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A group of young horror fans go searching for a film that mysteriously vanished years ago but instead find that the demented killer from the movie is real, and he's thrilled to meet fans who will die gruesomely for his art.
Lucas and Clementine live peacefully in their isolated country house, but one night they wake up to strange noise... they're not alone... and a group of hooded assailants begin to terrorize them throughout the night.
Five interlocking tales of terror follow the fates of a group of weary travellers who confront their worst nightmares - and darkest secrets - over one long night on a desolate stretch of desert highway.
The plot is based on a true story that happened in the late '40s in a small village in Uruguay. The film focuses on Laura, who, second by second, intends to leave a house, which hides an obscure secret, unharmed. Laura and her father Wilson settle down in a cottage they have to renew since its owner will soon put the house up for sale. They will spend the night there and repair the following morning. Everything seems to go smoothly until Laura hears a sound that comes from outside and gets louder and louder on the upper floor of the house. Wilson goes up to see what is going on while she remains downstairs on her own, waiting for her father to come down.Written by
The Silent House gives the illusion that is was filmed in one take. I highly doubt this, as there are a lot of suspicious panning across solid black objects. Still the lengths of the takes is still impressive, if a little ambitious at times. Sometimes it's obvious the actors are walking around the crew. Luckily, the darkness soon covers it all up. I can't say much for the film really as I found it rather dull. It's pretty much a woman walking around a house in the dark. Once it was obvious that nothing scary was ever going to happen, I soon settled down and was just bored. Every time there was something suspicious in the background, a sound effect/musical cue would alert me to its presence. The film finally gets a plot in the last few minutes, which plays out through the credits in Polaroid form. Like a horror version of The Hangover's end credits, it was the best part, and the film should have focused on the photographed events, rather than being a tease for nothing.
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