Perseus braves the treacherous underworld to rescue his father, Zeus, captured by his son, Ares, and brother Hades who unleash the ancient Titans upon the world.Perseus braves the treacherous underworld to rescue his father, Zeus, captured by his son, Ares, and brother Hades who unleash the ancient Titans upon the world.Perseus braves the treacherous underworld to rescue his father, Zeus, captured by his son, Ares, and brother Hades who unleash the ancient Titans upon the world.
- Awards
- 2 wins & 3 nominations total
Edgar Ramírez
- Ares
- (as Edgar Ramirez)
Birkett Turton
- Elite Guard No. 2
- (as Kett Turton)
Featured reviews
That was really fun!
COTT was really bad and disappointing. In WOTT, Worthington is much better (I love the guy, but he was bland in COTT, and he says so himself, very professional guy), pretty intense, loved the scenes with his son Helius, nice moments with Zeus as well, he gets his ass kicked and kicks some major ass.
Neeson is great, Fiennes is really at ease, Kebbell is good, Nighy great as usual, Ramirez great (even though critics don't seem to think the same thing).
Incredible CGI, really, Kronos, Chimera, Tartarus, great set pieces, great monsters, beautifully shot, Liebesman really has an eye for the visuals, sometimes hand-held and shaky cam is used, and it works well. The action was for me most of the time mind-blowing, especially the last third of the movie.
Story is much better, even though dialogues are weak, it's more light- hearted. The 3D (and I'm pretty much a 3D lover) is great, lots of pop out, great depth, works really well with the scenery, creatures, action scenes. There are some really bad-ass scenes throughout the movie.
All in all, a truly bad-ass, kick-ass, fun movie that will get destroyed by the critics who seem like they can't just enjoy a blockbuster for what it is.
COTT was really bad and disappointing. In WOTT, Worthington is much better (I love the guy, but he was bland in COTT, and he says so himself, very professional guy), pretty intense, loved the scenes with his son Helius, nice moments with Zeus as well, he gets his ass kicked and kicks some major ass.
Neeson is great, Fiennes is really at ease, Kebbell is good, Nighy great as usual, Ramirez great (even though critics don't seem to think the same thing).
Incredible CGI, really, Kronos, Chimera, Tartarus, great set pieces, great monsters, beautifully shot, Liebesman really has an eye for the visuals, sometimes hand-held and shaky cam is used, and it works well. The action was for me most of the time mind-blowing, especially the last third of the movie.
Story is much better, even though dialogues are weak, it's more light- hearted. The 3D (and I'm pretty much a 3D lover) is great, lots of pop out, great depth, works really well with the scenery, creatures, action scenes. There are some really bad-ass scenes throughout the movie.
All in all, a truly bad-ass, kick-ass, fun movie that will get destroyed by the critics who seem like they can't just enjoy a blockbuster for what it is.
Perseus returns, this time to rescue Zeus who has been betrayed and locked up in Tartarus.
As for Clash this has great visuals and special effects. The monsters look fantastic (Chimera, Kronos).
The plot is not too deep, it's okay.
Some big name cast members but not great acting. Nighy was good. As for Clash I'm not convinced Worthington is big enough for this role.
Arguably the film is a bit better than Clash as the plot moved along quicker.
Overall, very entertaining movie with fantastic monsters let down by mediocre plot, weak dialogue and unexceptional acting.
As for Clash this has great visuals and special effects. The monsters look fantastic (Chimera, Kronos).
The plot is not too deep, it's okay.
Some big name cast members but not great acting. Nighy was good. As for Clash I'm not convinced Worthington is big enough for this role.
Arguably the film is a bit better than Clash as the plot moved along quicker.
Overall, very entertaining movie with fantastic monsters let down by mediocre plot, weak dialogue and unexceptional acting.
The Gods indeed deserved better than the 2010 remake of 'Clash of the Titans', a wholly ill-conceived attempt at revisiting the campy Ray Harryhausen sword-and-sorcery epic that instead replaced the original's stop-motion visual effects with second-rate CG effects. And certainly, the producers seemed to have heeded the call with this sequel, retaining the fine cast from the original- Sam Worthington, Liam Neeson and Ralph Fiennes- while opting for fresh writers and a new director.
It's still as important however to keep your hopes down for 'Wrath of the Titans', especially for those expecting a sweeping mythological epic. Taking over the reins from French director Louis Leterrier is Johnathan Liebesman, and going by his previous works- 'The Texas Chainsaw Massacre: The Beginning" and "Battle: Los Angeles"- the man is at best an efficient but uninspired director who pays more attention to visceral pleasures than to anything resembling depth.
That is certainly true of his work here, which vastly improves the action sequences of the original but little else. As if singularly devoting his time to create mind-numbing big-budget sequences, Liebesman invests little in the story and in his characters- God, demi-god and human alike. Both are mechanical at best and engineered with a specific purpose of taking his viewer from one jaw-dropping sequence to another, never mind the inconsistencies or the leaps of logic along the way.
