uFilm |
| Jamie Carmichael | ... | executive producer |
| Chris Cowles | ... | executive producer |
| Chris Fenton | ... | executive producer |
| Christopher Figg | ... | executive producer |
| Bryan Furst | ... | producer |
| Sean Furst | ... | producer |
| James Gibb | ... | executive producer (uncredited) |
| Robert How | ... | line producer (as Rob How) |
| Nadia Khamlichi | ... | executive producer: uFilm |
| Erick Kwak | ... | executive producer |
| Stéphane Lhoest | ... | line producer: Belgium, uFilm |
| Doug Mankoff | ... | executive producer |
| Adrian Politowski | ... | executive producer: uFilm |
| Karl Richards | ... | executive producer |
| Steven Silver | ... | executive producer |
| Andrew Spaulding | ... | executive producer |
| Neil Tabatznik | ... | executive producer |
| Nigel Thomas | ... | producer |
| Charlotte Walls | ... | executive producer |
| Gilles Waterkeyn | ... | executive producer: uFilm |
| Robert Whitehouse | ... | executive producer |
Music by
| Paul Leonard-Morgan | ||
Cinematography by
| Óttar Guðnason | ... | director of photography (as Ottar Gudnason) |
Film Editing by
| Chris Gill | ||
| Per Sandholt | ||
Editorial Department
| Gilles Bissot | ... | digital intermediate film technician |
| Giles Burgess | ... | first assistant editor |
| Catherine Donner | ... | film lab technician (as Cahterine Donner) |
| Yves Dujardin | ... | digital intermediate coordinator / film lab coordinator |
| Christian Dutillieu | ... | film lab technician |
| Paul Francois Fontigny | ... | digital intermediate film technician |
| Maurice Henrion | ... | film lab technician |
| Adam Inglis | ... | digital colorist |
| Joanna Jimenez | ... | second assistant editor (as Joanna Garland) |
| Dominique Marcel | ... | digital cinema mastering |
| Romain Matuszak | ... | digital cinema mastering |
| Aldo Mulone | ... | assistant digital grader |
| Omar Sakkou | ... | film lab technician |
| Laurent Verscheure | ... | film lab technician |
| Mat Brooks | ... | digital lab technician (uncredited) |
| Charlotte Collings | ... | digital intermediate producer (uncredited) |
| Steve Harrow | ... | post-production consultant (uncredited) |
Casting By
| Daniel Hubbard | ... | (as Dan Hubbard) |
| John Papsidera | ... | casting director: US |
Production Design by
| Ged Clarke | ||
Art Direction by
| Danny Rogers | ... | supervising art director |
Set Decoration by
| Liz Griffiths | ||
Costume Design by
| Sian Jenkins | ||
Makeup Department
| Kate Benton | ... | makeup artist |
| Graham Johnston | ... | makeup designer |
| Lorna McGowan | ... | makeup artist |
| Kristyan Mallett | ... | prosthetics designer (uncredited) |
| Simon Taylor | ... | prosthetic technician (uncredited) |
Production Management
| Steve Harrow | ... | post-production supervisor |
Second Unit Director or Assistant Director
| Scott Bunce | ... | second assistant director |
| Joe Geary | ... | first assistant director |
| Ian Hughes | ... | third assistant director |
Art Department
| Justin Ackroyd | ... | set dresser |
| Callum Andrew | ... | construction manager (as Callum Andrews) |
| Emma Denby | ... | art department assistant |
| Mark Fruin | ... | stand-by props |
| Antonia Gibbs | ... | production buyer |
| Tone Gibbs | ... | prop storeman (as Tony Gibbs) |
| Neil Griffiths | ... | dressing props |
| Paul Mitchell | ... | dressing props |
| Nigel Pollock | ... | stand-by art director |
| Craig Price | ... | property master |
| Emma Rogers | ... | graphic designer |
| Corrine Silver | ... | art department assistant |
| Mark Sindall | ... | stand-by propman |
| Marcus Spivey | ... | stand-by painter |
| James Waddingham | ... | h.o.d. carpenter / stand-by carpenter |
Sound Department
| Hugo Adams | ... | foley editor |
