My Week with Marilyn (2011)
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- R
- 1h 39min
- Biography, Drama
- 23 Dec 2011 (USA)
- Movie
Colin Clark, an employee of Sir Laurence Olivier, documents the tense interactions between Olivier and Marilyn Monroe during the production of The Prince and the Showgirl (1957).
Director:
Writers:
Awards:
- Nominated for 2 Oscars. Another 18 wins & 62 nominations.
- See more »
Reviews:
Photos and Videos
Cast verified as complete
| Michelle Williams | ... |
Marilyn Monroe
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| Eddie Redmayne | ... |
Colin Clark
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| Julia Ormond | ... |
Vivien Leigh
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| Kenneth Branagh | ... |
Sir Laurence Olivier
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| Pip Torrens | ... |
Sir Kenneth Clark
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| Geraldine Somerville | ... |
Lady Jane Clark
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| Michael Kitchen | ... |
Hugh Perceval
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| Miranda Raison | ... |
Vanessa
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| Karl Moffatt | ... |
Jack Cardiff
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| Simon Russell Beale | ... |
Cotes-Preedy
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| Toby Jones | ... |
Arthur Jacobs
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| Robert Portal | ... |
David Orton
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| Philip Jackson | ... |
Roger Smith
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| Jim Carter | ... |
Barry
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| Victor McGuire | ... |
Andy
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| Dougray Scott | ... |
Arthur Miller
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| Richard Attlee | ... |
Reporter #1
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| Michael Hobbs | ... |
Reporter #2
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| Brooks Livermore | ... |
Reporter #3
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Rod O'Grady | ... |
Reporter #4
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| Dominic Cooper | ... |
Milton Greene
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| Richard Clifford | ... |
Richard Wattis
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| Judi Dench | ... |
Dame Sybil Thorndike
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| Zoë Wanamaker | ... |
Paula Strasberg
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| Emma Watson | ... |
Lucy
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| Gerard Horan | ... |
Trevor
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Alex Lowe | ... |
Denys Coop
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| Georgie Glen | ... |
Rosamund Greenwood
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| Richard Shelton | ... |
Waiter
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| Peter Wight | ... |
Lucy's Father
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Paul Herzberg | ... |
Paul Hardwick
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| James Clay | ... |
Jeremy Spenser
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Des McAleer | ... |
Senior Policeman
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| Derek Jacobi | ... |
Sir Owen Morshead
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| Jem Wall | ... |
Spectator
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Ben Sando | ... |
Schoolboy #1
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Josh Morris | ... |
Schoolboy #2
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| David Rintoul | ... |
Dr. Connell
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| Penny Ryder | ... |
Sybil Thorndike Double
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| Sean van der Wilt | ... |
Male Dancer #1
(as Sean Vanderwilt)
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Adam Perry | ... |
Male Dancer #2
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| Rest of cast listed alphabetically: | |||
| Peter Agnelli | ... |
Police Officer (uncredited)
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| Eric Coco | ... |
