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Un amour de jeunesse (2011)

Not Rated | | Drama, Romance | 6 July 2011 (France)
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A chronicle of the romance between Camille and Sullivan, which begins during their adolescence and picks up after Sullivan's 8-year absence from exploring the world.

Director:

Mia Hansen-Løve

Writer:

Mia Hansen-Løve (screenplay)
1 win & 2 nominations. See more awards »

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Cast

Cast overview, first billed only:
Lola Créton ... Camille
Sebastian Urzendowsky ... Sullivan
Magne-Håvard Brekke Magne-Håvard Brekke ... Lorenz (as Magne Håvard Brekke)
Valérie Bonneton Valérie Bonneton ... La mère de Camille
Serge Renko Serge Renko ... Le père de Camille
Özay Fecht Özay Fecht ... La mère de Sullivan
Max Ricat Max Ricat ... Le frère de Sullivan
Louis Dunbar Louis Dunbar ... Un ami
Philippe Paimblanc Philippe Paimblanc ... Le 1er antiquaire
Patrice Movermann Patrice Movermann ... Le 2e antiquaire
Arnaud Azoulay Arnaud Azoulay ... Le frère de Camille
Amélie Robin Amélie Robin ... Amie du lycée
Justine Dhouailly Justine Dhouailly ... Amie du lycée (as Justin Dhouilly)
Charlotte Faivre Charlotte Faivre ... La chef des hôtesses
François Buot François Buot ... Le prof d'histoire
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Storyline

Spring of 1999: 15-year-old Camille and 19-year-old Sullivan are mad about each other. Sullivan, however, wants to go to South America for a year and this drives Camille to despair. He leaves in the fall and after a while he stops writing to her. After a suicide attempt, she ends up in the hospital. After four years she works, studies architecture and lives alone. She meets a famous architect, Lorenz, who restores her self-confidence. In 2007, Camille and Lorenz have a strong relationship. She is his assistant but she feels strong enough to set up an agency soon. She develops into a more fully formed woman, with new interests. After 7 years she sees Sullivan again. After their first meeting everything seems to go well, but a few months later the old feelings come back and her heart is torn again. Written by lament

Plot Summary | Add Synopsis

Genres:

Drama | Romance

Certificate:

Not Rated | See all certifications »

Parents Guide:

View content advisory »
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Details

Country:

France | Germany

Language:

French | German | Danish | English

Release Date:

6 July 2011 (France) See more »

Also Known As:

Adeus, Primeiro Amor See more »

Filming Locations:

Ardèche, France See more »

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Box Office

Budget:

€3,600,000 (estimated)

Opening Weekend USA:

$21,077, 22 April 2012, Limited Release

Gross USA:

$64,925, 17 May 2012
See more on IMDbPro »

Company Credits

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Technical Specs

Runtime:

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

1.85 : 1
See full technical specs »
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Did You Know?

Quotes

Camille: I don't want you to go. What will I do without you?
Sullivan: You can't put everything on my shoulder. You have to live your life as well.
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Soundtracks

Paddy Ryan's Dream/Mama's Pet
Performed by Seamus Tansey with Reg Hall
Music and Words: Traditional
(P) With kind permission of Topic Records Ltd
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User Reviews

 
Delightful

Louis Garrel recently made his first feature film as director, Le Petit Tailleur, in an interview afterwards he admitted that his film was of a Paris that did not exist anymore, where the young went to the theatre to see Kleist. His film, as this one, contains a nostalgia for the New Wave. This is tacitly admitted in Goodbye First Love when Sullivan mentions that he went to a party in the suburbs where kids went to have sex and take drugs, a piece of shrapnel that doesn't fit in the jigsaw of this movie. The young of the developed world live with their eyes burnt out.

Goodbye First Love tells the story of Camille, in love with Sullivan, and how she copes with losing that love and moving on with her life. There's something pristine about the way that young animals love and lust together, narcotic and somewhat illusory, but on the threshold of paradise; and actually the most astonishing part of the film practically occurs in an Eden. One its successes is the casting of two actors who have an obvious sexual compatibility, which lends credibility to the treatment.

Mature love comes, but lies in the cradle of shared creativity and mutual respect, which should represent a superannuation of first love; but flesh is not just. For Camille, riding on the pannier rack of Sullivan's bicycle and grasping his body will always be the seed of her crystal.

Goodbye First Love, by the way, is an incredible aesthetic treat (my favourite part may well have been when the two rake over the ashes of their love, lying together likes ravens in a shattered tower, all a creation of capturing colour carefully). I felt privileged to have watched it, to have been let inside what's a meagerly-camouflaged auto-biography from Mia Hansen-Løve. I may well love and be loved back one day, but it won't be the Hamelin song that Mia has let me see, and I'm grateful to her for this facsimile.


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