5.9/10
1,078
19 user 18 critic

Khelein Hum Jee Jaan Sey (2010)

Children who are not allowed by the oppressive British colonists to play football decide to join a group of freedom fighters.

Director:

Ashutosh Gowariker

Writers:

Javed Akhtar (lyrics), Ashutosh Gowariker (screenplay) | 2 more credits »
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11 nominations. See more awards »

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Cast

Credited cast:
Abhishek Bachchan ... Surjya Sen
Deepika Padukone ... Kalpana Dutta
Sikander Kher ... Nirmal Sen
Maninder Singh Maninder Singh ... Anant Singh
Feroz Wahid Khan Feroz Wahid Khan ... Lokenath Bal
Shreyas Pandit Shreyas Pandit ... Ambika Chakraborty
Samrat Mukherjee Samrat Mukherjee ... Ganesh Ghosh
Vikramjeet Virk ... Inspecter. Asanulla Khan
Munford Monty Munford Monty ... Major Johnson
Rest of cast listed alphabetically:
Reena Anurag Reena Anurag
Arun Babani Arun Babani
Madhuri Bhandekar Madhuri Bhandekar ... (as Madhuri Bandiwdekar)
Jan Bostock Jan Bostock
Anuradha Chandan Anuradha Chandan
Alorika Chatterjee Alorika Chatterjee
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Storyline

Circa 1930 in Chittagong, male teenagers are asked by British soldiers to play football elsewhere. Since there is no other ground, they decide to approach widower school-master Surjya Sen, and join his band of freedom fighters. Since Gandhi had announced a ban of violence for one year, Surjya patiently waits, then raises Rs.18000/-, with this amount he procures guns, four vehicles and 25 bicycles, and inducts two women, Pritilata, and Kalpana Dutta in his team. Their plan is to surprise the British by disabling telecommunications and transportation, liberating jailed comrades, taking guns and ammunition from the armory, and holding Britishers hostage at the European Club. Before they could carry out their plan, both women are instructed by their respective families to re-locate to Calcutta. Surjya, nevertheless decides to simultaneously carry out the attacks but his group is unable to hold any hostages due to the holiday of Good Friday, and the raid on the armory gets them rifles but ... Written by rAjOo (gunwanti@hotmail.com)

Plot Summary | Add Synopsis

Genres:

Action | Drama | History

Certificate:

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Parents Guide:

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Details

Official Sites:

Official Facebook | Official site

Country:

India

Language:

Hindi | Bengali | English

Release Date:

3 December 2010 (India) See more »

Also Known As:

Победить или умереть See more »

Filming Locations:

Goa, India

Company Credits

Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color
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Did You Know?

Trivia

This is a historical film about the unsung heroes of India's freedom struggle against British rule. See more »

Soundtracks

The Teenagers Whistle
Composed by Sohail Sen
See more »

Frequently Asked Questions

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User Reviews

 
My inspiration has let me down!
4 December 2010 | by satyanshu_singhSee all my reviews

This is a true story.

In the year 2001, a seventeen-year old boy discovered cinema. He started understanding the difference between the crap that had dominated the popular cinema of his consciousness, the cream of the crap that had resulted in some blockbusters, and the rare cinema rooted in aesthetics of the craft. One important lesson was to understand how 'sound' matters in a movie, among many other big and small mantras he picked up from that textbook of a movie. The final and the most essential lesson was how passion, in fact lunacy, was essential for making a truly immortal film.

The movie that taught the young boy this, went on to win the hearts of people all over the globe. Today, it is considered as one of the landmark films of Hindi cinema. This boy, struck by the achievement and short-sighted by faith, had exclaimed among his movie-crazy friends: "In the next ten years, we are going to have at least five Academy nominations, and two wins!" More than nine years have passed. The boy is now 26. He is waiting no more. He has lost all hope. He has lost his faith.

'Satya' was the film that planted in me the seeds of film-making passion. But I started learning the art with 'Lagaan'. The first foreign-language films I watched were 'No Man's Land' and 'Amelie', because they were in competition with 'Lagaan', and thus I discovered world cinema. I used to follow every word that Gowariker said those days, and thus, following his inspiration, I discovered Guru Dutt, V. Shantaram, and Bimal Roy. The film was followed by a documentary on its making, titled 'Chale Chalo: The Lunacy of Film Making'. I went to watch that in a theatre, covering a long distance by bus, alone.

'Lagaan' had the tagline: Once Upon a Time in India. I never knew it meant something like this can only happen once! To be fair to Ashutosh Gowariker, I do not expect him to re-create something as wonderful as 'Lagaan', or even 'Swades' for that matter. I accepted the flaws of 'Jodha Akbar' and the flaw called 'What's Your Rashi?' with a smile, understanding, as he says, why he made these movies. But this time, I am left disappointed, and angry. You taught me Sir, the importance of correct sound in cinema. Why then, is the sound (including the background score) of this latest film of yours so terribly done? Why have your characters lost themselves to stars, or incompetence of the cast, or your complacence? I remember you had promised this film would be shorter. By your standards, 2 hours 45 minutes is short. But when are you going to realize that each film should be completed within the time that best suits its purpose? I refuse to believe that your passion and your 'lunacy of film-making' remains the same. And that, Sir, is a crime, especially for you than anyone else.

This is a true story. Ashutosh Gowariker is no more among my favourite film-makers. Unfortunately, he has managed to instill an insecurity and fear in me. I am no more worried about my success in this industry. I am afraid of being destroyed post that success, by my own complacency and errors of judgment, and by the loss of the purity and passion I earned through cinema.


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