English Officer (uncredited)
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Steve Conway | ... |
Focus Puller (uncredited)
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Luc Eden | ... |
Passer-by (uncredited)
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| Tony Honickberg | ... |
Photographer / Businessman (uncredited)
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Nick Horwood | ... |
Press Man (uncredited)
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Martin John King | ... |
James (uncredited)
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Steve Paice | ... |
Billy Jones (uncredited)
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Martin Poole | ... |
Clapperboy (uncredited)
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Directed by
| Simon Curtis | ||
Written by
| Adrian Hodges | ... | (screenplay) |
| Colin Clark | ... | (books "My Week with Marilyn" and "The Prince, the Showgirl and Me") |
Produced by
| Kelly Carmichael | ... | executive producer |
| Cleone Clarke | ... | associate producer |
| Mark Cooper | ... | co-producer |
| Simon Curtis | ... | executive producer |
| Christine Langan | ... | executive producer |
| Jamie Laurenson | ... | executive producer |
| Ivan Mactaggart | ... | executive producer |
| David Parfitt | ... | producer |
| Colin Vaines | ... | co-executive producer: The Weinstein Company |
| Bob Weinstein | ... | executive producer |
| Harvey Weinstein | ... | producer |
Music by
| Conrad Pope | ||
Cinematography by
| Ben Smithard | ... | director of photography |
Editing by
| Adam Recht | ||
Editorial Department
| Pete Beaudreau | ... | additional editor |
| Dan Bentham | ... | post-production producer: Lipsync Post |
| Linden Brownbill | ... | digital intermediate technical support |
| Alberto Buron | ... | digital restoration artist |
| Jo Burrows | ... | trainee assistant editor |
| Lee Clappison | ... | digital colorist |
| James Clarke | ... | digital intermediate supervisor |
| Peter Collins | ... | digital lab operator |
| Scott Goulding | ... | on-line editor |
| Naomi Howarth | ... | post-production runner |
| Ian Johnson | ... | first assistant editor |
| Julia Kots | ... | additional editor |
| Abigail McKenzie | ... | digital lab operator |
| Lucy Seaborne | ... | on-line editor |
| Wyatt Smith | ... | additional editor |
| Kevin Tent | ... | additional editor |
| Daniel Tomlinson | ... | scanning and recording manager |
| Diana Vasquez | ... | on-line editor |
| Cherri Arpino | ... | dailies producer (uncredited) |
| James Hanline | ... | post-production runner (uncredited) |
| Steve O'Leary | ... | colorist/rushes (uncredited) |
| Terence Race | ... | epk editor (uncredited) |
| Mathieu Reid | ... | color timer (uncredited) |
Casting By
| Deborah Aquila | ... | casting director: US |
| Vanessa Baker | ... | voice casting director |
| Nina Gold | ... | casting director: UK |
| Tricia Wood | ... | casting director: US |
Production Design by
| Donal Woods | ||
Art Direction by
| Charmian Adams | ... | supervising art director |
| Mark Kebby | ||
Set Decoration by
| Judy Farr | ||
Costume Design by
| Jill Taylor | ||
Makeup Department
| Zoe Clare Brown | ... | hair stylist (as Zoe Brown) / makeup artist (as Zoe Brown) |
| Michael Buckley | ... | hair dailies / makeup dailies |
| Jennie Cooper | ... | hair stylist trainee / makeup artist trainee |
| Hannah Edwards | ... | hair stylist / makeup artist |
| Lisa Harris | ... | hair dailies / makeup dailies |
| Ameneh Mahloudji | ... | hair dailies / makeup dailies |
| Sue Newbould | ... | hair and makeup daily |
| Marc Pilcher | ... | hair stylist / makeup artist |
| Robin Pritchard | ... | prosthetic makeup artist to Kenneth Branagh |
| Jenny Shircore | ... | hair designer / makeup designer |
| Sam Smart | ... | hair stylist: dailies / makeup artist: dailies |
| Emily Swift | ... | hair stylist trainee / makeup artist trainee |
| Robert Trenton | ... | prosthetic makeup artist (as Rob Trenton) |
| Nathaniel De'Lineadeus | ... | dental effects designer (uncredited) |
| Richard Glass | ... | contact lens optician (uncredited) |
| Lynn Jackett | ... | hair stylist: dailies (uncredited) / makeup artist: dailies (uncredited) |
| Denise Kum | ... | makeup artist: Judi Dench (uncredited) |
