Thirty-seven year old Mavis Gary seems incapable of happiness. She has had one failed marriage with no romance in her immediate horizon. She ghosts writes a young adult series of books, which has just been canceled due to low sales. She is in the process of writing the last book, with which she is having a mental block. She lives vicariously through Kendall Strickland, the teenaged female heroine in her books, as like Kendall she believes her high school years were the best years of her life when she was the prom queen. When she receives news that her high school beau, Buddy Slade, and his wife, Beth Slade, have just had their first child, Mavis takes it as a sign that she and Buddy are meant to be together. As such, she devises a false pretense to travel from her Minneapolis home back her her old hometown of Mercury, Minnesota to reclaim Buddy from Beth. As Mavis slyly or not so slyly does whatever she can to hang out with Buddy, even in Beth's company if need be, she also runs into ...Written by
Mavis's drink of choice is a Maker's Mark. In Juno (2007), also directed by Jason Reitman and written by Diablo Cody, when Vanessa offers drinks, Juno asks for a Maker's Mark straight up. See more »
The morning after Mavis' first night home she is walking down the street in a dark shirt, zipper hoodie, and jeans and is carrying a diet coke bottle. The next scene shows her sitting on a park bench typing on her lap top wearing a striped shirt, and next to her you see a shopping bag with half of a red star visible to viewers, indicating that she went to Macy's. Then in the next scene (which is presumably the same day and same trip, as she is getting ready to see Buddy for the first time that night) she is back in her dark colored shirt while she is getting a pedicure. She doesn't wear the striped shirt and go to Macy's until the following day (the day of Beth's concert when she goes to Macy's to buy her outfit). The scenes are out of sequence. See more »
Mercury's changed a lot since then, though. We're way less of a hick town.
Yeah, we've got this place. It beats Woody's, right? And we're getting a new Chipotle at the mall.
And I noticed you got a KenTacoHut. You know, one of those Kentucky Fried Chicken, Taco Bell.
Pizza Hut! That's genius. KenTacoHut. You sound like one of your crazy characters.
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'Young Adult' is the fourth feature of Jason Reitman, whose movies have always had a refreshing indie feel. When I look back to his filmography, I think they all have these protagonists who are in process of self- discovery. Over the course of events, they found the new one/lost one of themselves. 'Young Adult' also joins this culture.
Marvis Gary, played confidently by Charlize Theron, is an adult writer of 'Y.A. (Young Adult/Teen) Literature' living in a big city, far away from home for a long time. Her daily routine seems to be like all the lonely writers- writing, sleeping, eating, drinking, and then sleeping again. Course changes when she receives an invitation from her ex, Buddy, for a baby naming ceremony and then she is back, back to the memories of her 'glorious' past, as she likes to think of it. Marvis has always been a popular girl in high school, we learn that from numerous conversations. Now she is a struggling (her series is about to be canceled) writer living alone in a city and dealing with a recent divorce. It's no surprise that she wants to relive her popularity and more specifically, get his ex back. I think, because of living in this teenage world while writing literature and also having fame during here teenage, she's still stuck in that phase. She's still a 'young adult.' Which might be the reason why she still thinks that life can change the tracks and get her and Buddy back, like in the movies. We learn that Buddy is a happily married man and a father. And soon, over the course of events, Marvis also comes out of her illusion and teenage dreams and faces reality. Like I said, it ends with a self-discovery.
Reitman knows what he's doing. Like all of his other movies, he doesn't try to stuff you up with heavy emotions. Even the most melodramatic events would be presented with a light and refreshing approach in his movies. That's where his vision stands out. And Charlize Theron does a wonderful job supplementing Jason Reitman's vision.
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