The story of King George VI of the United Kingdom of Great Britain and Northern Ireland, his impromptu ascension to the throne and the speech therapist who helped the unsure monarch become worthy of it.
Helena Bonham Carter
Acting under the cover of a Hollywood producer scouting a location for a science fiction film, a CIA agent launches a dangerous operation to rescue six Americans in Tehran during the U.S. hostage crisis in Iran in 1979.
Outside a movie premiere, enthusiastic fan Peppy Miller literally bumps into the swashbuckling hero of the silent film, George Valentin. The star reacts graciously and Peppy plants a kiss on his cheek as they are surrounded by photographers. The headlines demand: "Who's That Girl?" and Peppy is inspired to audition for a dancing bit-part at the studio. However as Peppy slowly rises through the industry, the introduction of talking-pictures turns Valentin's world upside-down.Written by
On BAFTA 2012 Red Carpet, Jean Dujardin said in an interview that the movie was shot in just 35 days. See more »
When Valintin destroys his film prints he opens can after can of film and takes out reels of film. The reels have rolled edges and are the type manufactured by Goldberg Bros. or Tayloreel Co. in the late 1940's at the earliest. In the thirties film reels did not have rolled edges and a projectionist could burn or cut his hand if he tried to stop a rapidly spinning reel. Most reels were of a spoked design having 4, 5 or 6 "arms" or spokes. A few reels were manufactured with circular holes but they usually had 6, not 5 holes. Further, the film cans he empties are "raw stock" cans, designed to hold film "off reel". The additional thickness of the metal reel would not allow the lid of the can to close making that type of can useless for mounted prints. Films on reels would always be kept in fireproof rectangular metal shipping cases. However, the public recognizes film "cans" better than shipping cases, which is probably why they used them in this scene. See more »
What a treat. I left the theater sort of floating. Delighted. A European film looking back at Hollywood better than Hollywood has been able to do for years. "A Star Is Born" and "Singing In The Rain" mixed in a glorious black and white cocktail. Silent, yes silent! But with a fabulous score and so much panache. Jean Dujardin is the revelation of the year. What a performance! Running the gamut of emotions, leaving us breathless, and if this wasn't enough, a rousing tap dance routine in the style of Fred Astaire and Eleanor Powell, partnering with the wonderful Berenice Bejo. I know that it's not just me. The audience applauded and cheered as the end credits rolled.
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