| Chris Lyons | ... | dental prosthetics (uncredited) |
| Karen Purvis | ... | prosthetic modeller (uncredited) |
| Alex Rouse | ... | wigmaker (uncredited) |
| Pippa Woods | ... | makeup artist: dailies (uncredited) |
Production Management
| Alison Beckett | ... | executive in charge of post production: The Weinstein Company |
| Tania Blunden | ... | post-production supervisor |
| Sara Desmond | ... | production manager |
| Matt Landon | ... | executive in charge of production: The Weinstein Company |
| Tim Porter | ... | assistant unit production manager |
| Matthew Shapiro | ... | additional post-production supervisor |
Second Unit Director or Assistant Director
| Chris Foggin | ... | third assistant director |
| Guy Heeley | ... | first assistant director |
| Alexander Holt | ... | additional third assistant director (as Alex Holt) |
| Charlie Reed | ... | second assistant director |
| Ben Woolf | ... | trainee director |
| Emma Jouannet | ... | trainee assistant director (uncredited) |
| Liam Lock | ... | third assistant director (uncredited) |
| Alex Oakley | ... | first assistant director: additional photography (uncredited) |
Art Department
| Barty Bailey | ... | painter |
| Vivien Ball | ... | painter |
| Corina Burrough | ... | production buyer (as Corina Floyd) |
| Damian Butlin | ... | property storeman |
| Laura Conway-Gordon | ... | stand-by art director |
| Steve Deane | ... | supervising carpenter |
| Andrew Forrest | ... | standby props (as Andy Forrest) |
| Nigel Hughes | ... | scenic artist |
| Barry Lawrence | ... | carpenter |
| Neil McAllister | ... | standby props |
| Barry Moll | ... | construction manager |
| Ian Murray | ... | stand-by rigger |
| Robert Noble | ... | carpenter |
| Clare Porritt | ... | art department assistant |
| Mike Power | ... | property master |
| Adam Rose | ... | prop maker |
| Don Santos | ... | chargehand dressing props |
| Chris Sibley-Hale | ... | stand-by carpenter |
| Bob Thorne | ... | dressing props |
| Chantelle Valentine | ... | assistant art director |
| Roger Wilkins | ... | carpenter |
| Joe Willmott | ... | carpenter (as Joseph Willmott) |
| Mark Alexander Wood | ... | stand-by painter (as Mark Wood) |
| Nick Wood | ... | supervising painter |
| Sebastian Wood | ... | assistant to art department |
| Matt Wyles | ... | dressing props |
| Robert Channon | ... | scenic painter (uncredited) |
| Kevin Day | ... | additional stand-by props (uncredited) |
| Lois Gabrin | ... | art department trainee (uncredited) |
Sound Department
| Nick Adams | ... | sound conform editor |
| Phillip Barrett | ... | foley supervisor |
| David Boulton | ... | adr mixer |
| Steve Browell | ... | sound conform editor |
| James Corless | ... | sound mix technician |
| Mike Dowson | ... | re-recording mixer |
| Richard Dyer | ... | production sound mixer |
| John Hagenstede | ... | sound maintenance |
| Glyn Hamer | ... | sound assistant |
| Paul Hanks | ... | foley artist |
| Catherine Hodgson | ... | sound effects editor |
| Rob Hughes | ... | adr mixer |
| Nick Lowe | ... | supervising sound editor |
| Alexander Markowski | ... | adr mixer |
| Myron Nettinga | ... | sound effects editor |
| Adam Scrivener | ... | re-recording mixer |
| Alastair Sirkett | ... | sound effects editor |
| Simon Trundle | ... | foley mixer |
| Ian Waggott | ... | foley artist (as Ian Waggot) |
| Gregg Baxter | ... | co-adr supervisor (uncredited) |
| Laurent Boudaud | ... | re-recording mixer (uncredited) |
| Brian Bowles | ... | dialogue editor (uncredited) |
| Sandy Buchanan | ... | adr recordist (uncredited) |
| Ben Collinson | ... | sound assistant: additional photography (uncredited) |
| Ben Cross | ... | foley mixer (uncredited) |
| Mark DeSimone | ... | adr mixer (uncredited) |
| Nick Foley | ... | adr mixer (uncredited) |
| Michael Fowler | ... | adr recordist (uncredited) |
| Glen Gathard | ... | adr mixer (uncredited) |
| Dan Korintus | ... | dialogue editor (uncredited) |
| Jason Stevens | ... | sound negative (uncredited) |
| Yanti Windrich | ... | adr assistant (uncredited) |
Special Effects by
| Mark Holt | ... | special effects supervisor |
| Dickon Mitchell | ... | special effects senior technician |
| David Holt | ... | special effects technician (uncredited) |