| Niv Adiri | ... | sound re-recording mixer: effects premix, Sound 24 |
| Chris Ashworth | ... | production sound mixer |
| Ben Barker | ... | sound designer |
| Luke Brown | ... | assistant foley mixer |
| Peter Burgis | ... | foley artist (as Pete Burgis) |
| Etienne Carton | ... | technical sound supervisor |
| Tony Dawe | ... | sound recordist |
| Sebastien Demeyere | ... | sound coordinator (as Sébastien Demeyere) |
| Mike Dowson | ... | senior sound re-recording mixer |
| Catherine Duffy | ... | sound assistant |
| Danny Freemantle | ... | sound effects editor |
| Glenn Freemantle | ... | sound designer |
| Nick Freemantle | ... | assistant sound editor (as Nicholas Freemantle) |
| Jean-Stephane Garbe | ... | re-recording mixer (as Jean Stéphane Garbe) |
| Glen Gathard | ... | foley mixer |
| Emilie O'Connor | ... | adr editor / dialogue editor |
| Francis Perreard | ... | sound consultant: Dolby |
| Paul Schwartz | ... | boom operator |
| Denise Yarde | ... | boom operator |
| Tony Dawe | ... | additional sound mixer (uncredited) |
| Gillian Dodders | ... | dialogue editor (uncredited) |
Special Effects by
| Victoria Bravery | ... | special effects (as Tori Bravery) |
| Graham Cough | ... | special effects |
| Nick P. Phillips | ... | special effects (as Nick Phillips) |
| Graham Povey | ... | special effects supervisor |
| Matthew Roberts | ... | special effects (as Matt Roberts) |
| Dan Doddington | ... | special effects technician (uncredited) |
Visual Effects by
| Joan Azpeitia | ... | VIEW D Compositor |
| Travis Berry | ... | visual effects artist: North by Northwest Productions |
| Amelia Braekke-Dyer | ... | stereo conversion compositor |
| Giles Burgess | ... | visual effects editor |
| Vikki Chapman | ... | stereo production coordinator: prime focus film |
| Clare Cheetham | ... | visual effects producer: uFX |
| Jonathan Cheetham | ... | visual effects supervisor: uFX |
| Marc Henry de Frahan | ... | facilities manager: uFX |
| Bert Deruyck | ... | visual effects artist: uFX |
| Suzanne Forward | ... | visual effects coordinator: uFX |
| Dave Goodbourn | ... | technical manager: uFX (as Dave Goodbourne) |
| Miriam Jane | ... | visual effects artist |
| Brooke McGowan | ... | stereo compositor: stereoscopic conversion |
| J.D. McKee | ... | visual effects artist: North by Northwest Productions (as Jason McKee) / visual effects supervisor: North by Northwest Productions (as Jason McKee) |
| Ricardo Musch | ... | stereo compositor (view-d): Prime Focus Film |
| Jason A. Payne | ... | visual effects producer: North by Northwest Productions |
| James Rose | ... | visual effects artist: uFX |
| Francesco Rossi | ... | visual effects artist: uFX |
| Bruno Sommier | ... | visual effects supervisor: uFX, Belgium team |
| Daniele Starnoni | ... | stereoscopic conversion artist |
| Rafael Zierhofer | ... | stereo conversion artist |
| Nora Berecoechea | ... | project assistant: uFX (uncredited) |
| Alexis Haggar | ... | titles: graphics and effects (uncredited) |
Stunts
| Zarene Dallas | ... | stunt performer |
| Sarah Franzl | ... | assistant stunt coordinator |
| Andy Godbold | ... | stunt double: Finbar Lynch |
| James Grogan | ... | fight choreographer / stunt double: John Cussack |
| Greg Powell | ... | stunt coordinator |
| Roy Taylor | ... | stunt performer |
| Zarene Dallas | ... | stunt double: Malin Akerman (uncredited) |
| George Morris | ... | precision driver (uncredited) |
| Roy Taylor | ... | fight assistant (uncredited) |
Camera and Electrical Department
| David Ashby | ... | key grip |
| Barry Bellotti | ... | electrician |
| Jeremy Braben | ... | aerial photographer: Helicopter Film Services Ltd |
| Mat Brooks | ... | data wrangler |
| Paul Brown | ... | electrician |
