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The Man from U.N.C.L.E. (2015)

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In the early 1960s, CIA agent Napoleon Solo and KGB operative Illya Kuryakin participate in a joint mission against a mysterious criminal organization, which is working to proliferate nuclear weapons.

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7 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
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Oleg
Guy Williams ...
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Assistant
Andrea Cagliesi ...
Fishing Captain
Riccardo Calvanese ...
Man 2
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Storyline

In the 1960s with the Cold War in play, CIA agent Napoleon Solo successfully helps Gaby Teller defect to West Germany despite the intimidating opposition of KGB agent Illya Kuryakin. Later, all three unexpectedly find themselves working together in a joint mission to stop a private criminal organization from using Gaby's father's scientific expertise to construct their own nuclear bomb. Through clenched teeth and stylish poise, all three must find a way to cooperate for the sake of world peace, even as they each pursue their own agendas. Written by Kenneth Chisholm (kchishol@rogers.com)

Plot Summary | Plot Synopsis

Taglines:

Two sworn enemies. One common mission. See more »


Motion Picture Rating (MPAA)

Rated PG-13 for action violence, some suggestive content, and partial nudity | See all certifications »

Parents Guide:

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Details

Official Sites:

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Country:

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Language:

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Release Date:

14 August 2015 (USA)  »

Also Known As:

El agente de C.I.P.O.L.  »

Filming Locations:

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Box Office

Budget:

$75,000,000 (estimated)

Opening Weekend USA:

$13,535,000, 17 August 2015, Wide Release

Gross USA:

$45,445,109

Cumulative Worldwide Gross:

$109,845,109
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Color:

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

When they are getting Gaby clothes before heading to Rome, Ilya and Napoleon argue over matching clothes. When Ilya believes his point has been proven, he tells Napoleon "Get back on your horse, cowboy." Armie Hammer, who portrays Ilya, previously played The Lone Ranger in Disney's 2013 adaptation. See more »

Goofs

Kuryakin argues with Solo over Dior and Paco Rabanne fashion accessories. Rabanne (19 years old in 1963, when the film is set) would not have his own label until 1966. See more »

Quotes

Gaby Teller: America teaming up with Russia. That doesn't sound very friendly.
See more »

Crazy Credits

The Warner Bros/Ritchie Wigram logos, opening credits and part of the closing credits appear in a red line containing 1960s documentation, which includes dossiers on the UNCLE crew. See more »

Connections

Featured in Seriesly: Goldfinger (2015) See more »

Soundtracks

Bunter Drachen
Written by Rio Gregory and Suzanne Doucet
Performed by Suzanne Doucet
Courtesy of Only New Age Music
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Frequently Asked Questions

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User Reviews

 
"When you hear something that sounds like a gunshot, drive."
29 February 2016 | by See all my reviews

Never watched the show, so can't compare the two, or whether or not this is a faithful adaptation of it or not, but I loved this film. It perfectly rides the fine line between straight 1960s spy movie throwback, and satire of one.

Villain is pure 1960s vamp/ femme fatale, Henry Cavill and Armie Hammer's chemistry alone makes this worth watching. Hammer's twitch as his anger reaches boiling point is a great bit of detail. Cavill really reminded me of Roger Moore's Bond, specifically from The Spy Who Loved Me. He has a suave, "Trust me, I know what I'm doing" attitude throughout.

Several scenes creatively have the action taking place in the background, while the focus is on the foreground. A perfect example, and maybe my favourite scene in the film, is Cavill sitting in a truck, basically picnicking, with a large sandwich and bottle of Chianti, while boat chase is playing out in front of him, reflected on the windscreen.

The film is rated PG13, but it doesn't look watered down to get that rating, ... Henchman's electrocution torture scene was both graphic and simultaneously funny- another case of the action playing out in the background, while Cavill and Hammer debate the fate while in the next room.

The plot is a bit of a mess, especially toward the end, but a great cast, sharp dialogue, and great attention to detail, and good action makes this a winner


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