| Stephen Hutchinson | ... | special effects supervisor (uncredited) |
Visual Effects by
| Stella Ampatzi | ... | digital compositor: Peerless Camera Company |
| Daniel Baker | ... | visual effects coordinator: Peerless Camera Company (as Dan Baker) |
| Adrian Banton | ... | digital compositor: LipSync Post |
| Antony Bluff | ... | visual effects producer: LipSync Post |
| Luke Butler | ... | digital compositor: LipSync Post |
| Naomi Butler | ... | digital compositor: LipSync Post |
| Alan Church | ... | visual effects supervisor: Peerless Camera Company |
| Tom Collier | ... | digital compositor: LipSync Post |
| Sam Cox | ... | cg artist: Lipsync Post |
| John Paul Docherty | ... | digital effects supervisor: Peerless Camera Company |
| Stefan Drury | ... | head of visual effects: LipSync Post |
| Colin Ebanks | ... | digital compositor: LipSync Post |
| James Elster | ... | digital compositor: LipSync Post |
| Sean Farrow | ... | executive visual effects supervisor: Lipsync Post (as Sean H. Farrow) |
| Elysia Greening | ... | digital compositor: LipSync Post |
| Kent Houston | ... | visual effects consultant: Peerless Camera Company |
| U-Sun I Hu | ... | digital compositor: LipSync Post |
| Mason Jarratt | ... | visual effects producer: Peerless Camera Company |
| Diane Kingston | ... | visual effects producer: Peerless Camera Company |
| David Lloyd | ... | senior systems engineer: Lipsync Post |
| Sarah Marchant | ... | digital compositor: Peerless Camera Company |
| Emelie Nilsson | ... | digital compositor: LipSync Post |
| Dylan Owen | ... | digital compositor: LipSync Post (as Dylan Wyn Owen) |
| Jane Paton | ... | digital compositor: LipSync Post |
| Tim Pruce | ... | digital compositor: Peerless Camera Company |
| Antonio Rodríguez Díaz | ... | digital compositor: LipSync Post (as Antonio Rodriguez Diaz) |
| Katie Roehrick | ... | visual effects coordinator: Lipsync Post |
| Paul Round | ... | digital compositor: Peerless Camera Company |
| James Russell | ... | digital compositor: Peerless Camera Company |
| Daniel Spain | ... | systems engineer: Lipsync Post (as Dan Spain) |
| Alan Stucchi | ... | digital compositor: Peerless Camera Company |
| John Swinnerton | ... | digital compositor: Peerless Camera Company |
| Lucy Tanner | ... | visual effects coordinator: Lipsync Post |
| Emeline Tedder | ... | digital compositor: Peerless Camera Company |
| Sheila Wickens | ... | visual effects supervisor: LipSync Post |
| Harry Wormald | ... | digital matte painter: Lipsync Post |
| Martin Body | ... | lead rotoscope artist: Peerless Camera Co. Ltd (uncredited) |
| Enid Dalkoff | ... | digital compositor (uncredited) |
| Andrew Kingston | ... | systems administrator (uncredited) |
| Rosanna Mennear | ... | digital effects producer (uncredited) |
| Christopher T. Page | ... | rotoscope artist (uncredited) |
| Josh Peterson | ... | additional visual effects artist (uncredited) |
| Brennan Prevatt | ... | visual effects (uncredited) |
| Deepa Sebastian | ... | visual effects administrator: Peerless Camera Company (uncredited) |
| Angela Stanley | ... | on-set supervisor: LipSync Post (uncredited) |
Stunts
| Belinda McGinley | ... | stunt performer |
| Julian Spencer | ... | stunt coordinator |
Camera and Electrical Department
| Jacob Barrie | ... | clapper loader |
| Sarah Brown | ... | assistant lighting designer |
| Laurence Cendrowicz | ... | still photographer |
| Nick Chetham | ... | grip trainee |
| Mark Clayton | ... | lighting gaffer |
| Shaun Cobley | ... | focus puller: "b" camera |
| Adam Coles | ... | focus puller: "a" camera |
| Nick Crew | ... | grip trainee |
| Hamish Doyne-Ditmas | ... | camera operator: "b" camera |
| Penny Eisenhauer | ... | lighting designer: theatrical lighting |
| Enrico Faccio | ... | electrician |
| Jules Fisher | ... | lighting designer: theatrical lighting |
| Woody Gregson | ... | clapper loader: "b" camera |
| Rob Halliday | ... | lighting programmer: theatrical |
| Guy Hammond | ... | electrician / generator operator |
| Benny Harper | ... | best boy |
| Alex Howe | ... | clapper loader: "c" camera |
| Brigitte Lacombe | ... | photographer: credit sequence |
| Rupert Lloyd-Parry | ... | key grip (as Rupert Lloyd Parry) |
| Mark Milsome | ... | camera operator: "c" camera |
| David Penfold | ... | focus puller: "b" camera |
