6.3/10
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31 user 41 critic

Miss Lovely (2012)

Not Rated | | Crime, Drama, Romance | 20 June 2014 (USA)
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A Hindi feature film set in the lower depths of Bombay's "C" grade film industry. Miss Lovely follows the devastating story of two brothers who produce sleazy horror films in the mid-1980s.

Director:

Ashim Ahluwalia

Writers:

Ashim Ahluwalia (story), Uttam Sirur (co-writer)
3 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
Nawazuddin Siddiqui ... Sonu Duggal
Niharika Singh ... Pinky / Sonika / Pooja
Anil George ... Vicky Duggal
Zeena Bhatia Zeena Bhatia ... Poonam
Menka Lalwani Menka Lalwani ... Nadia (as Menaka Lalwani)
Ragesh Asthana Ragesh Asthana ... PK (as Ragesh Asthanaa)
Manoj Bakshi Manoj Bakshi ... Heera
Avinash Razdan Avinash Razdan ... Projectionist
Premnath Gulati Premnath Gulati ... Moustachioed Man on Screen
Kuldeep Rajput Kuldeep Rajput ... Diamond Talkies Owner
Alka Punewar Alka Punewar ... Hotel Receptionist
Juje Juje ... Duggal Film Crew
Jackie Jackie ... Duggal Film Crew
Nandu Natekar Nandu Natekar ... Duggal Film Crew
Micky Mazumdar Micky Mazumdar ... Duggal Film Crew
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Storyline

A Hindi feature film set in the lower depths of Bombay's "C" grade film industry. Miss Lovely follows the devastating story of two brothers who produce sleazy horror films in the mid-1980s.

Plot Summary | Plot Synopsis

Taglines:

Daring, Desireable, Dangerous

Genres:

Crime | Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Official Sites:

Official Facebook | Official site | See more »

Country:

India

Language:

Hindi

Release Date:

20 June 2014 (USA) See more »

Also Known As:

Мисс Красотка See more »

Company Credits

Production Co:

Future East Film See more »
Show more on IMDbPro »

Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.35 : 1
See full technical specs »
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Did You Know?

Trivia

The film was originally intended to be a documentary, however the decision was scrapped due to the Mumbai underground film industry still having Mafia connections which potentially posed a danger to the filmmakers. See more »

Goofs

Film set in late 80's , and in one shot we clearly saw a Tata Sumo car. But Tata sumo was launched in 1994. See more »

Soundtracks

Ayee Morshume Be-Reham Duniya
Composed by Ashish Khan
Written by Firoza Khan
Performed by Rupa Biswas
Licensed courtesy of The Megaphone Company
From the album "Rupa - Disoc Jazz"
See more »

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User Reviews

 
Witness the cruel reality behind the flashlights, which certainly was, is & will remain an ugly part of the show business.
27 March 2014 | by bobbysingSee all my reviews

Before talking about the film in details, I would like to draw a clear picture of that era when these 'C' grade films used to make a good amount of money in a hidden manner. In comparative terms, where today you can easily access loads of porn stuff on your computers, phones and tabs due to the limitless internet. There was a time when entertainment was just confined to a few hours of Black & White Doordarshan (from 6pm to 11pm) and the porn stuff was only available through some cheap road- side publications, for instance MASTRAM series (on which another Hindi film is being made to be released soon). Now in those times the moment Ramsay brothers found a new formula of bringing in the audience through their horror movies (in the late 70s), many producers began making films on the similar format including lot of sexy scenes & cheap sequences thrown in deliberately. Soon a separate but substantial market of these 'C' grade films was established and then after it started becoming monotonous or stagnant post a few years, a new illegal way was found to give it a new life.

Honestly, I cannot remember any other film revealing this illegal twist in the trend, so clearly before MISS LOVELY. But director Ashim Ahluwalia boldly takes the lead and tells you all about the trick which was widely known as a 'BIT' in the inner circuit of film-makers and theater owners. Now this BIT used to be an illegal insertion of 5 to 10 minutes footage (or even more), randomly added into the running show as per the will of the projectionist, which had nothing to do with the main film at all. The BIT could be of a separate sexual shoot, a part of another bold film or even few scenes of a foreign X rated film acquired illegally. And since the viewers were not sure when the Bit would be coming, so they used to wait till the end and that actually made the show successful in terms of the tickets sold. The 'inside trend' became known to the authorities too after a while and then the Police used to raid such theaters in between the screening to catch them red handed, as rightly shown in the film.

So in reality, MISS LOVELY shamelessly takes you on to an exposing tour of that era when 'uncensored porn' used to be an important part of this 'C' grade cinema, mostly shown in the smaller centers. The makers take a good care of its detailing; depicting a particular time period and the narration does work most of the times as per its chosen subject. Interestingly, one can easily spot many nostalgic props in the backdrop such as Black & White televisions, old cameras, radio advertisements (like Natraj Pencil), various models of VCRs and more. Background music makes an intelligent use of few famous songs of those years and dialogues are specifically written with many smaller lines keeping in mind the exact characters of its storyline.

Unfortunately, despite all the above mentioned merits, I found the film not hugely engaging and entertaining, offering quite less than what was being expected in real terms. Because as per its novel, interesting and revealing subject, it ideally should have been an enlightening as well as an exciting fun ride, along with being a hard hitting take on that hidden trend in totality. But in the present version, it has a slow pace, which surely affects the viewer's set mindset, formed by all the articles he might have read about the film in the last few months. Yet the director does strongly expose the way young girls get exploited in the darkness behind the flashlights remarkably and the truth remains applicable even in the current decade of the new millennium, quite openly.

Hence due to an extremely dark feel, tense settings and a slow paced narration, MISS LOVELY would appeal to only a limited section of audience, appreciating such thoughtful cinema. Plus many might not find what they were looking for in the film due to one basic reason, which in turn should be considered as a compliment for its director, undoubtedly. And the reason lies in the fact that despite being a film made on the subject of all 'C' grade sexual movies of that gone era, the director has never shot his sequences in the same cheap manner and shows a certain kind of elegance even in his scenes dealing with sex, porn or vulgarity.

In the performances, Nawazuddin Siddiqui excels in his role of a man with mixed emotions and Anil George is a complete natural as his elder brother. Reportedly Nawazuddin did this movie long before he became the known actor of the present times and that indeed says a lot about his passion for the art and dedication. Niharika Singh plays her part well and so do Zeena Bhatia & Menaka Lalwani in their few scenes. The supporting cast provides good support to the film and I was pleasantly surprised to see the old age 'Indian Idol' contestant too, doing a small role in the film saying a few dialogues.

In all, at one end the film is sure going to delight the lovers of meaningful, artistic cinema. Yet on the other it might highly disappoint the ones looking for the same 'C' grade kind of content, the film is focused upon. Nevertheless its basic message comes up pretty clear and straight that exploitation of fairer sex was, is and will remain an ugly part of the show business…………sadly…….forever.

But on second thoughts, it is also a two way process based on the concept of 'give & take'……… so you rarely see anyone complaining?


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