| Peter Byrne | ... | first assistant camera |
| Abigail Catto | ... | clapper loader |
| Laurence Cendrowicz | ... | additional still photographer: additional on-set stills |
| Dominique Cheung | ... | camera trainee |
| David Churchyard | ... | clapper loader (as Dave Churchyard) |
| Liam Daniel | ... | still photographer |
| Bernard Esterhuysen | ... | high speed camera operator / high speed technician |
| Lee Godfrey | ... | best boy grip |
| Tristan Hey | ... | digital imaging technician |
| Lee Knight | ... | best boy |
| Vince Madden | ... | electrician (as Vinny Madden) |
| Marc-Jason Maier | ... | digital imaging technician |
| Michael McDermott | ... | gaffer |
| Vince McGahon | ... | camera operator |
| Spencer Murray | ... | first assistant camera |
| Emily Payne | ... | camera trainee |
| John Pitt | ... | rigger |
| Oliver Ward | ... | aerial camera technician: Helicopter Film Services Ltd |
| Abigail Catto | ... | second assistant camera (uncredited) |
| Vince McGahon | ... | steadicam operator (uncredited) |
Casting Department
| Jay Benedict | ... | crowd adr: Sync or Swim |
| Claire Robinson | ... | casting assistant |
| Phoebe Scholfield | ... | crowd adr: Sync or Swim |
| Gemma Sykes | ... | casting associate: UK |
| Louis Elman | ... | adr voice casting (uncredited) |
Costume and Wardrobe Department
| Corinna Everett-Lyons | ... | costume supervisor |
| Maja Meschede | ... | key costumer |
| Emma Rees | ... | assistant costume designer (as Emma Rose Rees) |
Location Management
| Andrew Ryland | ... | assistant location manager |
| Charlie Thompson | ... | location manager |
Music Department
| Matt Biffa | ... | music supervisor |
| Rupert Coulson | ... | score mixer |
| Gareth Griffiths | ... | music contractor |
| Ross Hamilton | ... | musician: guitars and bass |
| Paul Leonard-Morgan | ... | conductor / music arranger / orchestrator |
| Caroline McGonigle | ... | assistant to composer (as Caroline Gorman) |
| Jeremy Murphy | ... | pro tools assistant: Angel Studios |
| Sam Petts-Davies | ... | score pro tools assistant |
| Steve Price | ... | music recordist: Angel Studios |
| Dianne Stevenson | ... | second assistant to composer |
| Warren Zielinski | ... | musician: violin |
Script and Continuity Department
| Laura Miles | ... | script supervisor |
Transportation Department
| James Adkin | ... | assistant action vehicle coordinator |
| Rob Hempenstall | ... | unit driver |
| Graeme Main | ... | camera car driver |
| Danny Mitchell | ... | swing co-ordinator |
| George Morris | ... | action vehicle coordinator |
| Mark Morris | ... | action vehicles |
| Tony Wadsworth | ... | driver: Mr. Cusack |
| Piotr Walczak | ... | transport facilities manager |
| Martin Walsh | ... | driver |
Additional Crew
| Bianca Arvin | ... | assistant: Mr. Cusack |
| Alison Balch | ... | head of international operations: Content Media Corporation |
| Judith Baugin | ... | head of international marketing: Content Media Corporation |
| Hannah Boschi | ... | assistant production coordinator |
| Kyle Brosius | ... | trailer titles |
| Lara Brown | ... | assistant: Steven Silver and Neil Tabatznik, Blue Lake Media Fund |
| Maéva Buisse | ... | production coordinator: uFilm (as Maeva Buisse) |
| Evan Cohen | ... | assistant: Doug Mankoff and Andrew Spaulding, Echo Lake Entertainment |
| Christine Corner | ... | auditor: Grant Thornton UK LLP |
| Alana Crow | ... | business and legal affairs |
| Melloney Cunnell | ... | production assistant: Matador Pictures |
| Libby D'Arcy | ... | vice president of business affairs: Content Media Corporation |
| Andy Darbon | ... | caterer: Set Breaks |
| Chet Devaskar | ... | legal services |
| Ilda Diffley | ... | director of development: Echo Lake Entertainment |
