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Wanderlust (2012)

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Rattled by sudden unemployment, a Manhattan couple surveys alternative living options, ultimately deciding to experiment with living on a rural commune where free love rules.


David Wain


David Wain (as David B. Wain), Ken Marino
4,142 ( 262)



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Cast overview, first billed only:
Paul Rudd ... George Gergenblatt
Jennifer Aniston ... Linda Gergenblatt
Justin Theroux ... Seth
Alan Alda ... Carvin
Malin Akerman ... Eva
Ken Marino ... Rick
Joe Lo Truglio ... Wayne
Kathryn Hahn ... Karen
Kerri Kenney ... Kathy (as Kerri Kenney-Silver)
Lauren Ambrose ... Almond
Michaela Watkins ... Marissa
Jordan Peele ... Rodney
Linda Lavin ... Shari
Jessica St. Clair ... Deena Schuster
Todd Barry ... Sherm


In New York, the aspirant filmmaker Linda convinces her husband George Gergenblatt to buy an expensive Micro Loft apartment in Manhattan. Linda expects to sell a documentary about penguins to HBO to help the payment of the installments and George expects a promotion. However, HBO rejects the documentary and George's company has folded and he is fired. With the American financial crisis, they lose a large amount selling the apartment and George does not find a new job. George's brother Rick offers a job position in his company in Atlanta. They drive from New York to Atlanta and they decide to stop for the night in the hotel Elysium. However they see a naked man running toward their car and George tries to return to the highway but accidentally he turns his car over. Soon they learn the Elysium is a hippie and vegan community and the dwellers invite George and Linda to stay with them. However, they decide to go to Atlanta but soon George has an argument with his arrogant brother. George... Written by Claudio Carvalho, Rio de Janeiro, Brazil

Plot Summary | Plot Synopsis


Leave your baggage behind.


Comedy | Romance

Motion Picture Rating (MPAA)

Rated R for sexual content, graphic nudity, language and drug use | See all certifications »

Parents Guide:

View content advisory »


Official Sites:

Official Facebook | Official site





Release Date:

24 February 2012 (USA) See more »

Also Known As:

Locura en el paraíso See more »


Box Office

Opening Weekend USA:

$6,526,650, 26 February 2012, Wide Release

Gross USA:

$17,225,675, 30 March 2012
See more on IMDbPro »

Company Credits

Show more on IMDbPro »

Technical Specs


Sound Mix:

Dolby Digital | Datasat | SDDS



Aspect Ratio:

1.85 : 1
See full technical specs »

Did You Know?


The fourth collaboration between Paul Rudd and Kathryn Hahn. They previously worked together in Anchorman: The Legend of Ron Burgundy (2004), How Do You Know (2010), and Our Idiot Brother (2011). They have also worked together on Parks and Recreation See more »


At the start of the film when George and Linda are speaking to the agent in the office, one scene shows children in the background on swings. Seconds later the same shot shows them missing. See more »


Rodney: Here we go. Thank you, acid.
See more »

Crazy Credits

Several out-takes are included in the ending credits. See more »


Featured in Maltin on Movies: Project X (2012) See more »


Just Don't
Written by Robert Lester Hardenbrook
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Frequently Asked Questions

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User Reviews

A Lazy, Disappointing Comedy of Hippie Clichés
2 October 2012 | by brando647See all my reviews

There wasn't a whole lot of advertising for WANDERLUST when it was making it's way to theaters and it sort of snuck in under the radar. This confused me at the time because Paul Rudd is a bankable leading comic actor, Jennifer Aniston has a baffling audience appeal, and director David Wain was responsible for the well-received ROLE MODELS (again, with Rudd) in 2008. So why was this movie receiving so little media attention? I was determined to see it regardless because the premise was something that struck a chord with me and I had faith in the filmmakers. So when I finally saw the movie, I understood it all: the movie was overlooked because it fails. It's not a horrible movie. It has a handful of chuckles somewhere in there but, as a whole, it's almost painful to watch. The movie follows George and Linda Gergenblatt (Rudd and Aniston), a Manhattan couple who are forced from their big city life when George loses his job. En route to Atlanta to receive help from George's obnoxious brother Rick, George and Linda stop for a night at the Elysium Bed & Breakfast, an intentional community of hippies living together on a farm under the guidance of Seth (Justin Theroux). George and Linda are smitten with their freedom and the overwhelming sense of peace emanating from these open-minded, loving people and opt to give commune life a chance. But when Elysium's free-wheeling ways begin to weigh on George, it might become the final death blow for his marriage.

There are just so many misfires in this movie that I didn't anticipate. I had a lot of hope for the cast of the movie, as Elysium was populated with talented comedians, both improv and tradition: Joe Lo Truglio, Jordan Peele, Kerri Kenney, and even Alan Alda. I still consider Paul Rudd one of the funniest straight-men in modern comedies (despite WANDERLUST) and I was even willing to give Jennifer Aniston the benefit of the doubt after her turn in last year's HORRIBLE BOSSES. Justin Theroux was a big selling point for me, as I know he had a hand in writing one of my favorite comedies (TROPIC THUNDER) and he was one of the few high points in an otherwise disappointing YOUR HIGHNESS. I can tell everyone on set was giving their role everything they had, and I feel like a lot of the blame for why this movie flopped so bad lies with the writers and director. It looks to me as if David Wain relies a little too heavily on improvising on set and doesn't know when to cut a camera. I've seen him in behind the scenes footage and he obviously has a very awkward sense of humor that can work but maybe in smaller doses. And then there's Ken Marino. Marino wrote the screenplay with Wain, and he also has a role in the movie as George's brother Rick. I'm hoping Marino is no where near as obnoxious a person as his character, but if his improvised bits are any indication he has a harder time knowing when to reel it in than Wain.

This leads to my biggest complaint with the movie: it just doesn't know when to end a joke. There are too many moments in the movie where the humor from a scene comes and goes but the movie refuses to move on. The biggest example (and the one you'll see most hated on in the forums for this movie) is when George is trying to hype himself up to seduce Eva (Malin Akerman). He stands in front of a bathroom mirror trying out his dirty talk in all manner of voices and facial contortions. What first starts as a chuckle (because it was never too funny to begin with) quickly turns to groans and then pleading for the story to move on. Which it does. To a scene where he is in Eva's bedroom doing the whole thing over again, except now Eva is present to share in the awkward disgust. This was the sequence in the movie where I officially gave up trying to care. It was hard enough from the start because so many of the characters are just so abrasive and unlikable with the exception of poor George. George is the only "normal" person here. It's as if he's fallen into some bizarre alternate universe where people have forgotten how to act like…I don't know…people. His wife Linda is an ungrateful shrew from the beginning, giving George a hard time when he loses his job (which wasn't his fault) while pursuing her own umpteenth failed career attempt. The residents of Elysium, for the most part, are just horrible people. Judgmental, rude, and unforgiving…and these are supposed to be hippies. Some of their shtick is funny, particularly Peele and Lo Truglio's characters.

On top of everything, the script is lazy. It relies on clichés for most of the laughs: the average man's reaction to casual nudity, pot smoking and guitar playing hippies, a bizarre, over-the-top connection to nature and human emotion. There is no real characterization to most of the inhabitants. It's just a bunch of surface jokes about the common perception of hippies with some naked old people thrown in for good measure. The final result is a movie that might elicit a few laughs out of you, but more than likely will have you wishing the 98 minute run-time didn't feel twice as long and feeling sorry for poor George Gergenblatt.

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