Pete and Debbie are both about to turn 40, their kids hate each other, both of their businesses are failing, they're on the verge of losing their house, and their relationship is threatening to fall apart.
Friendless Peter Klaven goes on a series of man-dates to find a Best Man for his wedding. But, when his insta-bond with his new B.F.F. puts a strain on his relationship with his fiancée, can the trio learn to live happily ever after?
A bounty hunter learns that his next target is his ex-wife, a reporter working on a murder cover-up. Soon after their reunion, the always-at-odds duo find themselves on a run-for-their-lives adventure.
A widower whose book about coping with loss turns him into a best-selling self-help guru, falls for the hotel florist where his seminar is given, only to learn that he hasn't yet truly confronted his wife's passing.
In New York, the aspirant filmmaker Linda convinces her husband George Gergenblatt to buy an expensive Micro Loft apartment in Manhattan. Linda expects to sell a documentary about penguins to HBO to help the payment of the installments and George expects a promotion. However, HBO rejects the documentary and George's company has folded and he is fired. With the American financial crisis, they lose a large amount selling the apartment and George does not find a new job. George's brother Rick offers a job position in his company in Atlanta. They drive from New York to Atlanta and they decide to stop for the night in the hotel Elysium. However they see a naked man running toward their car and George tries to return to the highway but accidentally he turns his car over. Soon they learn the Elysium is a hippie and vegan community and the dwellers invite George and Linda to stay with them. However, they decide to go to Atlanta but soon George has an argument with his arrogant brother. George...Written by
Claudio Carvalho, Rio de Janeiro, Brazil
Whether good or bad, love or hate, movies should always elicit a reaction; the stronger the better in my book. When I come out of a theater, I want to have an opinion of the film I just saw and I want to be bubbling over with comments to process and compile into a review. As such, one of the worst traits a film can have is a lack of noteworthy content. If I cannot muster up a few hundred words on a given film, then I can't exactly give a hearty recommendation. Such is the case with Wanderlust.
Life isn't going well for George (Paul Rudd) and Linda (Jennifer Aniston). Just days after paying too much for a small New York apartment, George's company goes under and Linda's new business idea is wrecked. Jobless and penniless, the couple heads to Atlanta where George has a job waiting for him, courtesy of his obnoxious older brother (Ken Marino). On the way down, however, they stop in at a remote bed and breakfast which turns out to be a commune. Led by a charismatic free spirit named Seth (Justin Theroux), this group of hippies have embraced a simpler way of life that comes complete with all the amenities and ideals you might expect of such a community. Intrigued by the happiness the group exudes, George and Linda decide to move into the commune for a two-week trial run. Shenanigans ensue.
Most of what I liked about Wanderlust boiled down to my affection for the leads, Rudd and Aniston. Rudd is one of the most likable, perpetually enjoyable comedic actors in the field today and he always manages to come across as a bright spot even in a bad movie. I think Rudd's charm comes as a result of his ability to bridge the gap between nerd and cool guy; he doesn't exactly belong in either camp and yet can walk in both. As always, Rudd gives an endearing and appealing performance here and exudes a natural, everyman charisma. I'm pretty sure several of the funnier scenes within Wanderlust are the product of Rudd's improvised banter and as such, this film owes a great deal to its star. Aniston, too, is a favorite of mine (despite some of truly terrible films) who has proved to possess a comedic touch when given something to work with. Her chemistry with Rudd is solid and while her role isn't as well developed as Rudd's, she does her job well and the pair makes for a solid combination.
The other elements of Wanderlust, however, are lackluster. The narrative contains a few promising story lines but they aren't fleshed out with much pizazz. There are plenty of laughs but most of them come from easy, "low hanging fruit"-type jokes that get old as the film progresses. And most of the supporting characters are as one-note as they come; each brings a few laughs here and there when they're in their respective elements but then run out of gas and become tiresome. Theroux, Malin Ackerman, Kathryn Hahn, and several others have their moments but none of them ever really get moving or show any signs of development. This lack of depth and development results in the feeling that Wanderlust is not so much a film as it is a bundle of individual scenes, vignettes if you will, tied together by George and Linda in loose, unsatisfying fashion.
There's nothing inherently or irrevocably wrong with Wanderlust but outside of a few laughs and the appeal of the leads, there's nothing truly right about it, either. It simply is and that lack of significance makes for an overly ho-hum experience.
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