| Meredith L. Ditlow | ... | assistant to producers (as Meredith Ditlow) / production executive: Furst Films (as Meredith Ditlow) |
| Rebecca Dix | ... | unit publicist: Public Eye |
| Brian Gibbs | ... | production accountant |
| Louise Green | ... | assistant post-production accountant |
| Nell Green | ... | production assistant: Matador Pictures |
| Paul Hay | ... | bowser operator: Helicopter Film Services Ltd |
| Pierre Philippe Hendrickx | ... | lawyer: uFilm (as Pierre-Philippe Hendrickx) |
| Sion Iorwerth | ... | senior administrator: Matador Pictures |
| Polly Jefferies | ... | production coordinator |
| Chesney Jefferson | ... | production runner: dailies |
| Michael Jupp | ... | helicopter pilot: aerial photography, Helicopter Film Services Ltd |
| Mark Kingston | ... | health and safety officer |
| Erick Kwak | ... | executive vice president: worldwide business and legal affairs, Content Media Corporation |
| John LaViolette | ... | counsel: Furst Films |
| Lucia Lopez | ... | head of development: Matador Pictures |
| Alex Matcham | ... | production controller |
| Martin Metz | ... | production executive: uFilm |
| Saira Mian | ... | head of legal and business affairs: Matador Pictures |
| Christos Michaels | ... | legal services |
| Sheila Fraser Milne | ... | production executive |
| Alex Molden | ... | accommodation coordinator |
| Melanie Mooney | ... | assistant: Steven Silver and Neil Tabatznik, Blue Lake Media Fund |
| Richard Morrison | ... | title designer |
| Richard Moxon | ... | production counsel: Davenport Lyons |
| Maggie Newton | ... | assistant to executive producers: Piccadilly Pictures |
| Kerry Porter | ... | unit publicist: Public Eye |
| Ben Rothwell | ... | armourer |
| David Ruddock | ... | assistant accountant |
| Steve Sango | ... | security |
| Lara Sargent | ... | post-production accountant |
| John Schmidt | ... | chief executive officer: Content Media Corporation |
| Kate Selby | ... | floor runner |
| Iwona Sellers | ... | production executive: uFilm |
| Bastien Sirodot | ... | production executive: uFilm |
| Greg Slewett | ... | counsel: Furst Films |
| James A. Smith | ... | assistant: Doug Mankoff and Andrew Spaulding, Echo Lake Entertainment (as James Smith) |
| Jessica Stamen | ... | vice president of development: Echo Lake Entertainment |
| Christina Steils | ... | operations manager: aerial photography, Helicopter Film Services Ltd |
| Saskia Thomas | ... | production coordinator: Piccadilly Pictures |
| Claire Walker | ... | production runner |
| Dean Wares | ... | title designer |
| Geoff Webb | ... | chief financial officer: Content Media Corporation |
| Russell Webber | ... | production assistant: Matador Pictures |
| Harry White | ... | head of international sales: Content Media Corporation |
| Kristie White | ... | assistant post-production accountant |
| Luke Windsor | ... | unit publicist: Public Eye |
| Kriss TheDish Brown | ... | on-set internet engineer (uncredited) |
| Bob Corff | ... | voice coach (uncredited) |
| Donna Graham | ... | nurse (uncredited) |
| David Sheldon-Hicks | ... | screen graphics (uncredited) |
| Matt Spooner | ... | unit medic (uncredited) |
Thanks
| Peter Bevan | ... | the producers would like to thank |
| Sarah Brown | ... | the producers would like to thank |
| Alastair Burlingham | ... | the producers would like to thank |
| Ibon Cormenzana | ... | the producers would like to thank: Arcadia Capital |
| Ignasi Estapé | ... | the producers would like to thank: Arcadia Capital (as Ignasi Estape) |
| Sara Giles | ... | the producers would like to thank |
| Karl Richards | ... | the producers would like to thank |
| Mary Thomas | ... | the producers would like to thank |
Production Companies
- ContentFilm International (presents)
