Hodejegerne (2011)

An accomplished headhunter risks everything to obtain a valuable painting owned by a former mercenary.

Director:

Morten Tyldum

Writers:

Ulf Ryberg (screenplay), Lars Gudmestad (screenplay)

Stars:

Aksel Hennie, Synnøve Macody Lund, Nikolaj Coster-Waldau

Nominated for 1 BAFTA Film Award. Another 8 wins & 11 nominations.

Cast

Cast overview, first billed only:
Aksel Hennie	...	Roger
Synnøve Macody Lund	...	Diana
Nikolaj Coster-Waldau	...	Clas Greve
Eivind Sander	...	Ove Kjikerud
Julie R. Ølgaard	...	Lotte (as Julie Ølgaard)
Kyrre Haugen Sydness	...	Lander
Valentina Alexeeva	...	Natasja
Reidar Sørensen	...	Brede Sperre
Nils Jørgen Kaalstad	...	Stig
Joachim Rafaelsen	...	Brugd
Mats Mogeland	...	Sunded
Gunnar Skramstad Johnsen	...	Monsen 1
Lars Skramstad Johnsen	...	Monsen 2
Signe Tynning	...	TV-vertinne
Nils Gunnar Lie	...	TV-vert

Storyline

Roger Brown an Executive Headhunter and a part-time high end painting thief finds himself embroiled in a cat and mouse game when he tries to destroy Clas Greve's career prospects. However, Clas is a former member of a special tactical military force and will stop at nothing to ensure Roger is out of the picture and the job is his.

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Plot Keywords:

male star appears nude | killing a dog | painting | norway | art thief | 

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Taglines:

The hunt is on.

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Genres:

Crime | Drama | Thriller

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Motion Picture Rating (MPAA)

Rated R for bloody violence including some grisly images, strong sexual content and nudity

Details

Official Sites:

Official Facebook Official site

Country:

Norway Sweden Denmark Germany

Language:

Norwegian Danish Russian English

Release Date:

26 August 2011 (Norway)

Also Known As:

Headhunters

Filming Locations:

Skøyen, Oslo, Norway

Box Office

Budget:

NOK 30,300,000 (estimated)

Opening Weekend:

$1,690,000 (Norway), 26 August 2011, Limited Release

Opening Weekend USA:

$43,013, 29 April 2012, Limited Release

Gross USA:

$1,196,752, 12 August 2012

Company Credits

Production Co:

Yellow Bird, Friland, Nordisk Film

Technical Specs

Runtime:

96 min

Sound Mix:

Dolby Digital

Color:

Color

Aspect Ratio:

2.39:1

Did You Know?

Trivia

Roger Brown pronounces his first name with a hard "g", whereas Claes Greve uses the American pronunciation. In the book, Roger himself shifts between the two depending on who he's talking to.

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Goofs

When Roger Brown is researching Clas on the Internet he sees an article "Terrorist Cell hunted down by TRACK" which says "...three men was killed."

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Quotes

[Last lines]
Roger: My name is Roger Brown. I'm 5'6" tall, and you know what? That's more than enough.

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Connections

Referenced in MythBusters: Hypermiling/Crash Cushions (2013)

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Soundtracks

Come Arround
Music and words by Goran Obad & Henrik Skram
Produced by Riviera Oslo

User Reviews

The cut-throat world of Norwegian recruitment consultancy...

Touted as the next Stieg Larsson (or if you prefer, Norway's answer to Sweden's other major literary export, Henning Mankell), Jo Nesbo's Headhunters had already been earmarked for a (no doubt inferior) US remake before it was even released overseas.

Roger Brown (Aksel Hennie) is a 168cm recruitment consultant with a big house, a beautiful wife and an inferiority complex that drives him to moonlight as an art thief. The prosaically named protagonist is no Thomas Crown - he steals to keep a (wildly overleveraged) roof over his head and only pockets a measly 30% of the revenue from his ill-gotten gains. Even his appearance is counterintuitive - more bug eyed Steve Buscemi than suited and booted Bond. Even so, there's more going on here than meets the eye, but suffice to say that his real troubles start when he decides to go after The Big One - the retirement score that will put an end to his financial troubles and allow him to keep his ridiculously attractive wife in the style to which he's become accustomed.

To say anything more about the plot would be superfluous, but I will take a moment to admire the confidence of the director Morten Tyldum. Headhunters is, in a sense, typically Scandinavian - stark, brooding and with as much silence as dialogue. The style here serves the substance - the camera is often completely immobile, forcing the audience to concentrate on what's going on, a complete contrast to the craftsmanship/gimmickry more typical of glossy mainstream thrillers coming out of the US. Rather than spoonfeeding the audience every single clue, Headhunters isn't afraid to lead the unwitting watcher on a merry dance. Naturally the whole enterprise rests on the small but perfectly formed cast, particularly Hennie, with whom we slowly come to empathise, and the more typically suave Nikolaj Coaster-Waldau as the former exec with a murky past.

If Headhunters has a particular weakness, it's that it spends most of its time descending into increasingly dark (and occasionally graphically violent) territory, while occasionally veering into light hearted caper. This does feel slightly bewildering, but to be honest, it's a relative minor criticism. Headhunters is definitely worth catching (particularly given the woefully slim pickings over the past few months), if not now, then 6 months from now when it premieres on Film Four in the middle of the night. Scandinavians (and cinéastes with a penchant for Northern European film) may be used to this kind of thing, but for the rest of us it's a wonderfully welcome arctic blast through the land's tat filled cinema screens.