Dolph Springer wakes up one morning to realize he has lost the love of his life, his dog, Paul. During his quest to get Paul (and his life) back, Dolph radically changes the lives of others -- risking his sanity all the while.
George is the scapegoat of his classmates. One day he cracks and shoots them. His best and only friend Blaise is accused in his place and sentenced to 7 years in a psychiatric hospital. At ... See full summary »
A young actor suddenly wakes up in the middle of the shooting of a movie he doesn't understand. After shooting a few scenes, the main character accidentally shoots and kills the technical ... See full summary »
Duke, a crooked and music-mad cop, patrols in Los Angeles' streets, music blasting and meets a young techno lover, David Dolores Frank. Appalled by the musical tastes of the young adolescent, Duke decides to give him a good music lesson.
As film spectators watch, a killer car tire comes to life in a desert dump site. Flexing its... rubber... and ready to roll, it soon discovers its telekinetic ability to make small animals and people's heads explode. Lt. Chad hopes to end this movie by fatally poisoning every last spectators, but failing that, the show must go on, and the tire goes on a three-day rampage. With few left alive, a lure is constructed to draw the tire from its motel room, where hopes are to end it and this movie once and for all.Written by
One of the Spectators is played by Daniel Quinn, who starred in Scanner Cop (1994) as a man who could make people's heads explode with his mind, just as the tire does in this film. See more »
When the tricycle is moving along the road (at around 1h 14 mins), the picture flips and the bell and lone handlebar grip streamer move from the left-hand side to the right-hand side and then back again. See more »
In the Steven Spielberg movie "E.T.," why is the alien brown? No reason. In "Love Story," why do the two characters fall madly in love with each other? No reason. In Oliver Stone's "JFK," why is the President suddenly assassinated by some stranger? No reason. In the excellent "Chain Saw Massacre" by Tobe Hooper, why don't we ever see the characters go to the bathroom or wash their hands like people do in real life? Absolutely no reason. Worse, in "The Pianist" by Polanski, how come...
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During the closing credits, the opening monologue by Lt. Chad is shown from a different angle that shows the speech is for the "in-film" audience, and not the "theater" film audience. See more »
A movie about a killer tire sounds like the most ridiculous concept next to someone creating a human centipede. Yet, these two concepts did in fact make it onto film and both of them failed to meet their absurdly high expectations. The film is a homage to 'no reason', as we are told at the beginning and when a film is created for no reason, you know you are in trouble.
The film opens with a character talking directly to the viewer by breaking the fourth wall. He states the the film has no purpose, so he is actually preparing you for the most useless film you'll ever see. Unless of course you've been one of the special few who have seen The Room. As interesting as this may be, it's also a drawback. Why would someone think that to interest an audience, you need to tell them from the beginning that everything has no purpose what so ever. It makes the audience feel like they are wasting their time. Rubber wasted my time.
I don't know why the prospect of a killer tire that makes your head explode sounded good to me, but it did. I thought I was in for a ridiculously cheesy good time. I got something else entirely. A boring, redundant film that has no fun factor. The audience is actually a part of the film, represented by a few people who actually watch the events unfold and make comments. Again, an interesting concept that never materializes.
I give the film credit for looking great, it never felt like a cheap film to me. They get creative when shooting scenes with the tire, they make the killer tire really seem to have a mind of it's own. They actually give it a name in the credits, Robert. All this creativity is wasted though on a script that bores the hell out of the viewer. They were on a mission to make a film with no purpose, good job they achieved it.
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