So despite the exposition, the plot of the entire movie can be summed up in a one line- to save Zeus (Neeson) from his conniving brother Hades (Fiennes) and jealous son Aroes (Edgar Ramirez), the demi-god Perseus (Worthington) leaps back into full battle mode since retiring ten years ago to a quiet life in a small fishing village. Before facing the worst of them all, Perseus will have to go up against a host of hideous- looking monsters- a fiery-mouthed Chimera with two heads at the front and a snake's head at its tail; a trio of towering Cyclops giants; a Minotaur; and a band of half-man, half-rock soldiers with four arms and two bodies that twist around on a pair of legs.
There's no denying that the creatures this time are much more inventive, and the action sequences choreographed much more skilfully, adding up to a much more thrilling time than what its predecessor offered. Saving the best for last, Liebesman also crafts an epic finale with a gigantic lava-spewing monster known as the Kronos that also involves a whole legion led by warrior-queen Princess Andromeda (Rosamund Pike). The victory call at the end may be a tad overdone, but the climax alone is worth the price of admission and surprisingly impressive even in post- converted 3D.
Pity then that the rest of the movie often pales in comparison- and perhaps the most jarring of all is the poorly defined interfamilial conflict between Zeus, Hades and Aroes. Screenwriters Dan Mazeau and David Leslie Johnson (working off a story that's also credited to Greg Berlanti) give Aroes little motivation behind his father's betrayal other than his envy of Perseus, nor do they manage the sibling tension between Zeus and Hades convincingly. Worse still, they try to turn Hades into a less straightforward character by casting him as a reluctant pawn in Aroes' scheme midway into the movie, and the subsequent reconciliation between Zeus and Hades is laughable even with the considerable acting talents of Neeson and Fiennes.
Certainly, both thespians are well aware of the thin material here, but kudos to the pair for trying to imbue their Godly characters with the gravitas they usually bring to their roles. Among the more interesting additions to the cast are Bill Nighy as the loony weapons-maker Hephaestus whom Perseus approaches for help to gain entry to the underworld labyrinth Zeus is held captive, as well as Toby Kebbell as Poseidon's son Agenor and the only other character besides Hephaestus to have a sense of humour in the entire movie.
Indeed, the movie takes itself too seriously for its own good, ignoring its own campy origins in favour of a self-serious sensibility to its storytelling that only further exposes its plot and character flaws. This is, and perhaps has always been, about watching Gods, demi-gods and monsters go at each other with sound and fury- and thankfully, this sequel easily betters its predecessor on this regard alone. That's not likely to be enough to make the Gods happy though, but for those of us mortals looking for big-budget mind-numbing spectacle, this will do just fine.
It's still as important however to keep your hopes down for 'Wrath of the Titans', especially for those expecting a sweeping mythological epic. Taking over the reins from French director Louis Leterrier is Johnathan Liebesman, and going by his previous works- 'The Texas Chainsaw Massacre: The Beginning" and "Battle: Los Angeles"- the man is at best an efficient but uninspired director who pays more attention to visceral pleasures than to anything resembling depth.
That is certainly true of his work here, which vastly improves the action sequences of the original but little else. As if singularly devoting his time to create mind-numbing big-budget sequences, Liebesman invests little in the story and in his characters- God, demi-god and human alike. Both are mechanical at best and engineered with a specific purpose of taking his viewer from one jaw-dropping sequence to another, never mind the inconsistencies or the leaps of logic along the way.
So despite the exposition, the plot of the entire movie can be summed up in a one line- to save Zeus (Neeson) from his conniving brother Hades (Fiennes) and jealous son Aroes (Edgar Ramirez), the demi-god Perseus (Worthington) leaps back into full battle mode since retiring ten years ago to a quiet life in a small fishing village. Before facing the worst of them all, Perseus will have to go up against a host of hideous- looking monsters- a fiery-mouthed Chimera with two heads at the front and a snake's head at its tail; a trio of towering Cyclops giants; a Minotaur; and a band of half-man, half-rock soldiers with four arms and two bodies that twist around on a pair of legs.
There's no denying that the creatures this time are much more inventive, and the action sequences choreographed much more skilfully, adding up to a much more thrilling time than what its predecessor offered. Saving the best for last, Liebesman also crafts an epic finale with a gigantic lava-spewing monster known as the Kronos that also involves a whole legion led by warrior-queen Princess Andromeda (Rosamund Pike). The victory call at the end may be a tad overdone, but the climax alone is worth the price of admission and surprisingly impressive even in post- converted 3D.
