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Tsumetai nettaigyo (2010)

Not Rated | | Comedy, Crime, Drama | 6 July 2011 (USA)
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When Syamoto's teenage daughter is caught stealing, a generous middle-aged man helps resolve the situation. The man and his wife offer to have Syamoto's troublesome daughter work at their ... See full summary »

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(screenplay), (screenplay)
5 wins & 2 nominations. See more awards »

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Cast

Credited cast:
... Nobuyuki Syamoto
... Yukio Murata
Asuka Kurosawa ... Aiko Murata
... Taeko Syamoto
Hikari Kajiwara ... Mitsuko Syamoto
... Takayasu TsuTsui
Rest of cast listed alphabetically:
Makoto Ashikawa
Lorena Kotô
Masaki Miura
Jyonmyon Pe ... (as Jonmyon Pe)
Suwaru Ryû
Masahiko Sakata
... Yoshida
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Storyline

When Syamoto's teenage daughter is caught stealing, a generous middle-aged man helps resolve the situation. The man and his wife offer to have Syamoto's troublesome daughter work at their fish store. Syamoto soon discovers the horrific truth of the seemingly perfect couple. Written by Anonymous

Plot Summary | Plot Synopsis

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How far will you be pushed?


Certificate:

Not Rated | See all certifications »

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Details

Official Sites:

Official site [Japan]

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Release Date:

6 July 2011 (USA)  »

Also Known As:

Cold Fish  »

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Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

This movie was "inspired by true events" known as the "Saitama serial murders of dog lovers"; the convicted killers in the real-life case are Gen Sekine (b. January 2, 1942) and his ex-wife Hiroko Kazama (b. February 19, 1957). See more »

Goofs

When Murata and Aiko strangles the driver at Tsutsui's place, the rope is loose on the driver's neck. See more »

Quotes

Aiko Murata: You scared the shit out of them! It should be okay. If things go wrong, we'll just make them invisible.
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Connections

Referenced in Rewind This! (2013) See more »

Soundtracks

Symphony No. 1 In D Major
Written by Gustav Mahler
Performed by Narodowa Orkiestra Symfoniczna Polskiego Radia w Katowicach (as Polish National Symphony Orchestra)
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User Reviews

 
Life-Changing Movie Experience #2
6 August 2011 | by See all my reviews

After been shocked and transformed in Miike's transgressive "Visitor Q" a decade ago, I once again find a movie that hits me in the face and that I will be thinking about for days, weeks, months and years to come. Once again it was at FantAsia Film Festival. And once again, it is a Japanese movie. On a Japanese art side note, if you want to see something as deranged in the traditional theatre, please see Daisuke Miura's wordless and sexmore modern society social commentary play "Yume no shiro" which I had the chance to see this year to a sold out crowd of 18+.

If you thought Shion Sono's "Suicide Club" was strange, you are in for a big surprise. This time Sono goes deep like sonar. After having seen "Cold Fish" (aka Tsumetai nettaigyo), I was literally high on naturally occurring chemicals, hormones and neurotransmitters in my body. I was happy, I had laughed a lot (in a very dark humour type of way) and I had had my limits pushed and pushed constantly during the movie. It was a kind of a delightful post-traumatic film syndrome. I talked about it extensively with my film buff friend Serena who enjoyed it as much as me and also happened to have lived in Asia for 18 months. It was amazing to have been able to share the experience with her (thought, talked, laughed, slack-jawed, awed, disbelieved the odd, etc.) and discuss it engagingly afterwards in all film and cultural aspects. After that night, I have been thinking about it for almost a week. I am still not sure I have completely digested it, but I am sure I have thoroughly enjoyed it and it is time I share a bit of my thoughts on it without giving too much away.

Firstly this story is a rather simple and straightforward story. A normal family with normal family problems meets an eccentric and friendly couple. Everything happens realistically and we embark in this world readily. A world of exotic fish and astronomy, of new hot wives and estranged daughter, of averageness and contemplative rain. We find a few things strange, but not much stranger than our own lives. We also enjoy the quick bonds formed between strangers, the charisma and the enigma.

Then things start to happen very fast, and before you know it you have been there bewildered for two hours and a half. Yet, everything is methodically paced, all the elements are expertly placed, nothing is gratuitously in your face. The movie follows a spiraling down into chaos with grace. The music suits every scene and noticeably shine on many occasions. The cinematography encompasses our imagination. The director plays with our thoughts and emotions. The actors immerse themselves in their characters while been in impossible situations. Everything is believable. This is based on a true story, but this is undoubtedly truer, realer… suspense, thriller. Michael Jackson has nothing on this. And yes, some people do die in this movie. The who, how and why is the question and especially the way it is deliberately delivered.

The movie has depth with many metaphors and metamorphoses. It is very psychological in its vision. It cuts through the crap like a colon incision. In the end, nothing is missing. Perfectionism. Perfection.

Close-minded people please abstain. This movie leaves you with a beautiful ineffaceable stain.


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