| Steve Reeve | ... | electrician: theatrical production |
| Tony Sankey | ... | grip: "b" camera |
| Ben Smithard | ... | camera operator: "a" camera |
| Sam Smithard | ... | clapper loader: "b" camera |
| Derek Walker | ... | steadicam operator |
| Andy Walton | ... | desk operator / desk operator: theatrical |
| Dan West | ... | central loader |
| Leo Winslow | ... | video assist operator |
| Steve Young | ... | electrician |
| Guy Aldridge | ... | follow spot operator (uncredited) |
| Lawrence Beckwith | ... | second assistant camera: 'b' camera, additional photography (uncredited) |
| Marcus Blatchford | ... | rigger: additional photography (uncredited) |
| Robbie Bryant | ... | assistant camera (uncredited) |
| Martin Elvin | ... | crane technician (uncredited) |
| Stacey Hancox | ... | crane technician (uncredited) |
| Paul Helm | ... | lighting technician (uncredited) |
| Alex Hudson | ... | grip (uncredited) |
| Linford Hudson | ... | follow spot operator (uncredited) |
| James Summers | ... | rigging gaffer (uncredited) |
| Rachel Walsh | ... | follow spot operator (uncredited) |
Casting Department
| Deborah Aquila | ... | casting: US |
| Vanessa Baker | ... | voice casting |
| Kharmel Cochrane | ... | casting assistant: UK |
| Lesley Gogarty | ... | extras casting: The Casting Network |
| Nina Gold | ... | casting: UK |
| Saraphina Monaco | ... | casting assistant: US |
| Robert Sterne | ... | casting associate: UK |
| Sue Wood | ... | crowd casting: Eton |
| Tricia Wood | ... | casting: US |
| Lisa Zagoria | ... | casting associate: US |
| Darren Baba | ... | extras casting assistant (uncredited) |
| Patty Connolly | ... | adr voice casting (uncredited) |
| Dann Fink | ... | adr voice casting (uncredited) |
| Mark Sussman | ... | adr voice casting (uncredited) |
Costume and Wardrobe Department
| Sally Crees | ... | costume dailies |
| Adam Dee | ... | costume assistant |
| Gerson Di Santo | ... | costume maker |
| Valeria Di Santo | ... | costume maker |
| Victoria Finn | ... | costume assistant (as Victoria Taylor) |
| Natalie Humphries | ... | assistant costume designer |
| Jane Marcantonio | ... | costume dailies |
| Julie Merritt | ... | costume dailies |
| Emma Moore | ... | assistant costume designer |
| Matthew Pachtman | ... | costume assistant: Martin Pakledinaz |
| Martin Pakledinaz | ... | costume designer: USA |
| Catherine Pearson | ... | costume assistant |
| Anna Reynolds | ... | costume dailies |
| Gwen Russell | ... | costume maker |
| Charlotte Sewell | ... | costume supervisor |
| Aaron Timperley | ... | costume assistant |
Location Management
| John Crampton | ... | locations unit manager |
| Ian Hutchinson | ... | assistant location manager |
| Jason Wheeler | ... | location manager |
| Vinnie Jassal | ... | location scout (uncredited) |
Music Department
| David Arch | ... | musician: solo piano |
| John Barclay | ... | musician: big band trumpet |
| Chris Baron | ... | musician: percussions |
| John Barrett | ... | music recording engineer assistant |
| Dave Bishop | ... | musician: big band solo tenor saxophone |
| Richard Bissill | ... | musician: French horn |
| Thomas Bowes | ... | orchestra leader |
| Nicholas Bucknall | ... | musician: solo clarinet |
| Tom Bullen | ... | music mixing assistant |
| Perry Cavari | ... | musician: New York rehearsal drummer |
| Jon Charles | ... | additional orchestrations |
| Peter Clarke | ... | music editor |
| Peter Cobbin | ... | music recording engineer |
| Terry Davies | ... | vocal coach: MIchelle Williams |
| Alexandre Desplat | ... | composer: Marilyn's Theme |
| Jay Duerr | ... | music editor |
| Richard Glasser | ... | executive in charge of music: The Weinstein Company |
| Andrew Glen | ... | music editor (as Andy Glen) |
| Isobel Griffiths | ... | musicians contractor |
| Dave Hage | ... | music preparation: Dakota Music |
| Karen Jones | ... | musician: solo flute |
| Gary Kettel | ... | musician: percussions |
| David Krane | ... | arranger: "When Love Goes Wrong" and "Heat Wave & That Old Black Magic" / music producer: "When Love Goes Wrong" and "Heat Wave & That Old Black Magic" / vocal coach: Michelle Williams |
| Láng Lang | ... | musician: featured piano soloist (as Lang Lang) |
| Charlotte Matthews | ... | assistant musicians contractor |
