Vera, imprisoned at a military fortress during the dictatorship, 1969, gets to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria,...
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Award:
- 1 nomination.
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Review:
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Cast
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Shico Menegat | ... |
Armando
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Georgette Fadel | ... |
Maria
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| Valentina Herszage | ... |
Vera
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| Floriano Peixoto | ... |
Henrique
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| Javier Drolas | ... |
Padre João
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Beatriz Barros | ... |
Marialva
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Bruce Gomlevsky | ... |
Major Damião
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Higor Campagnaro | ... |
Soldado João
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Eduardo Speroni | ... |
Soldado Fabio
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Rose Germano | ... |
Anita
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| Rest of cast listed alphabetically: | |||
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Virgínia Rosa | ... |
Mãe de Marialva
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Directed by
| Lúcia Murat | ||
Written by
| Lúcia Murat | ... | (screenplay by) and |
| Tunico Amâncio | ... | (screenplay by) |
Produced by
| Irene Calado | ... | executive producer |
| Lúcia Murat | ... | producer |
Cinematography by
| Jacob Solitrenick | ||
Editing by
| Marih Oliveira | ... | (edited by) |
| Mair Tavares | ||
Editorial Department
| Marih Oliveira | ... | editor |
Casting By
| Gabriel Bortolini | ... | (casting by) |
Production Design by
| André Weller | ||
Costume Design by
| Preta Marques | ||
Makeup Department
| Nani Gama | ... | key makeup artist |
| Clarissa Vasconcelos | ... | additional makeup artist |
Production Management
| Alex Castro | ... | assistant production manager |
| Luciana Motta | ... | production manager |
| Digão Oliveira | ... | unit production manager |
| Raquel Rocha | ... | assistant production manager |
Second Unit Director or Assistant Director
| Ivan Cruz | ... | assistant director / first assistant director |
| Lucas Girotto | ... | third assistant director |
| Roberto Souza Leão | ... | second assistant director |
Art Department
| Mari Amaury | ... | graphic designer |
| Carlos Fala Fino | ... | art painter |
| Bruna Lucena | ... | graphic designer |
| Duda Silf | ... | assistant art director |
| Lais Souza | ... | assistant art director |
| Carlos Vinicius | ... | property master |
Sound Department
| Teresa Braga | ... | foley artist |
| Roberto de Oliveira | ... | sound recordist |
| Rodrigo Gomes | ... | foley editor |
| Adelson Jacob | ... | boom operator |
| Débora Oliveira | ... | foley mixer |
| Simone Petrillo | ... | sound designer |
Camera and Electrical Department
| Lucas Chaparro | ... | logger |
| Bruno Chaves | ... | key grip |
| Jorge Chechile | ... | first assistant camera |
| Malcon Matos | ... | electrician |
| Marcio Mercie | ... | grip |
| Jéssika Montanha | ... | gaffer |
| Wesley Prado | ... | second assistant camera |
| Eloah Toledo | ... | second assistant camera |
Casting Department
| Amanda Gabriel | ... | Acting coach |
Costume and Wardrobe Department
| Djalma Francisco | ... | costume assistant |
| Juli Videla | ... | assistant costume designer |
Additional Crew
| Fernanda Figueiredo | ... | production assistant |
| Duda Oliveira | ... | production assistant |
| Elaine Azevedo e Silva | ... | production secretary |
| Gabriel Maria Torres | ... | production assistant |
Production Companies
- Taiga Filmes
- CEPA Audiovisual
- Canal Brasil (co-production)
- Telecine (co-production)
Distributors
- Imovision (2024) (Brazil) (theatrical)
Special Effects
Other Companies
Storyline
| Plot Summary |
Vera, imprisoned at a military fortress during the dictatorship, 1969, gets to know a soldier, Armando, who, in the face of torture, decides to take messages from Vera to his family and establishes an affective relationship with D. Maria, Vera's mother. Despite the horrors of the time, the film works on this possibility of a dialog between two lonely and lost human beings, a high-middle-class lady and a young southerner of rural origin. Today, Vera, aged 70, is a professor at the university, and debate with her students about politics, forgiveness and Hannah Arendt. |
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