- Echo Lake Entertainment (presents)
- Piccadilly Pictures (in association with)
- Atlantic Swiss Productions (in association with)
- Blue Lake Media Fund (in association with)
- Furst Films
- Matador Pictures
- International Pictures One (in association with)
- Le Tax Shelter du Gouvernement Fédéral de Belgique (supported by)
- uFilm (with the support of)
- Umedia
Distributors
- Content Media (2013) (World-wide)
- Captive Cinema Distribution (2013) (Philippines) (theatrical)
- Image Entertainment (2013) (United States) (theatrical)
- Nikkatsu (2013) (Japan) (theatrical)
- Spentzos Films (2013) (Greece) (theatrical)
- Synergy (2013) (Japan) (theatrical) (in association with)
- 4Digital Media (2013) (United Kingdom)
- ADS Service (2013) (Hungary)
- Aventi (2013) (France) (video)
- Eagle Entertainment (2013) (Australia) (DVD)
- Entertainment One (2013) (Netherlands) (DVD)
- Entertainment One (2013) (Netherlands) (Blu-ray) (DVD)
- Film1 (2013) (Netherlands) (tv) (limited)
- IPA Asia Pacific (2013) (Thailand)
- IPA Asia Pacific (2013) (Vietnam)
- La Aventura (2013) (Spain)
- Marco Polo Production (2013) (France) (video)
- Netflix (Netherlands) (video) (VOD)
- Universum Film (UFA) (2014) (Germany) (DVD)
- Universum Film (UFA) (2014) (Germany) (Blu-ray) (DVD)
- Vicol Entertainment (2013) (Hong Kong) (DVD)
- Vicol Entertainment (2013) (Hong Kong) (Blu-ray) (DVD)
- Zon Audiovisuais (2013) (Portugal)
Special Effects
- uFX (visual effects)
- North by Northwest Productions (additional visual effects)
- Lexhag VFX (main titles and graphics)
- Lexhag VFX (title graphics)
- Prime Focus (3D Grade)
Other Companies
- Sargent-Disc (payroll services)
- Helicopter Film Services (aerial photography)
- Set Breaks Catering (catering)
- Beofilm Post Production (editing facilities)
- De Lane Lea (editing facilities)
- Pivotal Post (editing facilities)
- Studio l'Équipe (picture and sound post-production services)
- Sound 24 (sound design and post-production)
- Shepperton Studios (foley recording)
- Studio l'Équipe (re-recording sound stages)
- Goldcrest Post Production London (adr recording)
- Halo Post Production (adr recording)
- Windmill Lane Recording Studios (adr recording)
- Wildfire Studios (adr recording)
- Chicago Recording Company (adr recording)
- Sync or Swim (crowd adr)
- Angel Studios (music recording)
- Chamber Orchestra Of London (music performers)
- Strongroom Recording Studios (score mixing)
- Cutting Edge Group (music services)
- Pivotal Post (editing equipment)
- Salon (editing equipment)
- Beofilm Post Production (editing equipment)
- Sapex Scripts (post-production script services)
- Public Eye Communications (unit publicity)
- Close-Up Productions (I) (electronic press kit)
- Grant Thornton (auditors)
- Davenport Lyons (production counsel)
- Media Insurance Brokers (insurance)
- European Film Bonds (completion guarantee)
- Deutsche Filmversicherungsgemeinschaft (completion guarantee)
- Reed Smith (legal services)
- Freeway CAM B.V. (world revenues collection and distribution)
- Alexavision (cameras and lenses)
- Procam Take 2 (cameras and lenses)
- Procam Take 2 (lighting equipment)
- Translux International (facilities)
- Shutterstock Images (film footage courtesy of: credit sequence)
- Pond5 (stock footage)
- ContentFilm International (international sales)
- Arcadia Capital (the producers would like to thank: Ignasi Estape and Ibon Cormenzana)
- Bridgeworks Capital (the producers would like to thank)
- Aegis Film Fund (the producers would like to thank)
- Miso Film (the producers would like to thank)
- Bentwaters Airfield (the producers would like to thank)
- Dolby Laboratories (sound mix: Dolby Digital)
- Motion Picture Association of America (MPAA) (approval certificate: no. 47915)