| Adam Miller | ... | music recording engineer assistant |
| Bill Newlin | ... | additional orchestrations |
| Mark Nightingale | ... | musician: big band solo trombone |
| Tom Pigott Smith | ... | musician: violin |
| Conrad Pope | ... | arranger / conductor / orchestrator |
| Paul Pritchard | ... | music recording engineer assistant |
| Colin Rae | ... | on-set music preparation |
| Melissa Reiner | ... | musician: violin |
| Maggie Rodford | ... | music supervisor |
| Dana Sano | ... | music supervisor |
| Nan Schwartz | ... | additional orchestrations |
| Jamie Talbot | ... | musician: big bang solo clarinet |
| Clifford J. Tasner | ... | additional orchestrations |
| Nick Taylor | ... | music mixer |
| Pat White | ... | musician: trumpet |
| Michelle Williams | ... | performer: Marilyn's songs |
| Alison Wright | ... | score supervisor |
| Helen Yates | ... | assistant music supervisor |
| Mark Berrow | ... | musician: violin (uncredited) |
| Rachel Bolt | ... | musician: viola (uncredited) |
| Tass Filipos | ... | music editor (uncredited) |
| Richard Glasser | ... | soundtrack album producer (uncredited) |
| Sienna Jackson | ... | music department (uncredited) |
| Patrick Jonsson | ... | assistant score recordist (uncredited) |
| Allen Walley | ... | musician: double bass (uncredited) |
| Bruce White | ... | musician: viola (uncredited) |
Script and Continuity Department
| Vicki Howe | ... | script supervisor |
Transportation Department
| Bryan Agar | ... | driver: Judi Dench (as Bryan Algar) |
| Martin Alderdice | ... | action vehicle coordinator (as Martin Allerdice) |
| Tony Cooper | ... | unit driver |
| Mark Dilliway | ... | unit driver: Cast & Michelle Williams 2nd Driver |
| Carlos Grayham | ... | facilities driver |
| Dave Jones | ... | facilities driver |
| Steve Meek | ... | facilities driver |
| Kenny Miles | ... | facilities driver |
| Jason Morgan | ... | facilities driver |
| Jason Mortlock | ... | unit driver |
| Nick Ridge | ... | facilities driver |
| David Rosenbaum Jr. | ... | driver: Michelle Williams |
| David Rosenbaum | ... | transport captain (as David Rosenbaum Sr.) |
| Barry Stone | ... | facilities driver |
| Xen Xenophontos | ... | driver: Kenneth Branagh |
Additional Crew
| Hannah Andrews | ... | assistant production coordinator |
| Hailu Asfaw | ... | head chef (as Hailu 'H' Asfaw) |
| Liz Barron | ... | financial controller |
| Chris Bentley | ... | titles coordinator: Lipsync Design |
| Samantha Black | ... | production coordinator |
| Zoe Brown | ... | head of business affairs: BBC Films |
| Tim Clawson | ... | executive in charge of physical production: The Weinstein Company |
| Jamie Cook | ... | catering manager |
| Jessica Corlett | ... | floor runner |
| Kate Rees Davies | ... | office production assistant |
| Warren Demer | ... | assistant accountant |
| Jon Diamond | ... | representative: Lipsync Productions |
| Penny Dyer | ... | dialect coach |
| Peter Eardley | ... | production accountant |
| Tina Falcone | ... | assistant accountant |
| Denise Faye | ... | choreographer: "Heatwave" and "That Old Black Magic" |
| Jo Fernihough | ... | unit publicist: Freud Communications |
| Leah Foley | ... | catering assistant |
| Jane Gibson | ... | choreographer / movement coach: Michelle Williams |
| Ray Gordon II | ... | assistant: Michelle Williams |
| Julia Hall | ... | title designer: Lipsync Design |
| Audrey Hamm | ... | assistant choreographer |
| Peter Hampden | ... | representative: Lipsync Productions |
| Beni Hardiman | ... | production assistant |
| Paul Harding | ... | security manager |
| Jane Hawley | ... | production executive: BBC Films |
| Paul Hayes | ... | key floor runner |
| Sarah Hughes | ... | legal clearances |
| Jemma Kearney | ... | assistant: Michelle Williams |
| James R. Kipping | ... | floor runner (as James Kipping) |
| Lance Kline | ... | executive in charge of business and legal affairs: The Weinstein Company |
| Kate Lee | ... | unit publicist: Freud Communications |
| Yelena Makarczyk | ... | dubbing director |
| Kathleen Marshall | ... | choreographer: "Heatwave" and "That Old Black Magic" |
| Luca Massimo | ... | ADR Voices |
| Richard Maynard | ... | catering manager (as Richard Mynard) |
| Jean McDowell | ... | Vice President: Marketing |