Pity then that the rest of the movie often pales in comparison- and perhaps the most jarring of all is the poorly defined interfamilial conflict between Zeus, Hades and Aroes. Screenwriters Dan Mazeau and David Leslie Johnson (working off a story that's also credited to Greg Berlanti) give Aroes little motivation behind his father's betrayal other than his envy of Perseus, nor do they manage the sibling tension between Zeus and Hades convincingly. Worse still, they try to turn Hades into a less straightforward character by casting him as a reluctant pawn in Aroes' scheme midway into the movie, and the subsequent reconciliation between Zeus and Hades is laughable even with the considerable acting talents of Neeson and Fiennes.
Certainly, both thespians are well aware of the thin material here, but kudos to the pair for trying to imbue their Godly characters with the gravitas they usually bring to their roles. Among the more interesting additions to the cast are Bill Nighy as the loony weapons-maker Hephaestus whom Perseus approaches for help to gain entry to the underworld labyrinth Zeus is held captive, as well as Toby Kebbell as Poseidon's son Agenor and the only other character besides Hephaestus to have a sense of humour in the entire movie.
Indeed, the movie takes itself too seriously for its own good, ignoring its own campy origins in favour of a self-serious sensibility to its storytelling that only further exposes its plot and character flaws. This is, and perhaps has always been, about watching Gods, demi-gods and monsters go at each other with sound and fury- and thankfully, this sequel easily betters its predecessor on this regard alone. That's not likely to be enough to make the Gods happy though, but for those of us mortals looking for big-budget mind-numbing spectacle, this will do just fine.
- www.moviexclusive.com
SPOILER FREE REVIEW
Let me start this right off the bat and tell you it's better than Clash of the Titans(Even though that's not saying much)However, Wrath of the Titans supplies enough action set pieces, that you have a good enough flick that you should check out this weekend. The plot is very simple, it's set 10 years after the events of the first film where Perseus and his son fish for a living. Hades and Zeus' son Ares trick Zeus and capture him. Now, the titans are getting stronger while Zeus is getting weaker. Perseus has to go to hell to save his father. There are some pretty cool monsters in this film, like the demons Makhai and the scene with Kronos is AMAZING. If you're looking for a good time this weekend and go into this movie with an open mind. Then you will definitely have a good time watching Wrath of the Titans. 8/10
Let me start this right off the bat and tell you it's better than Clash of the Titans(Even though that's not saying much)However, Wrath of the Titans supplies enough action set pieces, that you have a good enough flick that you should check out this weekend. The plot is very simple, it's set 10 years after the events of the first film where Perseus and his son fish for a living. Hades and Zeus' son Ares trick Zeus and capture him. Now, the titans are getting stronger while Zeus is getting weaker. Perseus has to go to hell to save his father. There are some pretty cool monsters in this film, like the demons Makhai and the scene with Kronos is AMAZING. If you're looking for a good time this weekend and go into this movie with an open mind. Then you will definitely have a good time watching Wrath of the Titans. 8/10
Just finished watching wrath of the titans, and have to say it was better than expected. I was expecting a somewhat average film after the disappointing remake of the original. All the characters played their roles very well especially Zeus and Hades. The version I saw was 3d, and the use of it was much better this time around scenes with falling rocks, Pegasus flying, and other scenes had a strong presence with the 3d. A couple weaknesses I saw in my opinion were the character representations of Hephestus and Hades toward the end. Hephestus was seemed to be way scrawnier, too good looking, not serious enough, and too weak for a god. He was a solid character just wish they made him more represented to how he was in myth. Also without spoiling the character change of Hades toward the end was a little interesting, but felt it shouldn't have been done. The effects were in this movie were awesome especially for Cronus. It also has some great fight scenes that really get you blood pumping. All in all though it was a great action film, with some solid comedy relief, and just a great overall film especially for those looking for flashy effects 8/10
Did you know
- TriviaGemma Arterton was originally supposed to return, but scheduling conflicts with Hansel & Gretel: Witch Hunters (2013) prevented that. Her character was written out, rather than being re-cast, as Andromeda was.
- GoofsDuring various battles the archers are told to "fire" or "hold fire" also the artillery was told to "fire". The term "fire" didn't come around until the advent of gunpowder powered weapons. The correct command would have been "Loose".
- Crazy creditsThere are no opening credits for this movie
- ConnectionsFeatured in Maltin on Movies: Wrath of the Titans (2012)
- SoundtracksWrath of the Titans
Composed by Javier Navarrete
- How long is Wrath of the Titans?Powered by Alexa
Details
- Release date
- Countries of origin
- Official sites
- Language
- Also known as
- Furia de Titanes 2
- Filming locations
- Tenerife, Canary Islands, Spain(exterior scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $150,000,000 (estimated)
- Gross US & Canada
- $83,670,083
- Opening weekend US & Canada
- $33,457,188
- Apr 1, 2012
- Gross worldwide
- $301,970,083
- Runtime1 hour 39 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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