At the age of 21, Tim discovers he can travel in time and change what happens and has happened in his own life. His decision to make his world a better place by getting a girlfriend turns out not to be as easy as you might think.
Rosie and Alex have been best friends since they were 5, so they couldn't possibly be right for one another...or could they? When it comes to love, life and making the right choices, these two are their own worst enemies.
Seventy-year-old widower Ben Whittaker has discovered that retirement isn't all it's cracked up to be. Seizing an opportunity to get back in the game, he becomes a senior intern at an online fashion site, founded and run by Jules Ostin.
After miraculously remaining 29 years old for almost eight decades, Adaline Bowman has lived a solitary existence, never allowing herself to get close to anyone who might reveal her secret. But a chance encounter with charismatic philanthropist Ellis Jones reignites her passion for life and romance. When a weekend with his parents threatens to uncover the truth, Adaline makes a decision that will change her life forever.
Jenny Kiss'd Me is a poem by Leigh Hunt. See more »
At the end in which the comet finally shows up, the CG has the rear of the comet glowing as though it's a rocket and giving off the trailing tail. Comets' sun forward part warms up and the expanding gases are pushed back by the solar wind. See more »
On December 31, 2014, a taxicab traveled through San Francisco, from Chinatown to Marin. The car carried a single passenger: a woman, her birth name Adaline Bowman, current alias Jennifer Larson. This is the first and last chapter of her story.
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The Age of Adaline if not great, is a good movie that skims romance gorgeously. The concept though a mere fantasy is brought to life with a scientific outlook and a background narration that doesn't properly explore the how. The theme of the movie is romance and it tries to stay on it with Lee Toland Krieger's beautiful direction. The drama is great to watch owing to exceptional performances packed in by Harrison Ford and Blake Lively.
In the beginning things are a little mediocre, with the far-fetched concept and the narration that often returns at unwanted moments, where the director tries to show the past through a black and white film Adaline is looking at and tries to milk the resemblance. However, it becomes an exercise in futility and you wish the narration to just stop as it skims unnecessarily into the diegetic territory. But soon the story resumes its right course with the introduction of Ellis Jones played by Michiel Huisman. The spark that he brings with him complements Adaline well and the story gallops into something from nothing.
The moment Harrison Ford is introduced into the story the flick's luster refurbishes itself completely. Melodrama becomes grave and the tale becomes a tad dark. However, it soon gets wobbled up by mediocrity once again and Fordism disappears eventually.
What stops this movie from being great is its screenplay. There aren't many lines that explore profundity. Also, unlike David Fincher's dark aftermath, this movie doesn't explore the many phases of time. There is so much poetry to a woman that cannot age, and all goes to waste since Krieger was too busy exploring romance, and fails to milk the concept enough. What could have been a literally orgastic flick drenched in poetry, dies down into a bleak love story confined to a woman quandary.
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