| Norman Merry | ... | representative: Lipsync Productions |
| Christos Michaels | ... | representative: Lipsync Productions |
| Simon Osborn | ... | legal and business affairs manager: BBC Films |
| Beth Pattinson | ... | development editor: BBC Films |
| Michal Podell | ... | executive in charge of business and legal affairs: The Weinstein Company (as Michal Podell Steinberg) |
| Marcin Ptak | ... | catering assistant |
| Greta Seacat | ... | acting coach: Michelle Williams |
| Trevor Stanley | ... | post production accountant |
| Ashley Stowell | ... | medic |
| Elizabeth Walker | ... | pre-production accountant |
| Howard Watkins | ... | head of title design: Lipsync Design |
| Paige Williams | ... | assistant: Michelle Williams |
| Michael Wood | ... | production executive: BBC Films |
| Andy Young | ... | key floor runner |
| Thom Berryman | ... | media transfer engineer (uncredited) |
| Ravi Ajit Chopra | ... | director/editor: BBC Films, behind the scenes feature (uncredited) |
| Lex Donovan | ... | production secretary: additional photography (uncredited) |
| Shyama Friedenson | ... | marketing: Studiocanal (uncredited) |
| Ben Hope | ... | security (uncredited) |
| Matthew Jenkins | ... | production coordinator: additional photography (uncredited) |
| Steve Keane | ... | security and location assistant (uncredited) |
| Yuen-Wai Liu | ... | assistant coordinator: additional photography (uncredited) |
| Hugues Mace | ... | runner: additional photography (uncredited) |
| Jaimie Stevens | ... | assistant to executive (uncredited) |
| Katie Watson | ... | business representative: SAG (uncredited) |
Thanks
| Tariq Anwar | ... | special thanks |
| Donna Gigliotti | ... | special thanks |
| Matt Greenhalgh | ... | special thanks |
| John Logan | ... | special thanks |
| Lucas Webb | ... | special thanks |
Production Companies
- The Weinstein Company (presents)
- BBC Film (presents)
- Lipsync Productions (in association with)
- Trademark Films
- UK Film Council (made with the support of)
Distributors
- Alliance (2011) (Canada) (theatrical)
- The Weinstein Company (2011) (United States) (theatrical)
- Entertainment Film Distributors (2011) (United Kingdom) (theatrical)
- Odeon (2011) (Greece) (theatrical)
- Scanbox Entertainment (2011) (Finland) (theatrical)
- Ascot Elite Entertainment Group (2011) (Switzerland)
- Inopia Films (2011) (Spain) (tv)
- Ascot Filmverleih (2012) (Germany) (theatrical)
- BestFilm.eu (2012) (Estonia) (theatrical)
- Distribution Company (2012) (Argentina) (theatrical)
- Golden Village Pictures (2012) (Singapore) (theatrical)
- Incognito Films (2012) (Latvia) (theatrical)
- Incognito Films (2012) (Lithuania) (theatrical)
- Kadokawa Pictures (2012) (Japan) (theatrical)
- Lucky Red (2012) (Italy) (theatrical)
- Paradiso Entertainment (2012) (Netherlands) (theatrical)
- Paradiso (2012) (Belgium) (theatrical)
- Premium Film (2012) (Russia) (theatrical)
- Scanbox Entertainment (2012) (Norway) (theatrical)
- Scanbox Entertainment (2012) (Sweden) (theatrical)
- StudioCanal (2012) (France) (theatrical)
- Swen Filmes (2012) (Brazil) (theatrical)
- Viva International Pictures (2012) (Philippines) (theatrical)
- Anchor Bay Entertainment (2012) (United States) (DVD)
- Anchor Bay Entertainment (2012) (United States) (Blu-ray) (DVD)
- Ascot Elite Home Entertainment (2012) (Germany) (DVD)
- Bir Film (2012) (Turkey)
- CN Entertainment (2012) (Hong Kong) (DVD)
- CN Entertainment (2012) (Hong Kong) (Blu-ray) (DVD)
- Film1 (2012) (Netherlands) (tv) (limited)
- Odeon (2012) (Greece) (DVD)
- Paradiso Home Entertainment (2012) (Belgium) (DVD)
- Paradiso Home Entertainment (2012) (Netherlands) (DVD)
- Scanbox Entertainment (2012) (Finland) (Blu-ray) (DVD)
- Wide Pictures (2012) (Spain)
- Zon Lusomundo Audiovisuais (2012) (Portugal)
- BBC Two (2014) (United Kingdom) (tv)
- Chérie 25 (2015) (France) (tv)
- Yleisradio (YLE) (2015) (Finland) (tv)
- Canvas (2016) (Belgium) (tv)
- Reel Corporation (2016) (Australia) (DVD)
- Reel DVD (2016) (Australia) (DVD)
- Ciné+ (2022) (France) (tv)
- The Criterion Channel (2024) (United States) (tv) (streaming)
- Swen Filmes (2012) (Brazil) (Blu-ray)
- Swen Filmes (2012) (Brazil) (DVD)
Special Effects
- Creatures (prosthetics)
- LipSync Post (visual effects)
- Peerless Camera Company (additional visual effects)
