It is a movie-riddle, a movie-joke, a movie-labyrinth. 4 parts and 4 travels to the sea, 4 crossed short stories: Love, Friendship, Respect and Cooperation. Heroes of each of the short ...
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The genre of the film DUST could be called fantastic realism or existential drama with elements of the fantastic. Dust means the haste in which people live. Dust is a common misconception, ... See full summary »
A young man drops out of university and goes to the police. He's done nothing wrong he just wants a job. A particular job. Playing the victim in murder reconstructions. Maybe by getting close to death he can manage to cheat on his own.
A mother wants to reunite with her twin daughters. A young couple marry in church, but immediately after the ceremony, God - or maybe the Devil, or maybe Blind Fate - tests their love in ... See full summary »
Adequacy is relative. Vitalik, the main character of the movie, seems to be pretty normal. With a respectable office job, a comfy little dwelling and a personal couch doctor, Vitalik looks ... See full summary »
One place. One day. Two men. The place is a polar research station on an island in the Arctic Ocean, inhabited now only by Sergei and Pavel. One day when Sergei is out angling, Pavel picks up a radio message that he daren't communicate.
Somewhere in Northern Russia in a small Russian Orthodox monastery lives an unusual man whose bizarre conduct confuses his fellow monks, while others who visit the island believe that the man has the power to heal, exorcise demons and foretell the future.
It is a movie-riddle, a movie-joke, a movie-labyrinth. 4 parts and 4 travels to the sea, 4 crossed short stories: Love, Friendship, Respect and Cooperation. Heroes of each of the short stories arrive to seaside town, and go through turning fragments of their life. Fragments develop almost synchronously - someone goes mad of love, someone suffers as cannot be understood by friends, someone tries to win father's respect, and someone - to enter into cooperation with partners. As in life, when everyone sees themselves as the center of their own drama, heroes of "Chapiteau" are heroes in their own story, while in other people's stories they are sometimes hardly visible characters. Stories are full of tragic pathos - but this is the way everyone goes through personal drama, when from outside it looks even ridiculous. The more serious character is, the more comic he behaves. Love, Friendship, Respect, Cooperation - colors in which the life, its walls are painted. Going from one strip to ...Written by
Honestly, I haven't expected from the creators of rather experimental independent "Pyl" such a high artistic and at the same time entertaining film. "Shapito-shou" is so-called "art-house"film and "a film for wide audience" at the same time.
4 stories told successively but in fact developing at the same time, contain so deep and controversial meanings. Story named "Love" is not about love but about difficulty or impossibility of it. That can also be said concerning the following "Friendship", "Respect" and "Collaboration".
At first the film seems a typical "film for youth", romantic comedy developing during a summer vacation at Yalta. But as it turns out to be a nightmare or hallucination of people who are alienated and incapable of living with "love" and other human virtues listed by authors. The director Sergei Loban cites and makes parodies from many images and personalities of Cinema History and Soviet-Russia culture-from Victor Tsoi to Eisenshtein(an old video operator is named "Sergei Mikhailovich" ). Although one can find in its style rather apparent influence from Fellini and Lynch, Loban's self-control as an director is kept from the first to the last moments of the film.
Shortly, this film is "must see" for those who are interested in Russian cinema and for serious movie lovers.
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