- Said and Done (author of this motion picture for the purposes of copyright and other laws)
- Boomtactix (author of this motion picture for the purposes of copyright and other laws)
- Belatro (author of this motion picture for the purposes of copyright and other laws)
- DJG (author of this motion picture for the purposes of copyright and other laws)
- 4K London (digital imaging services)
- Audiolink Radio Communications (cell phone rentals)
- Audiolink Radio Communications (walkie talkies)
- Compuhire (computer playback)
- Cutting Edge Group (music services)
- European Film Bonds (completion bond company)
- MovieScore Media (soundtrack)
- Piccadilly Pictures (funding)
- Pivotal Post (Avid HD editing equipment)
- Prime Focus (camera equipment)
- Prime Focus (digital deliverables)
- Prodigy Public Relations (publicity)
- Production Copier Company (production equipment and services)
- Sky Media Travel (travel agent)
- Territory (graphic displays)
- Wildfire Studios (ADR Recording Facility)
- uFund (funding)
Storyline
| Plot Summary |
When the moral values of a longtime wetwork black ops agent is tested during his last operation, he receives an unfavorable psych evaluation. Now he is given a break and a seemingly uncomplicated assignment of simply protecting the security of a young female code announcer, code resources and remote station they are assigned to. After an ambush and one phone call later, it becomes a complicated fight for their survival. Written by AZSigInt |
| Plot Keywords | |
| Taglines | The code has never been compromised. Until now. See more » |
| Genres | |
| Parents Guide | View content advisory » |
| Certification |
Additional Details
| Also Known As |
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Did You Know?
| Trivia | When they are reviewing the profiles one that comes up is Sean Furst, who is one of the movie's producers. See more » |
| Goofs | Normally, when a patient is admitted into a British hospital with a gunshot wound, the police are immediately notified. If the patient is/remains unconscious, they are placed under 24/7 (sometimes armed) guard, until they regain consciousness, and can be interviewed by CID/SB/SI/SO19. It is more than likely that Grey, upon learning the situation, either canceled the police or dismissed then in order to avoid any questioning. In the beginning of the film he alludes to his powers in this respect when he talks about having to deal with the police over the shooting of the girl. See more » |
| Movie Connections | Featured in The Making of the Numbers Station (2013). See more » |
| Crazy Credits | Opening credits starts with some numbers spoken and reversed match with the names that are shown. See more » |
| Quotes |
Max:
[Meredith holding a gun on him]
You're shaking now. You're getting angry. You're letting your emotions get the better of the situation. The adrenalin, it's really kickin' in. What I know? The reason that I'm not shaking is because this is a choice not dictated by emotion. This is logic - pure, simple. My boy over there is rated fourth in the world in the Glock 30. You now what that means? What's it mean... Derne: It means I could shoot you from Texas. Max: Now that's of course exaggeration. But the point still stands, he knows what he's doing. He's a professional. And you're... you. You've already dropped the gun, because this is a choice within a very strict set of parameters. Right now you're in control. What you don't want to do is put him in control. Don't give him the choice. That way is death. That way [slowly taking the gun from her] Max: is the unconditional end of future choice. Max: [she whimpering] That's it. Good girl. Oh, I know, I know. It's always a tough lesson to learn. To realize that you don't have the stomach to do what's needed. See more » |