- ReelEye Company (special effects contact lenses)
Other Companies
- Freud Communications (unit publicity)
- PPC (epk)
- The Casting Network (extras casting)
- TLO (action vehicles)
- Location Facilities (facilities vehicles)
- Lays International (facilities vehicles)
- Andy Dixon Facilities (facilities vehicles)
- Media Coaches (minibuses)
- Fayre Do's (catering)
- Hannon Media (health and safety advisors)
- Diving Services UK (safety divers)
- Angels (costume supplier)
- Carlo Manzi Rentals (costume supplier)
- Cosprop (costume supplier)
- Movietone (costume supplier)
- Theatrical Shoemakers (costume supplier)
- LipSync Post (post production)
- Lip Sync Design (titles)
- Shepperton Studios (sound re-recording facilities)
- Universal Studios Sound Facilities (foley recording facilities)
- Abbey Road Studios (music recording facilities)
- Air Lyndhurst Studios (music recording facilities)
- Air-Edel Recording Studios (music mixing facility)
- Dakota Music Services (music preparation)
- Movietech (camera equipment provided by)
- ARRI Lighting Rental (lighting equipment)
- Kodak (film stock)
- Technicolor (colour processing and rushes)
- Wavevend Communications (walkie talkies)
- Sapex Scripts (post production script services)
- Mediacom 24-7 (travel services)
- Shipleys (production auditors)
- Barclays Media Banking (banking services)
- W & P Longreach (production insurance)
- Wiggin I (legal services)
- Air-Edel Associates (music services)
- Dolby Laboratories (sound mix)
- Film Finances (completion guarantor)
- Film Finances (film completion guarantor)
- First Republic Bank (financing provided by)
- Goldcrest Post Production London (sound post-production)
- HireWorks (HD Avid equipment rental)
- I'm Rigging (rigging services)
- InSync Plus (marketing and advertising)
- Isobel Griffiths Limited (orchestra contractor)
- Movie Cameras (period motion picture equipment)
- Pinewood Shepperton (sound stages)
- Sky Media Travel (travel agent)
- Sony Classical (soundtrack)
- Soundtrack New York (ADR Facility)
- Studio Solutions Group (Film Rights Acquisition)
- The Movie Lot (security)
- Twickenham Film Studios (sound stages)
- Wildfire Studios (ADR Recording Facility)
Storyline
| Plot Summary |
Sir Laurence Olivier (Sir Kenneth Branagh) is making a movie in London. Young Colin Clark (Eddie Redmayne), an eager film student, wants to be involved and he navigates himself a job on the set. When movie star Marilyn Monroe (Michelle Williams) arrives for the start of shooting, all of London is excited to see the blonde bombshell, while Olivier is struggling to meet her many demands and acting ineptness, and Colin is intrigued by her. Colin's intrigue is met when Marilyn invites him into her inner world where she struggles with her fame, her beauty, and her desire to be a great actress. Written by napierslogs |
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| Parents Guide | View content advisory » |
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Box Office
| Budget | GBP6,400,000 (estimated) |
| Opening Weekend United Kingdom | GBP753,886, 27 Nov 2011 |
| Cumulative Worldwide Gross | $35,057,696 |
Did You Know?
| Trivia | According to executive producer and director Simon Curtis on his DVD commentary, Dame Judi Dench was unavailable for the principal photography period, and her parts had to be filmed about two weeks before the rest of the production. Throughout the movie, Dench and Michelle Williams are never seen in the same shot, including one in which Dench shakes hands with (seemingly) Williams' hand being extended from off-screen. Adam Recht's deft editing gives the illusion that Williams and Dench were being filmed at the same time. See more » |
| Goofs | A frustrated Olivier tells Colin that he should have cast Vivien to play Elsie instead of Marilyn. Marilyn bought the rights to "The Sleeping Prince" from its author Terence Rattigan, and hired Olivier, who agreed to co-produce the film, to direct; she could not be replaced. See more » |
| Movie Connections | Featured in The Muppets (2011). See more » |
| Soundtracks | When Love Goes Wrong (Nothin' Goes Right) See more » |
| Quotes |
Marilyn Monroe:
Little girls should be told how pretty they are. They should grow up knowing how much their mother loves them. See more » |