The story of a famous Brazilian criminal, called The Red Light Bandit because he always used a red flashlight to break in the houses during the night. Working alone, he also used to rape his female victims.
Boy tries to help his uncle, guilty of a murder case, to prove his innocence. He thinks the uncle has confessed the crime as a cover-up for his girlfriend, who was the wife of the dead man.... See full summary »
In 1594 in Brazil, the Tupinambás Indians are friends of the French and their enemies are the Tupiniquins, friends of the Portuguese. A Frenchman (Arduíno Colassanti) is captured by the ... See full summary »
Nelson Pereira dos Santos
Ana Maria Magalhães,
Eduardo Imbassahy Filho
Eduardo Coutinho was filming a movie with the same name in the Northeast of Brazil, in 1964, when there came the military coup. He had to interrupt the project, and came back to it in 1981,... See full summary »
Tite de Lemos,
The ironic, heartbreaking and acid "saga" of a spoiled tomato: from the plantation of a "Nisei" (Brazilian with Japanese origins); to a supermarket; to a consumer's kitchen to become sauce ... See full summary »
Brazilian baroque. The young son that ran from his dominant family, descends into decadence and then returns to the nest. With melodramatic themes of tyrannical fathers, incest, fierce ... See full summary »
The illiterate population of the small town of Javé charge Antônio Biá with the mission of writing the story of the town, in an attempt to stop the construction of a hydropower dam that ... See full summary »
In 1945, Japan surrendered to the United States and the Second World War was over. Right? Wrong. For eighty percent of the Japanese community in Brazil, Japan had won the war and defeat was nothing more than American propaganda. The few immigrants that accepted the truth were persecuted. Some were hunted down and assassinated - by their own countrymen - causing the start of a new, private war. Dirty Hearts is a thriller and love story told by the wife of one of the fanatics dedicated to preach Japanese victory. Little by little, she watches her husband, a hard-working immigrant, become an assassin and their love story fade away.Written by
In certain parts of modern-day Japan, there are state primary schools where the majority language is Portuguese. The historical reasons for this go back to large-scale immigration to Brazil from Japan at the beginning of the 20th century. That Japanese diaspora were cleaved in two at the end of WWII, with many fanatically believing that Japan had won the war, leading to murderous internecine strife with those who accepted the truth of Japan's defeat, surrender, and the Emperor refuting his divinity. It is a fascinating tale, little known, and deserves to have a great film made about it. Unfortunately, this is not that film.
A raft of great Japanese actors fail to lift this flat, plodding narrative that has a made-for-TV aesthetic. Takako Tokiwa is the ostensible protagonist, a loving wife who watches her husband descend into a killer. Except 'descend' is not the right word, as a switch seems simply to be flicked. And the wife's response is, bizarrely, to take vengeance on chickens. Tsuyoshi Ihara never really evokes anguish or guilt. Eiji Okuda as the militarist driving force is slightly more plausible. But Kimiko Yo, who since Departures has hardly put a foot wrong, squeals and mugs her was through this in embarrassing fashion.
The direction never really lets the story grow. Ihara's moment when he realises his own gullibility comes and goes without pause. The break-up of the marriage largely takes place without the husband and wife sharing the same frame. The Brazilians seem to inhabit the town and then disappear completely as convenience for the scene dictates. The sense of the period, of Brazil, is absent, and any contextualization of why these immigrants are there, and how torn they might be between motherland and adopted homeland, is missing.
Some tales are so fascinating it is tempting to think they can tell their own story. But they can't, and the writers and directors on this project might want to bear that in mind.
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